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Bull's Head and Mermaid - The Bernstein Project - Österreichische ...

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Scientific research on watermarks, their systematic collection,<br />

classification <strong>and</strong> analysis, was already begun in the<br />

early 19 th century, milestones being set thereby by the major<br />

works of Briquet <strong>and</strong> Piccard. <strong>The</strong> possibilities watermarks<br />

offer for historical research are, first of all, connected<br />

to questions concerning the history of paper, but also, of<br />

even more importance, the texts <strong>and</strong> illustrations the paper<br />

bears.<br />

<strong>The</strong> use of particular watermarks not only allows one to determine<br />

where the paper was produced, their spread also<br />

testifies to the paper’s distribution: paper trade <strong>and</strong> related<br />

economic questions can thus be examined. Maria Zaar-Görgens<br />

was able to map, on the basis of watermarks, the<br />

spread of paper from paper mills in Lorraine-Upper Rhine<br />

between 1385 <strong>and</strong> 1600, showing not only the impressive<br />

increase in paper production, but also developments in paper<br />

trade <strong>and</strong> the economic situation of southwest Germany,<br />

both over time <strong>and</strong> distance (Ill. 1).<br />

Watermarks are of particular methodological importance<br />

for describing manuscripts, which includes an analysis of<br />

the paper they are written on as well as any inscriptions<br />

<strong>and</strong> the texts themselves. In addition to actual historical<br />

questions concerning the paper, undated manuscripts <strong>and</strong><br />

prints can usually be dated to within a few years on the basis<br />

of their watermarks; watermark research is particularly<br />

significant as it provides a much more accurate aid for historical<br />

dating (Piccard) than, for example, palaeographical<br />

analysis. A prerequisite is, of course, the existence of an<br />

identical, dated watermark, which furnishes the time period<br />

for the paper’s production.<br />

<strong>The</strong> technical possibilities for copying or reproducing watermarks<br />

from original documents range from tracing, either<br />

h<strong>and</strong> tracing or rubbing, to expensive modern techniques<br />

such as beta radiography, which has increased accuracy.<br />

Analysis of watermarks has become st<strong>and</strong>ard in<br />

scholarly descriptions of manuscripts, <strong>and</strong> has profited from<br />

the continually growing watermark collections <strong>and</strong> their<br />

availability on the internet.<br />

Literature: Zaar-Görgens, Champagne – Baar – Lothringen;<br />

Piccard, Die Wasserzeichenforschung als historische Hilfswissenschaft.<br />

P.R. (C.P.-K.)<br />

IV Watermarks <strong>and</strong> Research on Manuscripts<br />

<strong>The</strong> Commercial Aspects of Paper<br />

In common with all manufactured goods fabricated in every<br />

period <strong>and</strong> place, paper was a product that presented different<br />

mercantile properties depending on purchasers’<br />

needs. Even if a wide range of uses for paper has been<br />

identified – as a substitute for glass in windows, for example<br />

– the most important differentiating criterion distinguished<br />

between writing paper <strong>and</strong> wrapping paper, just as<br />

it does today. Contrary to what certain people have supposed,<br />

wrapping paper did not form the bulk of the paper<br />

that was produced; rather, it represented about 20–25% of<br />

production.<br />

<strong>The</strong> thing that distinguished the two chief categories of<br />

paper wasn’t only colour – inasmuch as wrapping paper<br />

was made from rags that were more or less brown, while<br />

writing paper was made from white rags – but also the material’s<br />

degree of refinement: the pulp that was destined to<br />

produce writing paper was, in fact, far more refined, <strong>and</strong> in<br />

order to produce it, special pounding mills which were able<br />

to reduce fibres to the smallest dimensions were necessary.<br />

For this reason, not all paper mills were able to produce<br />

both kinds of paper: thus, at Colle Val d’Elsa in the 16 th<br />

century, paper mills were divided into two categories,<br />

“black”, <strong>and</strong> “white”, which only produced wrapping paper<br />

<strong>and</strong> did not enjoy the right to process white rags. However,<br />

even within the “writing paper” category, the product<br />

could present in various quality grades; in addition to “fine<br />

paper” one often encountered so-called “fioretto” grade<br />

product (the etymology of this term is unclear) or, descending<br />

even further on the quality scale, so-called “fiorettone”<br />

grade papers. In the absence of “archaeological” evidence,<br />

unfortunately we have to ignore the possible differences<br />

seen among the different quality grades. Indeed, today we<br />

would be completely unable to distinguish between the different<br />

types of sheets that corresponded to the different<br />

names.<br />

<strong>The</strong> price of paper varied in function with its quality <strong>and</strong>,<br />

needless to say, cases of fraud were numerous <strong>and</strong> frequent.<br />

For this reason, a great many regulations were issued<br />

by civic authorities in places of production <strong>and</strong>/or consumption,<br />

testimony to the care taken to safeguard consumers’<br />

interests early on in the history of paper<br />

33

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