82 Octave Mannonition is of no use at all. In a word, <strong>the</strong> belief must survive its refutation,even if it <strong>the</strong>reby becomes impossible to grasp and one can see nothingbut its utterly paradoxical effects.This example opens up paths of all sorts: <strong>the</strong> use of misinformation^ to propagandists ends, even if it must later be admitted that <strong>the</strong> informationgiven out was false; hollow promises; <strong>the</strong> psychology of <strong>the</strong>practical joke; and <strong>the</strong> psychology of impostors. There is no reason thatsomeone who does magic tricks, however reasonable and lucid she maybe, should not make a living from <strong>the</strong> transformed belief that she is amagician, or that that should not greatly enhance <strong>the</strong> pleasure that plyingher trade gives her. Like <strong>the</strong> Hopi who admits that <strong>the</strong>re are no realKatcinas left today, she holds a "but all <strong>the</strong> same" in reserve, one that ismuch harder to grasp than <strong>the</strong> Hopi's "but all <strong>the</strong> same," or even all butimpossible to pin down, except in little details that require interpretation.Yet sometimes it is obvious that <strong>the</strong> belief that one might supposehad been abandoned has in fact been maintained. I shall give some examplesof this; <strong>the</strong> first, which we owe to Claude Lévi-Strauss, is famous.It involves a shaman who, although he knows <strong>the</strong> tricks of his and hisfellow shamans' trade inside out, one day finds himself fascinated by ano<strong>the</strong>rshaman who uses <strong>the</strong> same tricks; he becomes capable of believingagain, with all his former naivete. I have summarized <strong>the</strong> story poorly,but everyone has read <strong>the</strong> essay in question and been more or less surprisedby this paradox; as he describes it, Lévi-Strauss interprets it asproof that an impostor can be his own dupe and invent an excuse forhimself in all good faith. As <strong>the</strong> preceding pages will have suggested, <strong>the</strong>real explanation is different, and, not surprisingly, at once more obviousand more puzzling. Voltaire's treatment of imposture, which comesdown to repeating that two shamans or two Katcinas ought not to beable to look each o<strong>the</strong>r in <strong>the</strong> face without laughing, does not reflect <strong>the</strong>reality of <strong>the</strong> matter.Pace Voltaire, we have already begun to glimpse that <strong>the</strong>re are severalways of believing and not believing. There is some slight resemblancebetween <strong>the</strong> shaman and <strong>the</strong> Hopi: <strong>the</strong> shaman too must have believednaively before repudiating his belief, although we do not know anythingabout <strong>the</strong> crisis he may have undergone when he was initiated into <strong>the</strong>tricks of his trade. However, <strong>the</strong> positions that <strong>the</strong> two end up in are notidentical: <strong>the</strong> shaman recovers his naivete, but his faith is not reinforced.
"I Know Well, but All <strong>the</strong> Same ..." 83He is, moreover, a medicine man by virtue of his personal powers, not,like <strong>the</strong> Katcinas, an officiant by virtue of something that transcends <strong>the</strong>group; thus <strong>the</strong>se two cases are not reducible to each o<strong>the</strong>r. The readerwill already have thought of <strong>the</strong> case of <strong>the</strong> con artist or <strong>the</strong> swindlerwho only needs a credulous victim in order to lend credence, in a certainsense, to his own fabrications. The con man knows, for instance,that everything will come out in <strong>the</strong> end, but all <strong>the</strong> same, etc. There isstill a great deal left to explore here.But what is still lacking, and what we need above all, is a means ofclassifying <strong>the</strong>se various cases, or, still better, of establishing a sort ofsyntax or a system of permutations that would allow us to pass from oneto <strong>the</strong> next, and, ultimately, to arrive at a precise formula for <strong>the</strong> fetishist'sgame of Verleugnmg, which is plainly different from everything wehave seen so far. Ano<strong>the</strong>r example will help us make some progress here.I take it from Casanova's The History of My Life. It is a lovely episodethat covers <strong>the</strong> end of volume two and <strong>the</strong> beginning of volume three,which, I am afraid, suffers a bit when we reduce it to its essentials, aswe must here. Casanova has been something of an embarrassment forpsychoanalysts. His sexual behavior appears "normal," while exhibitinga streak of, as it were, counterphobic activism; Casanova poses as <strong>the</strong>champion of anti-castration. One hardly knows where to place him: Ishe, firstand foremost, a phobic neurotic who overcompensates? Is he apervert of a peculiar kind? Does he illustrate a transition between phobicneurosis and perversion? In what follows, our interest will be focusedon Casanova <strong>the</strong> impostor.In 1748, Casanova, who is twenty-three, happens to be in Mantua.There he is accosted by a stranger who insists that Casanova come lookat his natural history collection—a ridiculous accumulation of bric-àbrac,with nothing au<strong>the</strong>ntic in it. This collection contains, among o<strong>the</strong>rthings, an old knife, ostensibly <strong>the</strong> one with which St. Peter struck offMalchus's ear. It is a knife of <strong>the</strong> kind to be found everywhere; Casanovahas seen one in Venice. His reaction is immediate; without a moment'shesitation, he joins in <strong>the</strong> game. He has no doubt recognized <strong>the</strong> strangerfor what he is at a single glance: an impostor or a gull, it makes no difference—or,better, an impostor and a gull. For Casanova, <strong>the</strong> game willconsist in taking <strong>the</strong> impostor's role entirely for himself while leaving<strong>the</strong> stranger in <strong>the</strong> gull's. But in <strong>the</strong> end, as we shall see, it is Casanova
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PerversiontheSocial RelationMolly A
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AcknowledgmentsixMolly Anne Rothenb
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Molly Anne Rothenbergand Dennis Fos
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Introduction 3necessary passage thr
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W.S.Dennis FosterShortly before the
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IfSctPrMintoStyrwTsfft*Michael P. B
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E. L. McCallumIn Freud's theory of
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zi6Works CitedVoltaire, François-
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2i8 ContributorsNina Schwartz is As
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22o IndexBrooks, Peter, 190-92,198-
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n6IndexSloterdijk, Peter, 14 n.6,11