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J. S. BACH Jonathan Berkahn - Victoria University - Victoria ...

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BIBLIOGRAPHY<br />

[anon.] ‘The organ recital: A contribution towards its history’, The Musical Times and<br />

Singing Class Circular 40/679 (September 1, 1899), 600-603.<br />

Abraham, Gerald, ed. New Oxford history of music, vol. VIII: The age of Beethoven,<br />

1790-1830 (Oxford: Oxford <strong>University</strong> Press, 1982).<br />

Adorno, Theodor W., ‘Arnold Schoenberg: 1874-1951’, Prisms, tr. Samuel and<br />

Shierry Weber (Cambridge, MA: MIT Press, 1981), pp. 147-172.<br />

______ ‘Late style in Beethoven’, Raritan 13/1 (Summer 1993), 102-7.<br />

______ Beethoven: the philosophy of music, ed. Rolf Tiedemann, tr. Edmund Jephcott<br />

(Stanford: Stanford <strong>University</strong> Press, 1998).<br />

Albrechtsberger, Johann Georg, Gründliche Anweisung zur Composition (Leipzig,<br />

1790).<br />

______ rev. Ignaz Seyfried, J. G. Albrechtsberger’s sämtliche Schriften über<br />

Generalbass, Harmonie-Lehre und Tonsetzkunst zum Selbstunterrichte<br />

systematisch geordnet, mit zahlreichen aus dessen mündlichen Mittheilungen<br />

geschöpften Erläuterungs-Beyspielen und einer kurzen Anleitung zum Partitur-<br />

Spiel (Vienna, 1837; modern ed. Kassel: Bärenreiter, 1975).<br />

Alldritt, Keith, Eliot’s ‘Four quartets’: poetry as chamber music (London; Totowa,<br />

N.J.: Woburn Press, 1978).<br />

Anderson, James, ‘Musical identity’, Journal of Aesthetics and Art Criticism 40/3<br />

(Spring 1982), 285-91.<br />

Anhalt, István, ‘Text, context, music’, Canadian <strong>University</strong> Music Review/Revue de<br />

musique des universités canadiennes 9/2 (1989), 1-21.<br />

Applegate, Celia, ‘How German is it? Nationalism and the idea of serious music in the<br />

early nineteenth century’, 19th-century Music 21/3 (Spring 1998), 274-296.<br />

Argent, Mark, ‘Decoding Bach 3: stringing along’, Musical Times 141/1872 (Autumn<br />

422

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