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Perversion the Social Relation

Perversion the Social Relation

Perversion the Social Relation

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Contamination's Germinations 199The death drive maintains this extension in part through its reliance onrepetition, but concomitantly through its correlation with <strong>the</strong> symbolicregister. While Copjec's and Lacan's views hinge on language, <strong>the</strong>ir delineationsparallel Brooks's mapping of <strong>the</strong> role of <strong>the</strong> drive in narrativeto defer, delay <strong>the</strong> end. Like perversion, and perverse as it is, this viewof cause radically thwarts <strong>the</strong> conception or sustenance of an individualsubject.Cause, <strong>the</strong>n, is some failure within <strong>the</strong> compulsion of repetition; narrative,in contrast, is a combination of this failure to repeat—cause—and <strong>the</strong> organization of <strong>the</strong> excess or side effects of signification of <strong>the</strong>automaton. Narrative may be punctuated by repetition but can neverbe purely repetition, for repetition becomes nonnarratable. Narrative,<strong>the</strong>refore, is as fundamentally engaged in <strong>the</strong> life drive as in <strong>the</strong> deathdrive. But more, narrative must involve transformation, and <strong>the</strong> roleof perverse fragmentation in relation to transformation may becomeclearer if we examine this life drive at work in <strong>the</strong> contamination texts.The instinctual effect of contamination in Accident is, as we saw in<strong>the</strong> passages cited earlier, a disorientation in language. The fragmentsptoduced by perversion are even more obvious in Accident than in WhiteNoise. Instead of smoothly linked forms—sentences, phrases, narrative—<strong>the</strong> narrator encounters words, vocabulary lists, particles. "The scientificword is Contaminated.' Fm learning new words while you sleep,bro<strong>the</strong>r," she intimates early on; "nuclids—ano<strong>the</strong>r word I have justbegun to learn." 20 But as <strong>the</strong> day progresses <strong>the</strong> ineffable becomes moreher concern: "Everything I have been able to think and feel has gone beyond<strong>the</strong> boundaries of prose." 21 Yet if <strong>the</strong> words fragment, become discreteand static, <strong>the</strong> words also coalesce and germinate new meanings.Hearing <strong>the</strong> reports of people leaving from Chernobyl that noon, <strong>the</strong>narrator remarks: a evacuation,' bro<strong>the</strong>r, is one of those words whichwe won't be able to separate from our own experience for <strong>the</strong> rest of ourlives." 22 The life drive's combinatory powers work through language,meaning sedimented upon meaning, even as <strong>the</strong> death drive's stasis seekingpushes on through narrative, stripping <strong>the</strong> accumulated meaningsback to one, returning to <strong>the</strong> current moment, <strong>the</strong> story at hand. Inthis instance, <strong>the</strong> life drive's binding might be seen to work against narrativeas a singularly directional impulse, instead pushing toward <strong>the</strong>nonnarratival or multiply narratival. "Evacuation" must be restricted to

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