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J. S. BACH Jonathan Berkahn - Victoria University - Victoria ...

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all, he had to present the unregenerate Burney as an idolatrous Handelian. Posterity<br />

has tended to see him this way, but even a moderately careful reading of his works<br />

shows that this is simply not true. A sincere admirer of Handel at what he considered<br />

his best, he did not hesitate to criticise him where (in Burney’s view) he fell below this<br />

standard, or had been superseded by later composers. At least, this was true in private;<br />

Roger Lonsdale and Kerry Grant have documented the tortuous process by which,<br />

when drafting his publications, he would sometimes alter or even reverse critical<br />

judgements, presumably with his intended readership in mind. 85 Burney may not have<br />

been a single-minded Handelian, but many potential patrons were, and unlike Hawkins<br />

(who had an independent income) Burney was dependent upon noble patronage for<br />

much of his livelihood.<br />

Secondly, he had to emphasise Burney’s former distaste for J. S. Bach. The<br />

attitude displayed in the History and Present State of Music in Germany, the<br />

Netherlands, and United Provinces, however, is by no means as negative as often<br />

thought. While hardly granting Bach the pre-eminence he is usually accorded today,<br />

Burney speaks of him with the tone of qualified approval he used for most of the<br />

composers he admired. In fact, he felt (with some justice) that he deserved the credit<br />

for introducing the name of J. S. Bach to the English musical public, and—in private<br />

—complained that Samuel Wesley had stolen his thunder: ‘I can boast of being the<br />

first to make my country acquainted with J. Seb. Bach, for when my German tour was<br />

first published, there were perhaps not above four professors in the Kingdom who had<br />

ever heard his name.’ 86<br />

The reason that Burney was not exclusively a Handelian was that it was not in<br />

85 K. Grant, Dr Burney as critic and historian of music (Ann Arbor: UMI Research Press, 1983),<br />

pp.287-90. R. Lonsdale, Dr Charles Burney: a literary biography (Oxford: Clarendon Press, 1965),<br />

pp.296-314 in particular tells of the agonising process of drafting his account of the 1784 Handel<br />

Commemoration, and the intense editorial pressure he was under from the Handelian bloc—one of<br />

whom was the King himself.<br />

86 Annotation to a draft of a letter to Wesley, 17 October 1808, quoted in Grant, Dr Burney, p.194.<br />

175

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