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3921994, France. Polifonies Vivantes, under <strong>the</strong> patronage of <strong>the</strong> FrenchMinistry of Culture and <strong>the</strong> National Centre for Scientific <strong>Research</strong>, and with <strong>the</strong> help of<strong>the</strong> Royaumont Foundation, organized a meeting of <strong>the</strong> working group of experts intraditional polyphony of different cultures in Royaumont Abbey, from March 1-4, 1994.Participants also attended performance-demonstrations of African polyrhythmic,Corsican polyphony, and Georgian polyphony. No materials of this meeting werepublished. According to <strong>the</strong> conference program, <strong>the</strong> following papers were delivered:1. Simha Arom. Paris. “Zentralafrikanische <strong>For</strong>men der Mehrstimmigkeit.” 2. Mantle Hood,Baltimore. “Heterophonie in der Gamelanmusic auf Java.” 3. Ito Loh, Manila: Mehrstimmigkeit derBergstamme in Taiwan.” 4. Marcel Peres, Paris. Mehrstimmigkeit auf Korsika (Professional UndKirchenmusik).” 5. Susanne Furniβ, Vincent Dehoux, Paris. “Mehrstimmigkeit in Afrika.” 6. EmanuelleOlive, Paris. Bushmannpolyphonie. 7. Bernard Lortat-Jacob, Paris. “Aas<strong>the</strong>tische und anthropologischeaspekte der Mehrstimmigkeit in Rumanien, Albanien and auf Sardinien.” 8. Jaume Ayats, Barcelona.Polyphone elementa in der Volksmusik in Spanien. 9. Anne Caufriez, Brussels. “Portugal- vokaleMehrstimmigkeit der Frauen. 10. Oskar Elschek. Bratislava. “Vokale Mehrstimmigkeit in Horechronie(Slowakei).” 11. Susanne Ziegler, Berlin, and Edisher Garakanidze, Tbilisi. “Georgische Polyphone.” 12.Alica Elschekova, Bratislava (spis). 13. Ricardo Canzio, Paris. “Polyphones Musizieren bel Amazonas-Indianern.” 14. Nikolai Kaufman, Sofia. “Bulgarische Diaphonie.” 15. Tran Quang Hai, Paris. a)“Mehrstimmigkeit bei minderheiten in Vietnam”, b) “Buddistische Musik in Korea un China”, c)“Obertonsingen.” 16. Jose Maceda, Quexon City. “Mehrstimmigkeit auf den Philippinen.” 17. FranzFodermayr, Wien. “Ison in der byzantin Kirchenmusik.” 18. Werner Deutch, Wien. PsychoakustischeAspekte der Mehrstimmigkeit.1998, Georgia. The series of conferences on traditional polyphony cameback after ten years of silence in Georgia. The conference was organized by <strong>the</strong> TbilisiState Conservatory (rector Manana Doijashvili and vice-rector Rusudan Tsurtsumia) andwas held from October 15-22, 1998. Papers were fully published in <strong>the</strong> language <strong>the</strong>ywere presented in, although extended abstracts in alternative languages (English orGeorgian) were also published (see Tsurtsumia, 2000). Most of <strong>the</strong> participants werefrom Georgia (unless indicated o<strong>the</strong>rwise). Here is <strong>the</strong> list of scholars and <strong>the</strong>ir papersaccording to <strong>the</strong> collection of published papers:1. Caroline Bi<strong>the</strong>ll, UK. (a) “Polyphony in <strong>the</strong> Corsican tradition structure: Style: Context:Motivation.” (b) “The Corsican sound: Identity, evolution and transformation.” 2. Tamaz Gabisonia.“Classification of <strong>the</strong> Georgian polyphony forms.” 3. Vladimer Gogotishvili. “On characteristics of mood-Shilakadze. “Polyphony and Georgian folk musical instruments.”intonational system in Georgian (Megrelian) lyrical songs.” 4. Malkhaz Erkvanidze. “On nature ofGeorgian polyphony.” 5. Nato Zumbadze. “The system of multi-part singing in Georgian women’s songs.”6. Nino Kalandadze-Makharadze. “Zari – polyphonic dirge in Georgian folklore.” 7. Tamar Meskhi.“Georgian urban polyphonic songs.” 8. Joseph Jordania, Australia. “Question intonation, speechpathologies and <strong>the</strong> origins of polyphony.” 9. Nino Pirtskhalava. “Ioanne Petritsi’a aes<strong>the</strong>tics and Georgianthree-part singing.” 10. Manana 11.David Shugliashvili. “On polyphony of Georgian hymns.” 12. Nino Tsitsishvili, Australia. “A systematicstudy of <strong>the</strong> relationships between polyphony and monophony in <strong>the</strong> Kartli-Kakhetian table and solo worksongs.” 13. Kukuri [Evsevi] Chokhonelidze. “The art of improvisation and Georgian polyphonic music.”2000, Georgia. An international conference “Problems of Polyphony inSacred and Secular Music” was organized at <strong>the</strong> Tbilisi State Conservatory by <strong>the</strong> TbilisiState Conservatory with <strong>the</strong> help of <strong>the</strong> foundation “Open Society – Georgia.” Paperswere published in <strong>the</strong> language in which <strong>the</strong>y were delivered, with abstracts in <strong>the</strong>English (or Georgian) language (Tsurtsumia, 2001). Here is <strong>the</strong> list of scholars and <strong>the</strong>papers according to <strong>the</strong> published collection (most of <strong>the</strong> participants were from Georgiaunless stated o<strong>the</strong>rwise):

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