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who asked the first question? - International Research Center For ...

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and of course, Sheree Reece from <strong>the</strong> Kean University, New Jersey, USA, for our longcooperation in researching <strong>the</strong> stuttering Chinese population in South-East Asia. The helpof Singaporean speech pathologist Selena Young was crucial in researching <strong>the</strong>tantalising (for me) issue of <strong>the</strong> prevalence of stuttering among Chinese populations, infinding <strong>the</strong> speech pathologists working with <strong>the</strong> Chinese populations and conducting <strong>the</strong><strong>question</strong>naire on <strong>the</strong> subject. My thanks should go also to <strong>the</strong> Singaporean Speech andHearing Association for <strong>the</strong>ir interest and help.I am very grateful to statistician Eric Van Bemmel from Melbourne for his criticalremarks, very important in <strong>the</strong> early stages of <strong>the</strong> development of my model, and to LynnNewman-Bertrand from <strong>the</strong> Emory University, Atlanta, <strong>who</strong>se support and efforts totranslate and publish my <strong>first</strong> book in English was an important factor for me in decidingto write this book in English; my gratitude to Bob Segrave’s dedicated help on <strong>the</strong> writtentext during <strong>the</strong> last stages of working on <strong>the</strong> text of this book is impossible to expresswith words.I am also very grateful to Christoph Maubach, Roger King, Grant Ma<strong>the</strong>ws, MaryCrooks and <strong>the</strong> members of <strong>the</strong> big community choir “Nor<strong>the</strong>rn Voice” in Melbourne,Australia, as well as ensembles “Gorani”, “Golden Fleece”, “Multiphonies” and “WhyNot!” for having <strong>the</strong> privilege of singing with <strong>the</strong>m for many long years and for <strong>the</strong>irsupport in gaining an important insight of joys and pitfalls of participating in a bigcommunity choir and smaller singing ensembles. Thanks to my students from <strong>the</strong>Univesrity of Melbourne Daniel Techane, Jessica Na, Talita Muller and Eric Tjahja.Special thanks should go to our Australian friends Keith and Lynn Buffey and <strong>the</strong>irdaughters Sarah and Hea<strong>the</strong>r, for heroically coping with me and my wife both beingconstantly tied to our computers during our shared 2006 summer holidays at <strong>the</strong> beautifulocean beach in sou<strong>the</strong>rn Victoria. Big thanks to Yuri Bakhtadze for helping creating <strong>the</strong>combined graphic figure of acquisition of phonological system by American andJapanese children. I am very grateful to Viennese Phonogram Archive for making <strong>the</strong>materials of Nuristan polyphony available to me.I am very grateful to my new country, Australia, and <strong>the</strong> endless possibilities ofscholarly progress it provides. I am endlessly grateful to my native Georgia, truly heavenon earth for those <strong>who</strong> love polyphonic singing.I am also very grateful to a huge group of scholars and musicians, some alreadygone to <strong>the</strong> “better world” and some alive, from Charles Darwin to <strong>the</strong> members of TheBeatles, <strong>who</strong>m I never had <strong>the</strong> pleasure of meeting and discussing a few topics I wouldlove to discuss with <strong>the</strong>m, although <strong>who</strong>se ideas through <strong>the</strong>ir writings and recordingsmade such an impact on many aspect of my life as a scholar and as a musician.Thanks to all <strong>the</strong> readers of this book, and particularly to critical readers. Theyshould know that despite <strong>the</strong> big group of <strong>the</strong> most generous scholars and musicians,<strong>who</strong>se help I very much appreciate, I am solely responsible for all <strong>the</strong> mistakes.And finally, my very special thanks should go to <strong>the</strong> leading Russian andGeorgian physical anthropologists Valeri Pavlovich Alexeev and MalkhazAbdushelishvili, <strong>who</strong>se deep professional interest and long-lasting support was absolutelycrucial for <strong>the</strong> development of my model of <strong>the</strong> evolution of human choral singing,language and speech (particularly in <strong>the</strong> early stages). As a matter of fact, <strong>the</strong> ideas of <strong>the</strong>asynchronous shift to articulated speech in different human populations, and <strong>the</strong> possiblelink between <strong>the</strong> prevalence of stuttering and vocal polyphony were born during our long20

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