who asked the first question? - International Research Center For ...

who asked the first question? - International Research Center For ... who asked the first question? - International Research Center For ...

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408FERNALD, ANNE. 1989. Intonation and communicative intent in mother’sspeech to infants: is the melody the message? Child Development 60:164-168.FILLMORE, JOHN C. 1889. The harmonic structure of Indian music. AmericanAnthropologists, I.FINN, PATRICK, and ANNE K. CORDES. 1997. Multicultural identificationand treatment of stuttering: A continuing need for research. Journal of Fluency Disorders22:219-236.FLATZ, GEBGARD. and HANS WERNER ROTTHAUWE. 1977. The humanlactase polymorphism. Physiology and genetics of lactose absorption and malabsorption.Prog. Medical Genetics, N. F. 2:205-250.FLORES D’ARCAIS, GIOVANNI B. 1992. "Graphemic, phonological, andsemantic activation processes during the recognition of Chinese characters", in Languageprocessing in Chinese. Edited by Hsuan-Chih Chen, and Ovid J. L. Tzeng, pp. 37-66.North Holland: Elsevier Science Publishers B. V.FONAGY, IVAN. 1981. “Emotions, Voice and Music”, in Research Aspects onSinging. Publications issued by the Royal Swedish Academy of Music No. 33:51-79.FORRY, MARK. 2000. Croatia. In The Garland Encyclopedia of World Music.Vol. 8, Europe. Edited by Timothy Rice, James Porter and Chris Goertzen, pp. 925-939.New York: Garland Publishing.---- 2000a. Serbia. In The Garland Encyclopedia of World Music. Vol. 8,Europe. Edited by Timothy Rice, James Porter and Chris Goertzen, pp. 940-956. NewYork: Garland Publishing.FOSSEY, DIAN. 1972. Vocalizations of the mountain gorilla (Gorilla gorillaberingei). Animal Behaviour, 20, 36-53.FRAYER, DAVID W. 1992. Evolution at the European Edge: Neanderthal andUpper Paleolithic relationships. Prehistoire Europeenne, 2:9-69.FRAYER, DAVID W., MILFORD H. WOLPOFF, ALAN G. THORNE, FREDH. SMITH, and GEOFFREY G. POPE. 1993. Theories of modern human origins: Thepaleontological test. American Anthropologist 95:14-50.FROLOV, BORIS A. 1986. Primitive rhythm and the initial period ofestablishment of musical culture. In Problem of genesis and early forms of musicalculture, extended abstracts of the conference, held in Dilijan, Armenia, 24-30 October1986. Pg. 65. Erevan: Armenian Academy of Sciences. (In Russian)GABISONIA, TAMAZ. 1988. Compositional principles and types of Georgianfolk polyphony. In Problems of polyphony of Georgian music. Editor in chief RusudanTsurtsumia, pp. 3-17. (In Georgian)GALAEV, BORIS. 1964. Ossetian folk songs. Moscow: Muzgiz. (In Russian)GAMBACCINI, PAUL. (Written and edited). 1976. Paul McCartney in his ownwords. London: FlashGAMKRELIDZE, TAMAZ V. and VIACHESLAV V. IVANOV. 1984. Indo-European and Indo-Europeans. Tbilisi: Tbilisi University Press. (In Russian)---- 1990. The early history of Indo-European languages. ScientificAmerican 262 (3):110-116.GAMMON, VIC. 2000. England. In The Garland Encyclopedia of World Music.Vol. 8, Europe. Edited by Timothy Rice, James Porter and Chris Goertzen, pp. 326-341.New York: Garland Publishing.

409GANDOUR, JACK, SORANEE H. PETTY, and ROCHANADARDARANANDA. 1988. Perception and production of tone in aphasia. Brain andlanguage 35:201-240.GARAKANIDZE, EDISHER. 1991. Musical dialects of Georgian traditionalmusic. PhD, Tbilisi Theatrical Institute. (In Georgian)GARAKANIDZE, EDISHER, and JOSEPH JORDANIA. 2004. 99 GeorgianSongs. (Introduced by Edisher Garakanidze, song notes and translations by JosephJordania) Collection of songs with notes. Edited by Joan Mills at the Centre forPerformance Research, UK. Black Mountain PressGARDNER, R. ALLEN and BEATRIX T. GARDNER. 1969. Teaching signlanguage to a chimpanzee. Science 165:664-72.---- 1975. Evidence for sentence constituents in the early utterances ofchild and chimpanzee. Journal of Experimental Psychology 104:244-67.---- 1984. A vocabulary test for chimpanzee (Pan troglodytes). Journal ofComparative Psychology 4:381-404.---- 1998. The structure of learning: From sign stimuli to sign language.Mahwah, NJ: Lawrence Erlbaum Associates, publishers.GEISSMANN, THOMAS. 2000. Gibbon songs and human music from anevolutionary perspective, in The origins of Music. Edited by N. Wallin, B. Merker and S.Brown, pp. 103-124. Cambridge, MA: Massachusetts Institute of Technology.GEIST, E. Antikes und modernes im litauisches Volkslied. Kaunas: PribacisPublisher.GERASIMOV, OLEG. 1988. “Genre and regional determinism of Maripolyphony,” in Problems of folk polyphony, materials of the conference of 15-22 October1988. Edited by Joseph Jordania, pp. 19-21. Tbilisi: Tbilisi University Press. (In Russian)GERSON-KIWI, EDITH. 1980. [1968] “Vocal folk polyphonies of the WesternOrient in Jewish tradition.” In Gerson Kiwi, Migrations and mutations of the music inEast and West. Selected writings. Telaviv: Telaviv University.GIPPIUS, EVGENI V. (ed.) 1980, 1981, 1986. Folk songs and instrumentaltunes of Adighis. Vol. 1,2,3. Moscow: Sovietskii Kompozitor. (In Russian)GITTENS, PAUL. 1978. Hark the beautiful song of the gibbon. New Scientist80:832-34.GOERTZEN, CHRIS, and EDWARD LARKEY. 2000. Austria. In The GarlandEncyclopedia of World Music. Vol. 8, Europe. Edited by Timothy Rice, James Porter andChris Goertzen, pp. 670-681. New York: Garland Publishing.GOGOTISHVILI, VLADIMER. 1983. “On a system of melodic scales inGeorgian polyphonic song,” in Scale, melodic and rhythm of Georgian folk music. Editorin Chief Alexander Shaverzashvili, pp. 193-224. Collection of articles of Tbilisi StateConservatory. (In Georgian)---- 2003. “On some characteristics of mode-intonational scales in Kartli-Kakhetian long table songs (East Georgia),” in The First International Symposium onTraditional Polyphony. Edited by Rusudan Tsurtsumia and Joseph Jordania, pp. 306-323.Tbilisi State Conservatory.GOLEMOVICH, DIMITRI. 1983. “The newer rural two-part singing in Serbia.Bulletin of the Ethnographic Museum in Beograd, Vol. 47:117-156.

408FERNALD, ANNE. 1989. Intonation and communicative intent in mo<strong>the</strong>r’sspeech to infants: is <strong>the</strong> melody <strong>the</strong> message? Child Development 60:164-168.FILLMORE, JOHN C. 1889. The harmonic structure of Indian music. AmericanAnthropologists, I.FINN, PATRICK, and ANNE K. CORDES. 1997. Multicultural identificationand treatment of stuttering: A continuing need for research. Journal of Fluency Disorders22:219-236.FLATZ, GEBGARD. and HANS WERNER ROTTHAUWE. 1977. The humanlactase polymorphism. Physiology and genetics of lactose absorption and malabsorption.Prog. Medical Genetics, N. F. 2:205-250.FLORES D’ARCAIS, GIOVANNI B. 1992. "Graphemic, phonological, andsemantic activation processes during <strong>the</strong> recognition of Chinese characters", in Languageprocessing in Chinese. Edited by Hsuan-Chih Chen, and Ovid J. L. Tzeng, pp. 37-66.North Holland: Elsevier Science Publishers B. V.FONAGY, IVAN. 1981. “Emotions, Voice and Music”, in <strong>Research</strong> Aspects onSinging. Publications issued by <strong>the</strong> Royal Swedish Academy of Music No. 33:51-79.FORRY, MARK. 2000. Croatia. In The Garland Encyclopedia of World Music.Vol. 8, Europe. Edited by Timothy Rice, James Porter and Chris Goertzen, pp. 925-939.New York: Garland Publishing.---- 2000a. Serbia. In The Garland Encyclopedia of World Music. Vol. 8,Europe. Edited by Timothy Rice, James Porter and Chris Goertzen, pp. 940-956. NewYork: Garland Publishing.FOSSEY, DIAN. 1972. Vocalizations of <strong>the</strong> mountain gorilla (Gorilla gorillaberingei). Animal Behaviour, 20, 36-53.FRAYER, DAVID W. 1992. Evolution at <strong>the</strong> European Edge: Neanderthal andUpper Paleolithic relationships. Prehistoire Europeenne, 2:9-69.FRAYER, DAVID W., MILFORD H. WOLPOFF, ALAN G. THORNE, FREDH. SMITH, and GEOFFREY G. POPE. 1993. Theories of modern human origins: Thepaleontological test. American Anthropologist 95:14-50.FROLOV, BORIS A. 1986. Primitive rhythm and <strong>the</strong> initial period ofestablishment of musical culture. In Problem of genesis and early forms of musicalculture, extended abstracts of <strong>the</strong> conference, held in Dilijan, Armenia, 24-30 October1986. Pg. 65. Erevan: Armenian Academy of Sciences. (In Russian)GABISONIA, TAMAZ. 1988. Compositional principles and types of Georgianfolk polyphony. In Problems of polyphony of Georgian music. Editor in chief RusudanTsurtsumia, pp. 3-17. (In Georgian)GALAEV, BORIS. 1964. Ossetian folk songs. Moscow: Muzgiz. (In Russian)GAMBACCINI, PAUL. (Written and edited). 1976. Paul McCartney in his ownwords. London: FlashGAMKRELIDZE, TAMAZ V. and VIACHESLAV V. IVANOV. 1984. Indo-European and Indo-Europeans. Tbilisi: Tbilisi University Press. (In Russian)---- 1990. The early history of Indo-European languages. ScientificAmerican 262 (3):110-116.GAMMON, VIC. 2000. England. In The Garland Encyclopedia of World Music.Vol. 8, Europe. Edited by Timothy Rice, James Porter and Chris Goertzen, pp. 326-341.New York: Garland Publishing.

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