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J. S. BACH Jonathan Berkahn - Victoria University - Victoria ...

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The Adagio of John Stanley’s Voluntary in G, op.5/3 (1748) shows an authentic<br />

Handelian breadth (Ex.2.5), while Ex.2.6 from John Bennett’s Voluntary in F (1757-<br />

58) might have come out of one of Handel’s organ concertos.<br />

John Stanley and John Bennett were among the leading organists of mid-<br />

century London, but there were dozens of other minor composers writing in a similar<br />

vein. The following Allegro from a voluntary by Henry Heron is a domesticated and<br />

simplified version of Handel’s bold orchestral rhetoric, almost comical in its limited<br />

imaginative scope (Ex.2.7). On the other hand, this fugue from a manuscript voluntary<br />

in G minor by John Stanley (Ex.2.8) 17 makes an interesting comparison with the<br />

Alcina fugue discussed above.<br />

17 Now published as part of An RCO Miscellany, ed. H. Diack Johnstone (Eastwood, Leigh-on-Sea:<br />

Basil Ramsey, 1980).<br />

125

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