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Perversion the Social Relation

Perversion the Social Relation

Perversion the Social Relation

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Fatal West 21of limiting, castrating authority, claiming <strong>the</strong> right to take all wealth forits own. 6 It expresses, that is, <strong>the</strong> dream that it is possible to win absolute,stable command of <strong>the</strong> world's wealth. But wealth under capital iswealth only when it is fluid, endlessly circulated and allowed to functionas a signifier. All modern capitalists must, consequently, work with adouble consciousness: <strong>the</strong>y recognize that capital, as a signifier, is emptydespite its profound effects; at <strong>the</strong> same time <strong>the</strong>y derive <strong>the</strong> meaninglessenjoyment from money that only a fetish can command, even though <strong>the</strong>fetishized object is often no more than a fleeting electronic transaction.Piracy, <strong>the</strong>n, embodies <strong>the</strong> enjoyment of a monetary fetish that legitimatecapitalism takes as <strong>the</strong> incidental consequence of its enterprise, butwhich is in fact a primary inducement for its labors.Don C. Seitz, whose story of <strong>the</strong> pirate Captain Mission Burroughsquotes, recognizes an ambiguity of motivations in idealists: Mission's"career was based upon an initial desire to better adjust <strong>the</strong> affairs ofmankind, which ended as is quite usual in <strong>the</strong> more liberal adjustment ofhis own fortunes" (xi). The problem with such a desire to elevate o<strong>the</strong>rs,as Conrad displayed in Heart of Darknesses fortune-hunting "gang ofvirtue," is that in remaining ignorant of where <strong>the</strong>y derive <strong>the</strong>ir enjoyment,<strong>the</strong> "benefactors" of mankind need not question what <strong>the</strong>y attainmerely in passing. In saving <strong>the</strong> less fortunate peoples of <strong>the</strong> world, <strong>the</strong>powerful stage master-servant/sado-masochist fantasies that "incidentally"exploit and destroy those who come in contact with <strong>the</strong>m. Burroughsseizes this story of <strong>the</strong> pirate Mission for its sublime potential,seeing in it an American liberty that might have effectively put an endto <strong>the</strong> history of industry and capitalism by eliminating need, wealth,and class. But unlike <strong>the</strong> young Marx who imagines that <strong>the</strong> eliminationof "exchange value" will produce some au<strong>the</strong>ntic existence, Burroughs'simagined community evades <strong>the</strong> tyranny of au<strong>the</strong>nticity by producing adeliberately and literally staged enjoyment.Burroughs's characters parody our activities, showing how social,economic, and political motives conceal some more fundamental need.Farnsworth, for example, is <strong>the</strong> District Health Officer, but he is uninterestedin typical ideas of health: he has "very little use for doctors"because <strong>the</strong>y interfere with <strong>the</strong> function of his office, which is to alleviatesuffering, whe<strong>the</strong>r it arises from illness or desire: "The treatmentfor cholera was simple: each patient was assigned to a straw pallet on

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