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- Page 365 and 366: 365when I reminded her of our conve
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- Page 369 and 370: 369predisposition towards stutterin
- Page 371 and 372: 371There are some well-researched p
- Page 373 and 374: 373Developmental dyslexiaStuttering
- Page 375 and 376: 375mastery or correct usage of soun
- Page 377 and 378: 377• As the process of the declin
- Page 379 and 380: 379major African ground predators (
- Page 381 and 382: 381PostScript:Moral and ethics issu
- Page 383 and 384: 383(Jordania, 1989:240), believing
- Page 385 and 386: 385without turning these difference
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416---- 1986. Trio form in vocal tradition of western Georgia, in Problems offolk polyphony, materials of <strong>the</strong> <strong>International</strong> Conference. Edited by Joseph Jordania, pp.48-49. (In Russian)JURMAIN, ROBERT and HARRY NELSON. 1994. Introduction to PhysicalAnthropology. Sixth edition. Minneapolis: West Publishing Company.KAEMMER, JOHN E. 1998. Sou<strong>the</strong>rn Africa: An Introduction. In The GarlandEncyclopedia of World Music, vol. 1, Africa. Edited by Ruth M. Stone, pp. 700-721. NewYork: Garland Publishing.KAEPPLER, ADRIENNE. 1990. “The production and reproduction of social andcultural values in <strong>the</strong> compositions of Queen Salote of Tonga,” in Music, gender, andculture. Edited by Marcia Herndon and Susanne Ziegler, pp. 191-219. Wilhelmshaven:Florian Noetzel Verlag.---- 1994. Music, metaphor, and misunderstanding. Ethnomusicology 38,#3: 456-473.KAEPPLER, ADRIENNE L., BORIS N. PUTILOV, LAMONT LINDSTROM,GEOFFREY M. WHITE, J. W. LOVE, MARTIN M. MARKS, STEPHEN A. WILD,DEBORAH J. SCRATCH. 1998. Encounters with “The O<strong>the</strong>r.” In The GarlandEncyclopedia of World Music, Vol. 9, Australia and Pacific Islands. Edited by AdrienneL. Kaeppler and J. W. Love, pp. 7-52. New York: Garland Publishing.KAEPPLER, ADRIENNE, DON NILES, STEVEN R. NACHMAN, VIDACHENOWETH, REGIS STELLA, JILL NASH, J. W. LOVE, JARED TAO KEIL,RYUICHI TAI, HUGO ZEMP. 1998a. Solomon Islands. In The Garland Encyclopedia ofWorld Music, Vol. 9, Australia and Pacific Islands. Edited by Adrienne L. Kaeppler andJ. W. Love, pp. 630-670. New York: Garland Publishing.KANDEL, ERIC R., JAMES H. SCHWARTZ, THOMAS M. JESSELL. 1995.Essentials of neural science and behaviour. Norwalk, Connecticut: Appleton and Lange.KARAVANIC, IVOR. 1995. Upper Paleolithic occupation levels and lateoccurringNeanderthal at Vindija Cave (Croatia) in <strong>the</strong> context of Central Europe and <strong>the</strong>Balkans. Journal of anthropological <strong>Research</strong> 51:9-35.KATZAROVA-KUKUDOVA, RAINA. 1964. “Phenomenes polyphoniques dansla musique populaire bulgare.” Studia Musicologica 3:161-172.KAUFMAN H. E. and MARIUS SCHNEIDER. 1960. Lieder aus den Naga-Bergen (Assam). Ethnomusicology 2:187-295.KAUFMAN, NIKOLAI. 1963. “Part-singing in Bulgarian folk music.” Journal of<strong>the</strong> <strong>International</strong> Folk Music Council 15:48f.---- 1966. Polyphony in vocal folklore of Balkan Nations. BulgarskaMuzika, 2:30-40. (In Bulgarian)---- 1968. Bulgarian folk polyphonic songs. Sofia: Nauka I Izkustvo. (InBulgarian)KAUFMAN, NIKOLAI, and TODOR TODOROV. 1967. Folk songs fromsouthwest Bulgaria. Sofia: Bulgarian Academy of Sciences.KAVYU, PAUL N. 1998. Music in Kenya. In The Garland Encyclopedia ofWorld Music, vol. 1, Africa. Edited by Ruth M. Stone, pp. 622-632. New York: GarlandPublishing.KAZUYUKI, TANIMOTO. 1965. Music of <strong>the</strong> Ainu. Tokyo.
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