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who asked the first question? - International Research Center For ...

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302obvious that singing is not connected to higher intelligence, and that singing arose indifferent species independently from each o<strong>the</strong>r.Singing Rabbit and a Lion Dance:Origin of RhythmThe evolutionary cost of singing is quite high. You must be big and strong tohabitually afford singing-like loud and long vocalizations (like lions, wolves, whales).There is ano<strong>the</strong>r option if you are a singing lover – you must be able to fly, like avianbirds, or at least, be able to take a quick refuge high on a tree, like gibbons. So, if you arenot big and strong, or cannot fly, of quickly escape high into <strong>the</strong> trees, you’d better shutup and be as quiet as possible if you want to survive. A singing rabbit would not reach anold age.Living on <strong>the</strong> trees, our ancestors were on a safer “high floor” of <strong>the</strong> jungleecosystem. In <strong>the</strong> trees you can live according to your weight (are you lighter? – you canlive on a “higher floor” or thinner branches and be safe from heavier predators, <strong>who</strong> canonly hunt on “lower floors” or bigger branches). When our ancestors descended from <strong>the</strong>trees and started walking upright, <strong>the</strong> situation changed drastically. Animals of all sizesand shapes share <strong>the</strong> space and struggle for existence on <strong>the</strong> same “ground level”.Colonizing <strong>the</strong> ground, our ancestors were not big and strong enough to stand against <strong>the</strong>big predators like lions, and good climbing trees were not always nearby when needed.So, why on earth would <strong>the</strong>y sing? It is clear that singing would attract predators.Steven Mi<strong>the</strong>n criticized Bjorn Merker’s idea, <strong>who</strong> suggested that <strong>the</strong> foundationsof human musical talents were laid when our hominid ancestors started group singing toattract females (Merker, 2000). Mi<strong>the</strong>n argued: “The problem with Merker’s ideas is thatsynchronous calling by hominids in order to attract mates would also attract predators, aswould long-distance calls by lone hominids. We know that hominids on <strong>the</strong> Africansavanna were competing for carcasses with carnivores, and that <strong>the</strong>y often became <strong>the</strong>prey <strong>the</strong>mselves. The idea that <strong>the</strong>y would have synchronized <strong>the</strong>ir calls to attractwandering females and to deter groups of o<strong>the</strong>r hominid males seems most unlikely,especially when <strong>the</strong> relatively open landscape constrained <strong>the</strong>ir ability to escape frompredators by climbing trees. A far more likely strategy for such hominids would havebeen to keep quiet and hope that <strong>the</strong> prowling carnivores would pass <strong>the</strong>m by (Mi<strong>the</strong>n,1005:207).Merker’s idea of hominid males calling for females is controversial for ano<strong>the</strong>rreason as well. Although singing to attract females is quite widespread in <strong>the</strong> animalworld, it does not seem to be <strong>the</strong> main purpose of hominids prehistoric group singing. Insuch species, where males try to attract females by <strong>the</strong>ir vocal talents (as Merkersuggests), singing is mostly used in a competitive context between <strong>the</strong> males (or malegroups), and understandably only males usually sing elaborate songs (which is <strong>the</strong> case inmost of <strong>the</strong> avian birds). Among humans both men and women are ardent singers, and infact in many regions of <strong>the</strong> world group singing and vocal polyphony has survivedprimarilyin women’s repertoire. This fact strongly suggests that singing must have had a

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