“It’s hard workbeing funny,”comedianBernard O’Sheatells <strong>Midl<strong>and</strong></strong><strong>Arts</strong> <strong>and</strong> <strong>Culture</strong><strong>Magazine</strong> Editor,Angela Madden.Being a fulltime funny manis no laughingmattercompetition but no one entered. Oneday he said ‘would you do it’ <strong>and</strong> so Idid it to get people in <strong>and</strong> make hisevent work. That was my first gig.”This was to be the gig of his life asBernard said after that unplannedperformance things startedhappening quickly. “What happenedwas I got offered £50 <strong>and</strong> I got asupport slot to Pat McDonnell <strong>and</strong>Joe Rooney.” Both Pat <strong>and</strong> Joe werehousehold names as a result of theirFather Ted fame. “I did the supportact before them <strong>and</strong> that was mysecond gig!”Ironically – accidental comedianBernard had never actually been to acomedy gig before his debut supportact.Durrogh, county Laois, funny manBernard says he owes his success tohis best fr<strong>ie</strong>nd who d<strong>ie</strong>d extremelyyoung <strong>and</strong> that he simply fell into therole of comedian thanks to this muchmissed pal Danny.Bernard is the youngest of a family offour <strong>and</strong> the only male in the mix.“Basically I got away with stuff,” saidBernard who admitted he had thehapp<strong>ie</strong>st childhood one could hopefor with Mum Mary <strong>and</strong> Dad John.In was early in this idyllic childhood,from about the age of 13, thatBernard started taking to the stage –but not as a comedian but rather as amusician playing Irish traditionaltunes with his Dad <strong>and</strong> this hecontinued to do throughout hisformative years.“Success doesnot necessarilygive you the rightto do this foreveror to make alivelihood forever.It is simply aplatform to use tobuild upon.”Then, at the age of 17 or 18 Bernardheaded into the great unknown – orat least Dundalk – to study CulturalStud<strong>ie</strong>s, which was a br<strong>and</strong> newcourse at the time, he told <strong>Midl<strong>and</strong></strong>sArt <strong>and</strong> <strong>Culture</strong> <strong>Magazine</strong>.“The course covered theatre, film,archaeology, arts <strong>and</strong> culturaltheory,” he explained. “And with itbeing the first course of its kind itreally was quite experimental.”It was during this four-year coursethat Bernard got to meet a new groupof fr<strong>ie</strong>nds – <strong>and</strong> his great fr<strong>ie</strong>ndDanny (RIP). “In our third year we hadto get a project – a cultural event,”said Bernard “<strong>and</strong> Danny decided toput on a comedy show. He ran aIn the next phase of life at the end ofhis college days, the big smoke calledBernard who headed to Dublin <strong>and</strong>ended up living in a bedsit <strong>and</strong>playing Irish music on his accordionor singing to make a few pounds “<strong>and</strong>really going nowhere”.Bernard then explained that around2004/5 a new comic turn was bornewith the revolutionary Des Bishop<strong>and</strong> his group <strong>and</strong> his brother AidanBishop, which started running everyThursday, Friday <strong>and</strong> Saturday. “I wasfr<strong>ie</strong>ndly with Aidan <strong>and</strong> then heallowed me to gig three or four timeswith them - <strong>and</strong> then, gradually, overtime I spent more time doing comedythan music.”18
“More than any show Ihave seen this Fringe, Idesperately want to see itagain. It is O’Shea’s firstshow in Edinburgh <strong>and</strong> isendlessly delightful <strong>and</strong>surprising. gloriousvulnerabilit<strong>ie</strong>s <strong>and</strong>fabulous imprompturaging that remindsyou how extraordinaryst<strong>and</strong>-up can be.”The Scotsman (5 star rev<strong>ie</strong>w)About Bernard – a snapshot■■■■■■■■Bernard started out in entertainment at anearly age playing traditional Irish music,touring Europe with several groups.While at college he stud<strong>ie</strong>d Theatre <strong>and</strong>went on to star in several theatricalproductions.He worked in the National Theatre ofIrel<strong>and</strong> <strong>and</strong> the Abbey Theatre.He won the Harp Newcomer Comedy Awardin 2000 <strong>and</strong> performed in the BBCNewcomer Awards the same year.He was chosen to perform in The MontrealJust for Laughs comedy festival in 2005<strong>and</strong> also The Kilkenny Cats Laughs festivalin 2005 <strong>and</strong> 2006.He wrote TJ <strong>and</strong> TJ sketches on Today FM.His Edinburgh debut Do not adjust yourmind reality is a fault received a five starrev<strong>ie</strong>w from The Scotsman.He has previously co-hosted the Breakfastwith Bernard <strong>and</strong> Keith show on the Irishradio station I105-107FM.Television credits■ The Liffey Laugh (RTÉ)■ Naked Camera (RTÉ)■ Just for Laughs■ The World St<strong>and</strong>s Up (Paramount)■ Newcomer Awards (BBC)■ The Cafe (RTÉ)■ Touching People (RTÉ)■ The Byrne Ultimatium (RTÉ)■ Republic of Telly (RTÉ)■ The Panel (RTÉ)A year later in 2005 Bernardauditioned for Montreal Show – theXfactor comedy equivalent which wasauditioning in Irel<strong>and</strong> <strong>and</strong> involvedst<strong>and</strong>ing in front of the panel <strong>and</strong>performing a four or five minute skit.Bernard made the cut.Then “one night when I was having agood night back in 2005 I was askedto perform at the Montreal ComedyFestival,” added the Laois native.But, Bernard explained that such orany successes ach<strong>ie</strong>ved in comedy –or in the arts in general – does notgive you a free pass for the future;that you can not expect or assumethat people will like your work foralways or as much.“Success does not necessarily giveyou the right to do this forever or tomake a livelihood forever,” saidBernard “it is simply a platform to useto build upon.”In fact, ironically, Bernard said thatfor him, the more success heach<strong>ie</strong>ved the more comedy became ajob <strong>and</strong> the more difficult the jobbecame. “Initially you just got up onstage <strong>and</strong> had a laugh,” said Bernard.“Then it became a source oflivelihood <strong>and</strong> you know howimportant that livelihood is. You hadto work <strong>and</strong> prepare; you just couldn’tget up <strong>and</strong> hope for the best anymore.”It’s hard work <strong>and</strong> long days that gointo Bernard’s craft. “What I amfinding right now with TV, travel, radioabroad, gigs in Irel<strong>and</strong> I have to getup at nine am <strong>and</strong> start writing <strong>and</strong>usually keep writing until 3pm when Ihave a break <strong>and</strong> then get back to ituntil maybe 7 or 9pm. It is work.“It is getting the stage where I amalways saying that the only thing I likeabout st<strong>and</strong> up is being on the stage,waiting to go on stage. Developing,preparing is work. It is just work.”Bernard said that while it may seemglamorous <strong>and</strong>, while he loves it <strong>and</strong>feels extremely luck, it is a job likeeveryone else’s.“Initially you justgot up on stage<strong>and</strong> had a laugh.Then it became asource oflivelihood <strong>and</strong>you know howimportant thatlivelihood is. Youhad to work <strong>and</strong>prepare; you justcouldn’t get up<strong>and</strong> hope for thebest any more.”But how does Bernard actually comeup with the sketches <strong>and</strong> put hisideas down on paper? “The way Inormally write it is, I see something inlife that interests me. I write a lot ofthe stuff on the concept of hope –what we hope for <strong>and</strong> where it can gowrong even if everything seems right.I see something that is funny. I go onstage <strong>and</strong> thrash it out…Big things donot amuse as much as the littlethings.“One four to five minute skit can takea year to develop for stage.”He added: “All art is some form ofentertainment <strong>and</strong> some people payto have a laugh,” <strong>and</strong> so he admitsthat if you fail to do that your artsimply hasn’t delivered.But, comedy can also be used tomake a point – but only as asecondary aim. Bernard said thatwhile he is endeavoring to makepeople laugh, “after they have thelaugh then you can make a point butnever the other way round”.Bernard also that the publicperception of comedians beingdepressed <strong>and</strong> anti-social off stagewas just an “easy paradox” for peopleto make <strong>and</strong> nothing short of a“stereotype”.However, he did say that part of thisv<strong>ie</strong>w might come form the fact thatthe public have a v<strong>ie</strong>w of yourcharacter. But, Bernard points out weall have good days <strong>and</strong> not so good.“Someone may say hello to you <strong>and</strong>expect a particular type of reactionbut it may just be that you receivedsome bad news that day <strong>and</strong> so justaren’t in the best form or make awitty retort,” explained Bernard.One of Bernard’s dislikes is reality TVbecause of the impact this cheap tobroadcast format had on moremeaningful productions <strong>and</strong> creativityin general. “Reality TV is responsiblefor cutting so many jobs in the arts –from scriptwriters right through,” saidBernard “so many different types ofjobs. Reality TV is just dirt cheap.”Now a regular on the popularRepublic of Telly, Bernard admits thatTV is a very different proposition tothe stage where preparation is lessimportant than the ability to be ableto react quickly.And, while the modest Bernard said itwas up to others to determinewhether he will be making a returnfor the next season of Republic ofTelly we will certainly be hoping thathe remains a fixture on our tell<strong>ie</strong>s ona Sunday night. MTour Dates■ July 2: The TrimSatire Festival (Trim,county Meath)2.45pm, The Cirquedu Satire■ July 15- 16: CorkComedy Festival■ July 21 <strong>and</strong> 23:The VodafoneComedy Carnival,Iveagh GardensDublin19