who asked the first question? - International Research Center For ...
who asked the first question? - International Research Center For ... who asked the first question? - International Research Center For ...
ContentsForeword and acknowledgements 8= = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = =PART I World Styles of Traditional Polyphony 22= = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = =Foreword 22Question of terminology and classification 23Vocal Polyphony in Africa 30Sub-Saharan Africa (Rhythm; Unity of singing and dancing; Tone languages andpolyphony; Characteristics of sub-Saharan polyphony 31East Africa 36Central Africa 37South Africa 39West Africa 41Madagascar 43North Africa 44Sahara 45Conclusions 46Vocal Polyphony in Europe 47Vocal Polyphony in Eastern Europe 49Russia 49Polyphonic traditions of minorities of Russian Federation 54North Caucasian minorities(Abkhazians; Adighis, Balkarians and Karachaevis; Ossetians;Chechens and Ingushes, Dagestan) 55The Volga-Ural region minorities of Russian Federation (Mordva; Komi;Mari; Udmurtia; Tatarstan; Bashkiria; Chuvashia) 62North European minorities of Russian Federation 67Jews and Rom 67Ukraine 68Belarus 72Georgia (vocal polyphony in Georgia; General and regional characteristics;East Georgia; West Georgia; Improvisation in western Georgianpolyphonic songs; Traditional polyphony in Svaneti; Religious music;Urban music; Scale system; Melody in polyphony; Singing men andsinging women; Conclusions) 74Balkans 105Romania 105Bulgaria 106Serbia 108Montenegro 109Bosnia and Herzegovina 110Croatia 111Slovenia 112Macedonia 113Albania 1143
- Page 4 and 5: Greece 116Vocal Polyphony in North
- Page 8 and 9: 8Foreword and AcknowledgmentsApril
- Page 11 and 12: (or even more importantly - have be
- Page 13 and 14: In 1989 Tbilisi State University Pr
- Page 15 and 16: 15‣ Discussion of the historical
- Page 17 and 18: 17‣ Fully realising the moral dil
- Page 19 and 20: Armstrong, Joan Mills and Richard G
- Page 21 and 22: conversations with the leading Russ
- Page 23 and 24: 23In this chapter I will discuss th
- Page 25 and 26: 25(2) Drone polyphony,(3) Canonic p
- Page 27 and 28: 27middle or on the top of polyphoni
- Page 29 and 30: 29(b) Monophonic family (when the d
- Page 31 and 32: 31Ephraim Amu (an influential schol
- Page 33 and 34: 33languages. According to the numbe
- Page 35 and 36: 35have only six keys in a scale (C,
- Page 37 and 38: 37Mubangazi composed a very popular
- Page 39 and 40: 39environment, and trying to find t
- Page 41 and 42: 41polyphonic traditions of southern
- Page 43 and 44: 43Muslim, and some of the biggest p
- Page 45 and 46: 45SaharaAs I have already mentioned
- Page 47 and 48: 47‣ West Africa is the only regio
- Page 49 and 50: 49aims of my survey is to make the
- Page 51 and 52: 51polifonia”, which was considere
Contents<strong>For</strong>eword and acknowledgements 8= = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = =PART I World Styles of Traditional Polyphony 22= = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = =<strong>For</strong>eword 22Question of terminology and classification 23Vocal Polyphony in Africa 30Sub-Saharan Africa (Rhythm; Unity of singing and dancing; Tone languages andpolyphony; Characteristics of sub-Saharan polyphony 31East Africa 36Central Africa 37South Africa 39West Africa 41Madagascar 43North Africa 44Sahara 45Conclusions 46Vocal Polyphony in Europe 47Vocal Polyphony in Eastern Europe 49Russia 49Polyphonic traditions of minorities of Russian Federation 54North Caucasian minorities(Abkhazians; Adighis, Balkarians and Karachaevis; Ossetians;Chechens and Ingushes, Dagestan) 55The Volga-Ural region minorities of Russian Federation (Mordva; Komi;Mari; Udmurtia; Tatarstan; Bashkiria; Chuvashia) 62North European minorities of Russian Federation 67Jews and Rom 67Ukraine 68Belarus 72Georgia (vocal polyphony in Georgia; General and regional characteristics;East Georgia; West Georgia; Improvisation in western Georgianpolyphonic songs; Traditional polyphony in Svaneti; Religious music;Urban music; Scale system; Melody in polyphony; Singing men andsinging women; Conclusions) 74Balkans 105Romania 105Bulgaria 106Serbia 108Montenegro 109Bosnia and Herzegovina 110Croatia 111Slovenia 112Macedonia 113Albania 1143
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