who asked the first question? - International Research Center For ...
who asked the first question? - International Research Center For ... who asked the first question? - International Research Center For ...
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415methodologies? Erich Stockmann zum 70 Geburtstag. Edited by Christoph-HellmutMahling and Stephan Munch, pp. 211-216. Tutzing: Schneider.---- 2000. Georgia. In The Garland Encyclopedia of World Music. Vol. 8,Europe. Edited by Timothy Rice, James Porter and Chris Goertzen, pp. 826-849-269.New York: Garland Publishing.---- 2000a. North Caucasia. In The Garland Encyclopedia of World Music.Vol. 8, Europe. Edited by Timothy Rice, James Porter and Chris Goertzen, pp. 850-866.New York: Garland Publishing.---- 2000b. Question intonation, speech pathologies and the origins ofpolyphony. In Problems of folk polyphony, materials of International conference. Editedby Rusudan Tsurtsumia, pp. 143-155. Tbilisi State Conservatory.---- 2001. The incidence of stuttering among Chinese: Preliminary study.Newsletter of Singapore Speech, Language and Hearing Association, vol. 5, issue 2,April/May: 2-3.---- 2001. Moral models and ethics in the study of the origins of choralpolyphony. In Problems of polyphony in Sacred and Secular music. Materials of theInternational conference, held in Tbilisi, 2000. Editor in-chief Rusudan Tsurtsumia, pp.328-345. Tbilisi: Tbilisi State Conservatory.---- 2002. Ethnomusicology: Interdisciplinary perspectives. In The art ofthe oral tradition: Historical morphology. Collection of articles, dedicated to 60 thanniversary of Izaly Zemtsovsky. Editor in chief Nailia Almeeva, pp. 236-248 Sankt-Petersburg: R. I. I. I. (In Russian)---- 2003. Multidisciplinary approach to the problem of the origins ofvocal polyphony. In The First International Symposium on Traditional Polyphony, 2002.Edited by Rusudan Tsurtsumia and Joseph Jordania, pp. 79-90. Tbilisi StateConservatory.---- 2005. “Interrogo ergo Cogito” – “ I am asking questions, therefore Ithink”: Responsorial singing and the origins of human intelligence, in The SecondInternational Symposium on Traditional Polyphony, 2004. Edited by RusudanTsurtsumia and Joseph Jordania, pp. 39-47. Tbilisi State Conservatory.JORDANIA, MINDIA. 1959. On pentatonic in Georgian traditional music.Extended abstracts of the conference, dedicated to the memory of D. Araqishvili. TbilisiState Conservatory:19-21. (In Georgian and Russian)---- 1971. Locrian mode in Georgian traditional music. SabchotaKhelovneba 7:49-53, 8:53-58. (In Geogian with Russian summary)---- 1971a. One of the archaic scales – survival of the ancient epoch ofmusical thinking (tetratonic). Abstracts of the conference of the Musical-ChoreographicalSociety of Georgia, Tbilisi. (In Georgian)---- 1972. “On the problem of ‘modzakhili’ – high base”, in Collection ofarticles of Tbilisi State Conservatory. Editor in Chief Alexander Shaverzashvili, pp. 103-126. Tbilisi State Conservatory. (In Georgian)---- 1979. Altered [chromatic] scales in Georgian traditional music.Sabchota Khelovneba 5:104-111. ( In Georgian)JORDANIA, NUGZAR. 1985. Role of the base in Gurian polyphonic songs,Sabchota Khelovneba 9:36-42 (in Georgian).
- Page 363 and 364: 363of stuttering was mostly margina
- Page 365 and 366: 365when I reminded her of our conve
- Page 367 and 368: 367• A comparison of the stutteri
- Page 369 and 370: 369predisposition towards stutterin
- Page 371 and 372: 371There are some well-researched p
- Page 373 and 374: 373Developmental dyslexiaStuttering
- Page 375 and 376: 375mastery or correct usage of soun
- Page 377 and 378: 377• As the process of the declin
- Page 379 and 380: 379major African ground predators (
- Page 381 and 382: 381PostScript:Moral and ethics issu
- Page 383 and 384: 383(Jordania, 1989:240), believing
- Page 385 and 386: 385without turning these difference
- Page 387 and 388: 387Central African Republic, Bangul
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415methodologies? Erich Stockmann zum 70 Geburtstag. Edited by Christoph-HellmutMahling and Stephan Munch, pp. 211-216. Tutzing: Schneider.---- 2000. Georgia. In The Garland Encyclopedia of World Music. Vol. 8,Europe. Edited by Timothy Rice, James Porter and Chris Goertzen, pp. 826-849-269.New York: Garland Publishing.---- 2000a. North Caucasia. In The Garland Encyclopedia of World Music.Vol. 8, Europe. Edited by Timothy Rice, James Porter and Chris Goertzen, pp. 850-866.New York: Garland Publishing.---- 2000b. Question intonation, speech pathologies and <strong>the</strong> origins ofpolyphony. In Problems of folk polyphony, materials of <strong>International</strong> conference. Editedby Rusudan Tsurtsumia, pp. 143-155. Tbilisi State Conservatory.---- 2001. The incidence of stuttering among Chinese: Preliminary study.Newsletter of Singapore Speech, Language and Hearing Association, vol. 5, issue 2,April/May: 2-3.---- 2001. Moral models and ethics in <strong>the</strong> study of <strong>the</strong> origins of choralpolyphony. In Problems of polyphony in Sacred and Secular music. Materials of <strong>the</strong><strong>International</strong> conference, held in Tbilisi, 2000. Editor in-chief Rusudan Tsurtsumia, pp.328-345. Tbilisi: Tbilisi State Conservatory.---- 2002. Ethnomusicology: Interdisciplinary perspectives. In The art of<strong>the</strong> oral tradition: Historical morphology. Collection of articles, dedicated to 60 thanniversary of Izaly Zemtsovsky. Editor in chief Nailia Almeeva, pp. 236-248 Sankt-Petersburg: R. I. I. I. (In Russian)---- 2003. Multidisciplinary approach to <strong>the</strong> problem of <strong>the</strong> origins ofvocal polyphony. In The First <strong>International</strong> Symposium on Traditional Polyphony, 2002.Edited by Rusudan Tsurtsumia and Joseph Jordania, pp. 79-90. Tbilisi StateConservatory.---- 2005. “Interrogo ergo Cogito” – “ I am asking <strong>question</strong>s, <strong>the</strong>refore Ithink”: Responsorial singing and <strong>the</strong> origins of human intelligence, in The Second<strong>International</strong> Symposium on Traditional Polyphony, 2004. Edited by RusudanTsurtsumia and Joseph Jordania, pp. 39-47. Tbilisi State Conservatory.JORDANIA, MINDIA. 1959. On pentatonic in Georgian traditional music.Extended abstracts of <strong>the</strong> conference, dedicated to <strong>the</strong> memory of D. Araqishvili. TbilisiState Conservatory:19-21. (In Georgian and Russian)---- 1971. Locrian mode in Georgian traditional music. SabchotaKhelovneba 7:49-53, 8:53-58. (In Geogian with Russian summary)---- 1971a. One of <strong>the</strong> archaic scales – survival of <strong>the</strong> ancient epoch ofmusical thinking (tetratonic). Abstracts of <strong>the</strong> conference of <strong>the</strong> Musical-ChoreographicalSociety of Georgia, Tbilisi. (In Georgian)---- 1972. “On <strong>the</strong> problem of ‘modzakhili’ – high base”, in Collection ofarticles of Tbilisi State Conservatory. Editor in Chief Alexander Shaverzashvili, pp. 103-126. Tbilisi State Conservatory. (In Georgian)---- 1979. Altered [chromatic] scales in Georgian traditional music.Sabchota Khelovneba 5:104-111. ( In Georgian)JORDANIA, NUGZAR. 1985. Role of <strong>the</strong> base in Gurian polyphonic songs,Sabchota Khelovneba 9:36-42 (in Georgian).
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