who asked the first question? - International Research Center For ...
who asked the first question? - International Research Center For ... who asked the first question? - International Research Center For ...
306(and possibly universal for all human societies) behavior is connected to the ancientsafety strategy against the major predators of Africa.• There must be something impressive and imposing in the stomping sound itself.Possibl y because we all instinctively know that only very large animals can createstompin g sounds (the classic scene from “Jurassic Park” of T-Rex’s distant stompingmaking water fizzle comes to mind).• If someone thinks that there is hardly any difference for a marauding predatorbetween the loud and unorganized noise, made by a large group of intended prey, and theloud and rhythmically well-organized sound, think again. The difference is absolutelyhuge. The loud but unorganized sound, although it can still make a predator hesitate,sounds more like an audio nuisance from panic-stricken prey, but the organized rhythmicsound gives a strong message of well-organized and united resistance. Readers mightknow from recent history how strong the impact of mass choral singing of “songs ofprotest” was in the fight against South African apartheid.• Attacks by lions, tigers and other big cats usually take a split second. Preyusually does not even see the attacker, as big cats prefer to attack when the prey is notlooking in their direction (that’s why cheap plastic masks with human faces, fixed frombehind on the head, saved many lives from man-eating tigers in the Sundarbans nationalpark in India and the Bangladesh swamps. See Jackson, 2003:78-80). Of course, duringthe split second of the attack there is no time to organize a loud and stomping choir toscare the at tacker. I suggest that the loud stomping singing-shouting choir would beemployed only when the predator was spotted before the attack (and with many eyes thiswas easier to do). I suggest that with no good trees around, and without very fast legs, theonly defence for our ancestors in the face of danger would be to unite as a group in anorganized display of unity, stand their ground and scare off the attacker with loudshouting and stomping.• Of course, if the loud sound was only a sound, without any other “materialisticadditions”, lions would have soon realized that there was not much to be afraid of, butmost likely, this loud and well-organized sound was accompanied by the throwing ofmore materialistic objects (stones, rocks, branches). The suggestion of the evolutionaryimportance of precise throwing proves very useful in this situation (See Calvin, 1982,1983, 1993). Therefore, it must have been a combination of both factors that would turnaway hungry lions from non-running groups of stomping and throwing primates, and togo after more “prey-like”, although faster running, four-legged preys.• Calvin’s suggestion of the evolutionary importance of object throwing as ameans of hunting does not pay much attention to object throwing as a defensive functionfor our hominid ancestors. Throwing could serve the function not only of reaching aquicker running prey, but also of keeping a predator far from undesirable physical contactwith a hominid body. Defence throwing is well known among chimpanzees, trying to“intimidate leopards, snakes, and fellow chimpanzees” (Calvin, 1993:241). AlthoughCalvin himself suggests that “music ought to have so little feedback on natural selection”(Calvin, 1993:240), I suggest that the rhythmically well organized loud stomping groupdefence, coupled with throwing objects at predators was the main surviving strategy forearly hominids.• Some individual members of the group, as in every society, would be braver,and others could be more panic-stricken, particularly when facing a predator like a
307hungry lion. And here comes another function of the “lion dance”: relentless repetitiverhythm in a dramatic climax of standing your ground for your life against the lionmust have had some kind of hypnotic effect on the whole group of stompingprimates. This rhythm would unite everyone against the common mortal enemy,giving every member of the group the feel of communal safety.• If some members of the group were still overtaken by fear and tried to outrunthe lion, well, most likely would become the prey. (By the way, experts suggest, that ifyou are ever attacked by a lion or a tiger, do not run away! This is not the easiest adviceto follow in a situation like this, I agree, but they say it helps). So, the lions werethemselves eliminating faint-hearted members of the pre-human groups who “did notwant to join the choir”. Therefore predators were inadvertently helping human ancestorsto be more united in a relentless rhythm of the “lion dance”.• Human ancestors shared the ground and living space with African lions for atleast a couple of million years. Imagine the choir where all the individual members areforced (literally under the fear of death!) to be in perfect unity with the other members ofthe choir. And imagine the “rehearsals” of this choir occurred almost every day, andcontinued without stopping for any holidays or school breaks from one generation toanother. And another. And another. For more than a million years. And all these millionsof years the rehearsals continue under the watchful eyes of hungry lions, and the prize forgood synchronous singing is life. I do conduct a couple of choirs. We usually rehearseonce a week, trying to get a harmonic and rhythmic unity, and sometimes it is not easyfor me to gain everyone’s attention… Well, no more dreaming… I guess, if we couldhear the “choir” of our hominid ancestors, the resulting rhythmic (and melodic) precisionof our ancestors by the time they mastered stone tools and were ready to move out ofAfrica, must have been astounding.• I suggest that the origins of the hypnotic drive of humans to follow therhythmic pattern of the music with stomping, finger clicking, singing alone or just arhythmic movement of any part of our body comes from these millions of years ofrelentless “rehearsals” of our ancestors under the threat of death.• It is a great feeling when a group of relatively weak creatures can shoo away abig and strong predator like a lion, and it does not take much speculation to imagine thatour ancestors would soon transform their effective “lion dance” into a ritual dance.• Therefore, I am suggesting that our distant ancestors used rhythmically preciseorganized group singing and dancing (initially more of a shouting and stomping) as asurvival strategy against predators after they descended from the trees. Although tuneful“family” singing must have been a part of their everyday lives in the trees (like amonggibbons today), the relentless rhythmic organization of human singing and dancing mustbe connected to the ancient hypnotic “lion dance”.• William McNeill, American historian from the University of Chicago, theauthor of the bestseller “The Rise of the West: A History of the Human Community”,published an insightful book “Keeping Together in Time: Dance and Drill in HumanHistory”, where he gives ample examples of the different human activities when largegroup of humans find it easy and even exciting to move and do physically demandingexercises, if their movements are precisely rhythmically unified (McNeill, 1995). Thepowerful influence of long army drill in achieving psychological unity and obedience ofthe new recruits is also well known to army generals (McNeill, 1995).
- Page 255 and 256: 255where the former pearl diving bo
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- Page 263 and 264: 263instruments from Mediterranean r
- Page 265 and 266: 265music transcription. There are 5
- Page 267 and 268: 267• Even the transcription of Ku
- Page 269 and 270: 269“Music iconography can reveal
- Page 271 and 272: 271specific double flute made from
- Page 273 and 274: 273Case Study #14Polynesian Polypho
- Page 275 and 276: 275complexity plus precise enunciat
- Page 277 and 278: 277Case Study #15The Beatles: Ancie
- Page 279 and 280: 279Acknowledging the crucial differ
- Page 281 and 282: 281• Performance style. Arguably
- Page 283 and 284: 283C-major key, G major chord could
- Page 285 and 286: 285Ending of the songs on non-tonic
- Page 287 and 288: 287Fig. 16. Medieval West Georgian
- Page 289 and 290: 289phenomenon in the history of the
- Page 291 and 292: 291North America (according to the
- Page 293 and 294: 293Part 3Singing, Questioning, Thin
- Page 295 and 296: 295European and Middle Eastern mono
- Page 297 and 298: 297This characteristic raises one s
- Page 299 and 300: 299is not only a linguistic problem
- Page 301 and 302: 301with all their communicative ski
- Page 303 and 304: 303cooperative (and not competitive
- Page 305: 305group and groom each other, they
- Page 309 and 310: 309“attacking power” of the “
- Page 311 and 312: 311Singing in Peaceful Times:Toward
- Page 313 and 314: 313he changed his view and linked t
- Page 315 and 316: 315Gestural Theory of Language Orig
- Page 317 and 318: 317among hominids. The situation of
- Page 319 and 320: 319whistle with a whistle. The inte
- Page 321 and 322: 321referential function. In contemp
- Page 323 and 324: 323mental abilities, but even music
- Page 325 and 326: 325articulated elements, where the
- Page 327 and 328: 327development experts would unanim
- Page 329 and 330: 329years after 1996, if I see a new
- Page 331 and 332: 331• Why do we ask questions?This
- Page 333 and 334: 333With the emergence of the abilit
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- Page 337 and 338: 337The fascinating fact about the T
- Page 339 and 340: 339curiosity cannot exist, although
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- Page 343 and 344: 343A few cases of “wolf children
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- Page 351 and 352: 351are disposed to accept such a vi
- Page 353 and 354: 353articulated speech among the anc
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306(and possibly universal for all human societies) behavior is connected to <strong>the</strong> ancientsafety strategy against <strong>the</strong> major predators of Africa.• There must be something impressive and imposing in <strong>the</strong> stomping sound itself.Possibl y because we all instinctively know that only very large animals can createstompin g sounds (<strong>the</strong> classic scene from “Jurassic Park” of T-Rex’s distant stompingmaking water fizzle comes to mind).• If someone thinks that <strong>the</strong>re is hardly any difference for a marauding predatorbetween <strong>the</strong> loud and unorganized noise, made by a large group of intended prey, and <strong>the</strong>loud and rhythmically well-organized sound, think again. The difference is absolutelyhuge. The loud but unorganized sound, although it can still make a predator hesitate,sounds more like an audio nuisance from panic-stricken prey, but <strong>the</strong> organized rhythmicsound gives a strong message of well-organized and united resistance. Readers mightknow from recent history how strong <strong>the</strong> impact of mass choral singing of “songs ofprotest” was in <strong>the</strong> fight against South African apar<strong>the</strong>id.• Attacks by lions, tigers and o<strong>the</strong>r big cats usually take a split second. Preyusually does not even see <strong>the</strong> attacker, as big cats prefer to attack when <strong>the</strong> prey is notlooking in <strong>the</strong>ir direction (that’s why cheap plastic masks with human faces, fixed frombehind on <strong>the</strong> head, saved many lives from man-eating tigers in <strong>the</strong> Sundarbans nationalpark in India and <strong>the</strong> Bangladesh swamps. See Jackson, 2003:78-80). Of course, during<strong>the</strong> split second of <strong>the</strong> attack <strong>the</strong>re is no time to organize a loud and stomping choir toscare <strong>the</strong> at tacker. I suggest that <strong>the</strong> loud stomping singing-shouting choir would beemployed only when <strong>the</strong> predator was spotted before <strong>the</strong> attack (and with many eyes thiswas easier to do). I suggest that with no good trees around, and without very fast legs, <strong>the</strong>only defence for our ancestors in <strong>the</strong> face of danger would be to unite as a group in anorganized display of unity, stand <strong>the</strong>ir ground and scare off <strong>the</strong> attacker with loudshouting and stomping.• Of course, if <strong>the</strong> loud sound was only a sound, without any o<strong>the</strong>r “materialisticadditions”, lions would have soon realized that <strong>the</strong>re was not much to be afraid of, butmost likely, this loud and well-organized sound was accompanied by <strong>the</strong> throwing ofmore materialistic objects (stones, rocks, branches). The suggestion of <strong>the</strong> evolutionaryimportance of precise throwing proves very useful in this situation (See Calvin, 1982,1983, 1993). Therefore, it must have been a combination of both factors that would turnaway hungry lions from non-running groups of stomping and throwing primates, and togo after more “prey-like”, although faster running, four-legged preys.• Calvin’s suggestion of <strong>the</strong> evolutionary importance of object throwing as ameans of hunting does not pay much attention to object throwing as a defensive functionfor our hominid ancestors. Throwing could serve <strong>the</strong> function not only of reaching aquicker running prey, but also of keeping a predator far from undesirable physical contactwith a hominid body. Defence throwing is well known among chimpanzees, trying to“intimidate leopards, snakes, and fellow chimpanzees” (Calvin, 1993:241). AlthoughCalvin himself suggests that “music ought to have so little feedback on natural selection”(Calvin, 1993:240), I suggest that <strong>the</strong> rhythmically well organized loud stomping groupdefence, coupled with throwing objects at predators was <strong>the</strong> main surviving strategy forearly hominids.• Some individual members of <strong>the</strong> group, as in every society, would be braver,and o<strong>the</strong>rs could be more panic-stricken, particularly when facing a predator like a