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J. S. BACH Jonathan Berkahn - Victoria University - Victoria ...

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commonplace for those of their class and background.’ 25<br />

It is fortunate that it was during the 1760s that his two sons began to show their<br />

extraordinary musical precocity. By this time the Methodist movement was well<br />

established, having survived the struggles and persecution of the 1730s and 40s.<br />

Charles had begun to settle down, establishing a comfortable domestic existence at<br />

Bristol. Happily married (a rare achievement for the Wesleys, it seems) and occupied<br />

with raising a family, he had by no means retired from leadership of the Methodist<br />

movement, but could scarcely attempt to match his brother’s gruelling schedule of<br />

travel and preaching. The unexpected appearance of not one but two musical<br />

prodigies in their midst was the cause of much heart-searching. On the one hand their<br />

father felt obliged, as a Christian, not to waste his sons’ remarkable talent; on the<br />

other, he was aware that life as a professional musician would scarcely be congenial to<br />

Methodist values.<br />

His decision-making process was exhaustive and protracted, involving a<br />

veritable ‘who’s who’ of musical London. 26 Among those who took an interest in<br />

Charles’s young sons were John Stanley, John Worgan, William Boyce, Thomas<br />

Linley, Samuel Arnold, T. A. Arne, J. Broderip, John Burton, John Keeble, John<br />

Beard, Matthias Vento, Felice de Giardini, J. C. Smith, <strong>Jonathan</strong> Battishill, and<br />

Wilhelm Cramer. At length the decision was referred to Joseph Kelway, a minor<br />

composer but apparently the final authority on questions of musical education.<br />

Charles accepted the advice of the experts and, in Kenneth Hart’s apt phrase, ‘resigned<br />

himself to the idea that this was a gift from God’. 27<br />

25 Wesley, p.4.<br />

26 See Olleson, Wesley, pp.7-9, 217-18. It is recorded in great detail both in Charles’ Journal and, in<br />

an expanded form, by the lawyer Daines Barrington (1727-1800) in his Miscellanies on various<br />

Subjects (London, 1781), pp.291–310, and ‘An account of the very extraordinary musical talents of<br />

Messrs Charles and Samuel Wesley’, Westminster Magazine, 9 (1789), 233-36, 289-95. These have<br />

been excerpted in T. Jackson, The life of the Rev. Charles Wesley, MA (London, 1841), pp.330-45,<br />

and Routley, Wesleys, pp.43-57.<br />

27 From a presentation to the Perkins Faculty Luncheon, 6 March 1996, concerning his (still<br />

unpublished) edition of S. Wesley’s Reminiscences (to be found at:<br />

http://www2.smu.edu/theology/faculty/hart/ken_hart.htm ).<br />

133

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