J. S. BACH Jonathan Berkahn - Victoria University - Victoria ...

(London: Allen & Unwin, 1954).
______ Johann Sebastian Bach; the culmination of an era (New York: Oxford
University Press, 1966).
______ Haydn: a creative life in music, 3rd ed. (Sydney: Allen and Unwin, 1982).
Georgii, Walter, ed. Four hundred years of European keyboard music; Anthology of
music, ed. K. G. Fellerer, vol. I (Cologne: Arno Volk Verlag, 1959).
Gerhardt, Anselm, ‘Nicht Gift, sondern Kontrapunkt: Mozarts Requiem und sein
Ende’, Neue Zeitschrift für Musik 150/9 (Sept 1989), 6-12.
Girdlestone, Cuthbert M., ‘Muzio Clementi’, Music & Letters 13/3 (July 1932), 286-
97.
Gjerdingen, Robert O., ed.,‘Monuments of Partimenti’, http://faculty-
web.at.northwestern.edu/music/gjerdingen/partimenti/ (accessed 4 October 2006).
Gloede, Wilhelm, ‘Süssmayrs Requiem-Ergänzungen und das Wort-Ton-Problem’,
Mozart-Jahrbuch 1999, 81-103.
Godwin, Joscelyn, ‘Prelude to a fugue: reflections on Beethoven’s Grosse Fuge, opus
133’, Temenos 10 (1989), 69-77.
Goehr, Lydia, The imaginary museum of musical works: an essay in the philosophy of
music (Oxford: Oxford University Press, 1994).
Goodman, Nelson, Languages of art; an approach to a theory of symbols (London:
Oxford University Press, 1969).
Grace, Harvey, The organ works of Bach (London: Novello, 1922).
______ ‘Rheinberger’s organ sonatas (concluded)’, Musical Times 65/975 (May
1924), 412-16.
______ The organ works of Rheinberger (London: Novello, 1925).
Grant, Kerry S., Dr. Burney as critic and historian of music (Ann Arbor: UMI
Research Press, 1983).
Grew, Sydney, ‘The “Grosse Fuge”: the hundred years of its history’, Music & Letters
12/2 (April 1931), 140-147.
433