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Perversion the Social Relation

Perversion the Social Relation

Perversion the Social Relation

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Contamination's Germinations 193The plot's order makes it clear that <strong>the</strong> Airborne Toxic Event is not<strong>the</strong> climax of White Noise, since this event occurs, almost self-contained,in <strong>the</strong> second of three sections of <strong>the</strong> novel, but ending exactly halfwayto <strong>the</strong> end of <strong>the</strong> text. With <strong>the</strong> third section picking up on threads from<strong>the</strong> first, <strong>the</strong> narrative seems as though it will culminate with <strong>the</strong> conferencein Hitler studies. Hosting this conference is ostensibly what hastriggered Jack's compensatory obsessions. He both wants <strong>the</strong> attentionhis role as host of this Germanically focused conference promises to affordhim and fears that his utter ignorance of German will reveal him asa hoax. At one level, <strong>the</strong> mastery he seeks is not some immortal capabilitybut simply <strong>the</strong> sense that he is who he is reputed to be, that he canlive up to <strong>the</strong> image he feels he projects with his academic robe and darkglasses, <strong>the</strong> intellectual man of mystery. His anxiety is narcissistic, focusedon <strong>the</strong> hope that, as Copjec describes narcissism, his "own beingexceeds <strong>the</strong> imperfection of its image." 10 This narcissism is linked withJack's Teutonophilia, indicating that this narcissism is deeper, driveoriented.But this link does not mean that <strong>the</strong> drive to be with Germansis about Jack individually; ra<strong>the</strong>r, <strong>the</strong> narcissism angle is already alignedwith Jack's dispersion, which <strong>the</strong> narrative drive of Teutonophilia effectsover <strong>the</strong> course of <strong>the</strong> text. Precisely because <strong>the</strong> novel does not end here,at <strong>the</strong> Hitler studies conference, it's not about Jack consolidating hisidentity and mastery—and thus not about <strong>the</strong> death drive—but ra<strong>the</strong>rabout how Jack is dispersing into particles, driven to see himself, hisfamily, his social situation, as "particle-ized."Thus, ra<strong>the</strong>r than end <strong>the</strong> novel, Jack's comic failure to master <strong>the</strong>ceremony or <strong>the</strong> language in his conference address propels him towardano<strong>the</strong>r Teutonic situation. Only when he learns that his rival, WillieMink, is in nearby Iron City's Germantown—indeed, only when helearns that Iron City even has a Germantown 11 —does Jack finally pursue<strong>the</strong> dispenser of Dylar with whom his wife Babette has slept. Eventhough he has known of Babette's infidelity and indeed cajoled fromher <strong>the</strong> adulterer's name, and even though this man is <strong>the</strong> source forBabette's acquisition of a drug that dispels <strong>the</strong> fear of death, what catalyzeshim out of his ambivalence into action is not <strong>the</strong> information, but<strong>the</strong> Teutonophilic drive.Gladney's drive to find Mink hurtles him willy-nilly to act against hisdesire for stasis, quiescence, repetition; it is a drive that is quite literally

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