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who asked the first question? - International Research Center For ...

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85These wide improvisational possibilities of <strong>the</strong> bass part to create a wide range ofmelodic and harmonic versions in trio songs attracted <strong>the</strong> most talented Gurian singers,and for this reason most of <strong>the</strong> well-known Gurian singers were known as bassperformers (N. Jordania, 1985). Interestingly, although well-known Gurian singers couldsing all <strong>the</strong> parts of trio songs, when <strong>the</strong>y meet, <strong>the</strong> most experienced singer is usuallysuggested to sing <strong>the</strong> bass as a sign of respect and acknowledgement of his expertise.This must be <strong>the</strong> reason why in western Georgia <strong>the</strong> bass also can start songs (unlikeeastern Georgia where only <strong>the</strong> top melodic parts start a song).Trio songs have some o<strong>the</strong>r specific features – <strong>the</strong>y are mostly slow or mediumtempo, are performed, as Georgians say, “giginit” (humming, softly), and <strong>the</strong> structure of<strong>the</strong> trio songs is often complex and asymmetric. Here is famous “Shavi Shashvi”[“Blackbird”], version by Vladimer Berdzenishvili:Ex. 33. Shavi Shashvi [Blackbird]. First part of <strong>the</strong> song (Garakanidze,Jordania, 2004:117)

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