Bull's Head and Mermaid - The Bernstein Project - Ã–sterreichische ...

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Bull’s Head and Mermaid The History of Paper and Watermarks from the Middle Ages to the Modern Period
Booklet and catalogue of the exhibiton presented by the Landesarchiv Baden-Württemberg, Hauptstaatsarchiv Stuttgart and the Austrian Academy of Sciences, Kommission für Schrift- und Buchwesen des Mittelalters, Vienna Edited by the Bernstein Project © First edition: Ochsenkopf und Meerjungfrau. Wasserzeichen des Mittelalters, Landesarchiv Baden-Württemberg, Hauptstaatsarchiv Stuttgart 2006. © Second, enlarged edition in Italian: La memoria della carta e delle filigrane dal medioevo al seicento, Landesarchiv Baden-Württemberg, Hauptstaatsarchiv Stuttgart 2007. © Third, enlarged edition: Landesarchiv Baden-Württemberg, Hauptstaatsarchiv Stuttgart and all institutions involved. All rights reserved. The rights to the illustrations remain with the Landesarchiv Baden-Württemberg or the named institutions. Layout and printing: Gulde-Druck GmbH, Tübingen ISBN 978-3-00-026752-9
Page 1: The Bernstein Project Booklet of th
Page 5 and 6: Collaborators: Conception and gener
Page 7 and 8: 6 Corpus Chartarum Italicarum (CCI)
Page 10 and 11: Introduction When dealing with pape
Page 12 and 13: Ill. 2: Bartolus de Saxoferrato: Tr
Page 14 and 15: Ill. 2: Schematized rendering of a
Page 16 and 17: in the Iberian regions under Mooris
Page 18 and 19: They had all been dug and were fed
Page 20 and 21: Ill. 8: Paper mill “de schoolmees
Page 22 and 23: first wove papers in the Spechthaus
Page 24 and 25: ine bleaching needed control and wa
Page 26 and 27: Ill. 16: This illustration of a pap
Page 28 and 29: uneven diameter in paper from as la
Page 30 and 31: The watermarks in paper of the Midd
Page 32 and 33: III 1
Page 34 and 35: Scientific research on watermarks,
Page 36 and 37: manufacturing. Of these regulations
Page 38 and 39: was used can only be made on the ba
Page 40 and 41: Ill. 4
Page 42 and 43: motif in Italy; the bull’s head i
Page 44 and 45: Ill. 7: Rembrandt, Resurrection of
Page 46 and 47: Ill. 9: Michelangelo, Fortification
Page 48 and 49: Yoshitake Kobayashi, and of Mozart,
Page 50 and 51: Ill. 11 zu B zu B zu B
Page 52 and 53:
IV 1 IV 3 John of Mandeville: Journ
Page 54 and 55:
IV 2a
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IV 4
Page 58 and 59:
IV 5a
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quired by the Weingarten Abbey by w
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IV 7a IV 7 Klosterneuburg, Stiftsbi
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IV 8a
Page 66:
IV 9 If such manuscripts, written,
Page 69 and 70:
Ill. 1 a, b, c: rubbing Ill. 2: Bet
Page 71 and 72:
AT8100-W270_63 Piccard-Online Nr. 0
Page 73 and 74:
AT8100-W718_22 Piccard-Online Nr. 0
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Ill. Abb. 2: Piccard’s Findbüche
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V 1
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V 2
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V 4a
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V 5
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V 8: Wisso Weiß, unknown photograp
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V 10a Index cards from Piccard’s
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Ill. 1: Piccard-Online: Menu struct
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Ill. 4: WZMA: Site structure Ill. 5
Page 93 and 94:
Ill. 7: WILC
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Ill. 9: IBE 3513.01, Folder 1: imag
Page 97 and 98:
Ill. 11: Screenshot of the search m
Page 99 and 100:
The sheets are now stored in new co
Page 101 and 102:
Ill. 1: Screenshot of the input win
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Ill. 4: The 4,475 sites appearing i
Page 105 and 106:
At first the number of hits is retr
Page 107 and 108:
MA for “Wasserzeichen des Mittela
Page 109 and 110:
Watermark Terminology In some way,
Page 111 and 112:
Ill. 10: Coat of arms All these pro
Page 113 and 114:
ers other paper features like the p
Page 115 and 116:
Ackerson-Addor, S.: Le papier en Am
Page 117 and 118:
Filedt Kok, J. P./ Hinterding, E./
Page 119 and 120:
Irsigler, F.: Papierhandel in Mitte
Page 121 and 122:
Papiergeschichte als Hilfswissensch
Page 123 and 124:
Tschudin, P. F.: Grundzüge der Pap
Page 125 and 126:
Additional Motif - Beizeichen Secon
Page 127 and 128:
CCI Corpus Chartarum Italicarum Cod
Page 129 and 130:
A.H. Alois Haidinger A.P. André Pe
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