Bull's Head and Mermaid - The Bernstein Project - Österreichische ...
Bull's Head and Mermaid - The Bernstein Project - Österreichische ...
Bull's Head and Mermaid - The Bernstein Project - Österreichische ...
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Ill 17: Advertisement of T.J. Marshall & Co, the inventor of the<br />
D<strong>and</strong>yroll/Egoutteur, with which watermarks can be made in industrially<br />
produced paper. (Advertisement from the Wochenblatt<br />
für Papierfabrikation, Vol 36 (1905), p. 3232)<br />
able for dating. Sometimes in quests of authenticity these<br />
characters can still make their contribution. However, it is to<br />
bear in mind that 12, 16 or 24 similar watermarks are often<br />
installed on one D<strong>and</strong>y roller <strong>and</strong> each of them can havenot<br />
intentionally! – individual peculiarities.<br />
Literature: Audin, De l’origine du papier vélin; Balston, <strong>The</strong><br />
Whatmans; Balston, James Whatman; Blechschmidt /<br />
Strunz, Der Beginn; Bockwitz, Wer war der Erfinder; Clapperton,<br />
<strong>The</strong> papermaking machine; Doizy / Fulacher, Papiers<br />
et moulins; Feyerabend, Über die Stellung von Wasserzeichen;<br />
Hößle, Alte Papiermühlen; Hössle, Bayerische Papiergeschichte;<br />
Hills, <strong>The</strong> early use; Killermann, Jakob Christian<br />
Schaeffers Papierversuche; Hoyer, Die Entwicklung der<br />
Papiermaschine; Hunter, Porträt-Wasserzeichen; Klein,<br />
Chemie und Papierfabrikation; Loeber, Paper mould <strong>and</strong><br />
mouldmaker; Meltzer, Die Entwicklung der Papierfabrikation;<br />
Postl, Herstellung von Wasserzeichen; Postl, Oberflächenleimung;<br />
Postl, Faber in amne cudit; Schlieder, Über<br />
Anfänge der Verwendung; Schmidt, Geschichte der Papierherstellung;<br />
Schulte, Ueber die erste Papiermaschine; Sembritzki,<br />
Ueber die erste Papiermaschine; Siniarska-Czaplicka,<br />
La production; Smith, Watermarks; Strachan, Die Geschichte;<br />
Weiß, H<strong>and</strong>buch der Wasserzeichenkunde; Weiß,<br />
Vom Velin- und Kupferdruckpapier; Weiß, Schiller-<br />
Manuskripte; Weiß, Schiller und das Papier; Wintermeyer,<br />
Die Entwicklung der Holzschleiferei.<br />
G.D. / F.S. (G.D / F.S. / L.D.)<br />
Moulds <strong>and</strong> Wires<br />
In Europe, paper is typically made with a metal mould fitted<br />
into a wooden frame. <strong>The</strong> mould is usually made of copper<br />
or bronze. <strong>The</strong> frame is stiffened <strong>and</strong> supported by wooden<br />
26<br />
ribs, tapering towards the mould, that are parallel to the<br />
frame’s shorter sides. <strong>The</strong> mould itself is made of horizontal<br />
laid or ribbing wires (laid-lines) that run parallel to one another,<br />
<strong>and</strong> thinner so-called chain or warp wires (chainlines)<br />
that run perpendicular to the laid line <strong>and</strong> parallel to<br />
the cross pieces. <strong>The</strong>se chain-lines lie directly on the wood<br />
of the cross pieces <strong>and</strong> are stitched to the laid-lines. When<br />
making the paper, the pulp mass sinks into the spaces between<br />
the wires <strong>and</strong> thus the paper is thinner over the laidlines.<br />
<strong>The</strong> structure of the mould, seen as light <strong>and</strong> dark<br />
stripes, is readily apparent when the paper is backlit or photographed<br />
by means of beta-radiography. <strong>The</strong> print of the<br />
mould in the paper mirrors more or less exactly the diameter<br />
of the laid-lines <strong>and</strong> the distance between them. However,<br />
such mould prints are quite difficult to see in early paper,<br />
as for example from the first third of the 14 th century.<br />
Above all, the cross pieces are very difficult to see in paper<br />
from this period, even with the help of beta-radiography.<br />
<strong>The</strong> diameter of wire depends on the technique with<br />
which it was produced. Wire can be either forged or<br />
drawn. In the latter technique, wire was gradually made<br />
thinner by pulling it (in the beginning, manually using muscle<br />
strength) through the progressively smaller holes of a<br />
drawing die.<br />
According to research done by Hills, in very early Italian<br />
paper the clearly irregular wire lines in the mould prints indicate<br />
that the wire was hammered <strong>and</strong> not drawn. He<br />
found mould prints with irregularly running laid wires <strong>and</strong><br />
ll 18: Image of a D<strong>and</strong>y roller for an light-dark watermark. It is<br />
a vellum D<strong>and</strong>y roller from the year 1923 showing the words<br />
‘REPUBLICA PERUANA’. <strong>The</strong> paper appears dark there because<br />
the dents of the writing can accumulate more mass. Exactly the<br />
opposite is the case in the foreground where the higher wire<br />
parts are. <strong>The</strong> wire displaces more pulp <strong>and</strong> the paper appears in<br />
these places brighter. Such a watermark is called light-dark watermark.<br />
Manufacturer of this D<strong>and</strong>y roller was the Dürener Metalltuch<br />
<strong>and</strong> Egoutteurfabrik, J. W. Andreas Kufferath & Co., Düren.<br />
<strong>The</strong> D<strong>and</strong>y roller comes from the paper mill Weissenborn close to<br />
Freiberg.