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389polyphon y.” 4. Nailia Almeeva, Tatarstan, Kazan. “Heterophonic texture: the case of the analyses of thepolyphonic songs or Christened Tartars.” 5. Alma Kunanbaeva, Kazakhstan, Leningrad. “Hierarchy of thestable elements of Kazakh epic singing in the system of “voice-instrument.” 6. Oksana Nikitenko. Russia,Leningrad. “Creating polyphonic model in a musical culture.” 7. Evsevi Chokhonelidze. Georgia. Tbilisi.“On some problems of Georgian folk polyphony.” 8. Viktor Kartsovnik. Russia, Leningrad. “YuriKrizhanich on Byzantine polyphony.” 9. Mzia Iashvili. Georgia, Tbilisi. “Unity of contrasts [ertobaishekovlebisai] and the antiquity of Georgian tradition of polyphonic singing.” 10. Nino Pirtskhalava,Georgia, Tbilisi. "Georgian three-part polyphony and the musical-aesthetic thought of Ioanne Petritsi.” 11.Nikolai Kauffmann, Bulgaria, Sofia. “Traditional polyphony in Bulgarian professional music.” 12. ZinaidaMozheiko*. Belarus, Minsk. “Tradition of polyphonic singing in Belarus Polesie.” 13. Nikolai Boiarkin.Mordovia, Saransk. “On links between vocal and instrumental music of Mordvinians.” 14. ValerianMagradze, Georgia, Tbilisi. “On the method of the reconstruction of the polyphonic singing of Meskheti.”15. Nino Kalandadze, Georgia, Tbilisi. “Polyphonic lullabies.” 16. Nato Zumbadze, Georgia, Tbilisi. “Onpeculiarities of women’s polyphony in Georgia.” 17. Edisher Garakanidze, Georgia, Tbilisi.“Interrelationships between Acharo-Shavshetian, Gurian and Svan musical dialects of Georgian traditionalmusic.” 18. Anatoly Rakhaev. North Caucasia, Nalchik. “Problem of choral accompaniment “Ezhu” inBalkarian traditional singing.” 19. Tamara Blaeva, North Caucasia, Nalchik. “Peculiarities of thepolyphonic texture in Adighian traditional songs.” 20. Igor Macievsky, Russia, Leningrad. “Problem offorming of Instrumental Polyphony among East Slavs and Balts.” 21. Vaike Sarv, Estonia, Tallinn, Estonia.“Main types of polyphony in Setu traditional song.” 22. Urve Lippus, Estonia, Tallinn. “Two-part singingin older songs of south Estonia.” 23. Nugzar Jordania. Georgia, Tbilisi. “Form of Trio in a singing traditionof Western Georgia.” 24. Laima Burkshtaitene, Lithuania, Vilnius. “Problems of the emergence of the latepolypho nic style in northeastern Lithuania.” 25. Ketevan Nikoladze, Georgia, Tbilisi. “Double blowninstruments and the problem of vocal polyphony.” 26. Ketevan Baiashvili, Georgia, Tbilisi. “Problem ofassimilation of polyphonic traditions (on the example of Ertso-Tianeti).” 27. Khristofor Arakelov. Georgia,Tbilisi. Cadences in Georgia (Svan) polyphonic chral songs.” 28. Gulnara Gvardzhaladze. Georgia, Tbilisi.“Aspects of rthythm in Georgian polyphonic song.” 29. Tamaz Gabisonia. Georgia, Tbilisi. “Compositionalprinciples and types of Georgian traditional polyphony.” 30. Oscar Elschek, Slovakia, Bratislava.“Traditional polyphony in European musical cultures.” 31. Yulia Evdokimova*. Russia, Moscow. “Ontypology and cartography of European polyphonic regions.” 32. Todor Todorov*. Bulgaria, Sofia. Problemof polyphony in the research of Bulgarian ethomusicologists.” 33. Villis Bendorf, Latvia, Riga. “Onrelationship between Baltic and Balkan polyphonic traditions.” 34. Dunia Rihtman-Shotrich, Bosnia,Sarajevo. “Polyphonic forms in Bosnia and Herzegovina.” Radmila Petrovich, Serbia, Beograd. “Two-partsinging in Serbia.” 35. Anaid Bagdasarian, Armenia, Erevan. “Elements of polyphony in Armenianmonodic music.” 36. Oleg Gerasimov, Mari, Russia. Yoshkar-Ola. “Principle of establishing thepolyphonic texture in traditional Mari songs.” 37. T. Ignatieva, V. Nikiforova, Russia, Novosibirsk.“Peculiarities of traditional texture in Yakutian “Osuokai.” 38. Martin Boiko, Latvia, Riga. “Relicts ofSutartines in Latvia.” 39. Daiva Rachiunaite, Lithuania, Vilnius. “Forms of Lithuanian linear polyphony.”40. Elena Murzina, Ukraine, Kiev. “Polyphony as a dynamic phenomenon of the traditional musical cultureof the Ukraine.” 41. Tatiana Rudichenko, Russia, Rostov. “The role of traditional timbre in surviving thepolyphonic singing culture on river Don.” 42. Nadia Zhulanova, Russia, Perm. “Stylistic differences in thelocal traditions of vocal polyphony of the Komi-Permiaks.” 43. Nino Tsitsishvili, Georgia. Tbilisi. “OnSouth-Slavic – Georgian musical and ethnogenetic links.” 44. Joseph Jordania. Georgia, Tbilisi.“Polypho ny and ethno-genesis.”1988, Georgia. The third international conference with the title ”Problemsof folk polyphony” (the last one to be held in Borjomi), took place on October 15-22. Itwas a joint venture of the Tbilisi State Conservatory, Tbilisi State University, the Unionof Composers of Georgia, and the Georgian Choreographic Society. A further conferencewas planned for 1991, but the worsening political and economical situation, the civil warof 1991-1992, and the wars in Ossetia and Abkhazia made any follow-up conferenceimpossible for a decade. (Extended abstracts of the papers were published (Jordania,1988c). Here is the list of the scholars and their papers according to the conferenceprogram: