postmodern Satanism

communicative of what is known in mathematical physics as asymmetry break, and the ostensible world is indeed the result of sucha break, as a detailed study of the physics of particles and the fourforces makes clear. When Malkuth is included in analysis, then thecenter, or axis, is none other than Tipareth, the sixth sephirah whichglyphs the solar logos. If only the invisible world is considered (sansMalkuth, in other words), then the central axis is instead thenineteenth path, or Atu XI, (Strength/Lust), which links Geburah(severity) and Chesed (mercy). These have been drawn in the abovediagram as axis A and axis B respectively.Thus we have two centers on the Tree, depending onwhether or not we break the symmetry inherent in the invisible world(the Fall) and consider the material plane as well. As we considerhow to reconcile this dichotomy, we return to the nature of the Treeas integral glyph (i.e. one which depends exclusively on integers),and notice that there is in fact a further symmetry to be brokenthrough the application of ratio, or logos, and this is not without acertain sense of irony (considering the significance of Tipareth). Theresulting mean generates a new sephirah, containing multifacetedlayers of understanding, and which ultimately serves as a symmetrybreak on a whole other level.Our novel sephira could possibly achieve many designations,but given its role in pushing past boundaries of integralism, I havedesignated it as Tsir (the pivot). It is also the Eclipse, the Dark Sun,and the VesicaPiscis. Consider:And we notice further that this image is also used for the VennDiagram, a cornerstone of logic, which is derivative of the Logos, orTipareth. And none of this without reason.What we are doing here is “breaking through to the OtherSide” - challenging the integral nature of the Tree by way of its veryintegration. Our novel sephira is represented by the non-integral 510/11, or 5.90909090 . . ., which though non-integral, is indeed