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Perversion the Social Relation

Perversion the Social Relation

Perversion the Social Relation

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Fatal West 19cost is no reliable guarantee of quality, never<strong>the</strong>less, when I spend moreI feel as if I have <strong>the</strong> best." Although <strong>the</strong> consumer is bound to be disappointed(since consumption never removes desire), <strong>the</strong> advertisemen<strong>the</strong>lps transform <strong>the</strong> commodity into a fetish, that is, into a thing thatcan provide a perverse enjoyment, despite <strong>the</strong> lack of satisfaction.Cynical reason returns <strong>the</strong> reasoner, surprisingly, to <strong>the</strong> Cartesianposition of stupid obedience: in <strong>the</strong> absence of certainty, it is better tofollow <strong>the</strong> rules. However, where Descartes gave his obedience to <strong>the</strong>laws of <strong>the</strong> kingdom, contemporary ideology dictates that reason guideone to pursue wealth and self-interest. The tremendous appeal of sucha position is that merely by following duty, reason, and common sense,one incidentally accrues not only wealth and position but <strong>the</strong> special rewardsthat come to those who adhere most strictly to duty. Those fortunateenough to escape poverty, for example, often find <strong>the</strong>mselves, asa matter of civic duty, in <strong>the</strong> position of disciplining <strong>the</strong> poor. Theirmethods may be doomed to fail (choosing not to feed <strong>the</strong> children of<strong>the</strong> poor does not usually make such children into productive membersof society), but <strong>the</strong> experience of inflicting suffering on o<strong>the</strong>rs can stillmake <strong>the</strong> job rewarding. It is difficult to subvert those systems (such as<strong>the</strong> prison system or <strong>the</strong> campaigns against imported drugs) that seem toaccept as a working principle that <strong>the</strong>y will be ineffective. Burroughs'swork seems, ra<strong>the</strong>r, to celebrate aspects of modern culture that are oftenacknowledged (sadly, hostilely, sardonically) to fail. However, he takesas <strong>the</strong> motive of cultural activity not its intentions to improve life, butits capacity to produce enjoyment. The evil of <strong>the</strong> ugly spirit does notlie in its capacity to produce perverse enjoyment but in its failure to recognizethat perversity is what sustains it. Burroughs's achievement is toinvert <strong>the</strong> terms of Western history, imagining a culture developing notout of its impulses toward spirit or wealth, but out of <strong>the</strong> impulse towardenjoyment and a denial of <strong>the</strong> legitimacy of all authority.Retrospective UtopiaCities of <strong>the</strong> Red Night imagines an alternative history of <strong>the</strong> Westernworld from one hundred thousand years ago, developing out of <strong>the</strong> Eurasianplains and reaching into <strong>the</strong> Americas. This history gives no senseof a Utopian past, however, no moment when life was sweet and from

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