2o8E. L. McCallumpens in Accident, as well, only through its anxious vacillation around <strong>the</strong><strong>the</strong>me of contamination—a cloud of particles serves as <strong>the</strong> occasion bywhich <strong>the</strong> narrator can ponder <strong>the</strong> wave connections in which she is embedded,familially, historically, linguistically, technologically, globally,networks that exist beyond her own immediate existence, beyond language,beyond <strong>the</strong> separation imposed by distance and death. The binarythat is decoded on <strong>the</strong> products at <strong>the</strong> end of White Noise has <strong>the</strong> dualnature of particles and waves: On <strong>the</strong> one hand, it is simply <strong>the</strong> bar codeon <strong>the</strong> product, but on <strong>the</strong> o<strong>the</strong>r hand, it is that which particle-izes <strong>the</strong>shoppers and <strong>the</strong> items seemingly indiscriminately.A perverse narrative would be, <strong>the</strong>n, not simply <strong>the</strong> narrative that dalliesin <strong>the</strong> middle, but one that posits an end only to transform it—like aparticle to a wave—into something else, into a Môbius strip of a story,narrating <strong>the</strong> edge of what can be told. We need perversion as a narrative,beyond what narratives of perversion already exist—in Freud, forinstance, and now more widely in queer studies. <strong>Perversion</strong> as a narrativefigures a space where <strong>the</strong> narrator is telling a story that is a problembeing figured out, not where he or she already knows <strong>the</strong> end and wantsto tell you how we arrived <strong>the</strong>re. These perverse narratives do not drivetoward a static, prior state of existence, untroubled knowledge, or anidentificatory union between narratee or reader and narrator or protagonist.Ra<strong>the</strong>r, <strong>the</strong>y drive epistemophilically toward <strong>the</strong> in-between, <strong>the</strong>edge where <strong>the</strong> language sometimes obtrudes as particles, fragmentingand dissolving narrative, and o<strong>the</strong>r times as waves, seamlessly carryingforward on <strong>the</strong> narrative drive. The perversity of <strong>the</strong>se novels is preciselythat White Noise could be a textbook case of <strong>the</strong> death drive as narrative,or Accident an exemplar of <strong>the</strong> life drive. At <strong>the</strong> same time, each providesa textbook case of a perverse narrative, driven by <strong>the</strong> structures outsideof consciousness, <strong>the</strong> particles/waves that scan <strong>the</strong> codes of writing, barcodes, tumors, life, and death.Notesi Sigmund Freud, Three Essays on <strong>the</strong> Theory of Sexuality, trans, and ed. James Strachey(New York: Basic, 1962), 28.2 Don DeLillo, White Noise (New York: Penguin, 1986).3 Christa Wolf, Accident: A Day*s News, trans. Heike Schwarzbauer (New York: Noonday,1989).
Contamination's Germinations 2094 Peter Brooks, Reading for <strong>the</strong> Plot: Design and Innovation in Narrative (New York:Vintage, 1984), 101.5 Sigmund Freud, The Ego and <strong>the</strong> Id, trans. Joan Riviere, ed. James Strachey (NewYork: Norton, 1962), 30.6 Sigmund Freud, Beyond <strong>the</strong> Pleasure Principle, trans, and ed. James Strachey (NewYork: W. W. Norton, 1961), 43.7 Brooks, Reading for <strong>the</strong> Plot, 124.8 Ibid., 108.9 Ibid., 97.10 Joan Copjec, Read My Desire: Lacan against <strong>the</strong> Historicists (Cambridge, Mass.: MITPress, 1994), 37.11 DeLillo, White Noise, 301.12 Wolf, Accident, 23.13 Copjec, "Cutting Up," Read My Desire^ 6x.14 Jacques Lacan, The Four Fundamental Concepts of Psycho*Analysis, trans. Alan Sheridan,ed. Jacques-Alain Miller (New York: Norton, 1981), 22.15 Ibid.16 Brooks, Reading for <strong>the</strong> Plot, 139.17 Copjec, Read My Desire,18 Ibid., 48.19 Ibid., 54.20 Wolf, Accident, 5,8.21 Ibid., 58.22 Ibid., 57.23 Freud, The Ego and <strong>the</strong> Id, 19.24 Wolf, Accident, 40.25 Ibid., 3.26 Freud, Beyond <strong>the</strong> Pleasure Principle, 67.27 Ibid., 60.28 Ibid.29 Ibid.30 Wolf, Accident, $6,31 Copjec, Read My Desire, 39.32 Wolf, Accident, 109.33 Ibid.34 Ibid.35 DeLillo, White Noise, 324.3e Ibid., 325.37 Ibid., 32e.
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W.S.Dennis FosterShortly before the
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