Perversion the Social Relation

Perversion the Social Relation Perversion the Social Relation

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i88E. L. McCallumthe coherence of the individual subject, not to mention the illusory fullnessof subjects' social mediations through story and self; analyzing perversionin this way reveals important aspects of the nonindividualisticdimension of the social.This coming apart provokes me to offer what might best be called aperverse reading of the drive and to think further about the particle, forparticles are elements or components of a larger phenomenon that canonly be discerned as things come apart. To make these two apparentlydisparate things cohere, however, I will read them through the figure ofcontamination, a perversion particularly predisposed to both the drive—as an organization of forces outside the ego—and the particle, since,whether radioactive, chemical, or even linguistic, contamination boilsdown to an introduction of unwanted foreign particles into a systemor conglomeration. This introduction of outside elements threatens tobreak down—or pervert—the system, as in the case of ecological contamination,or at minimum destroy the presumption of wholeness thatthe previously untainted conglomeration—for example, a contaminatedlanguage or cultural practice—had held.If we perceive particles as having some kind of (implicitly organized)motion to them, rather than being purely static entities, we might callthat movement propelling. For instance, if one has particles of, say, hairspray or paint, that one seeks to remove from a can and apply to a surface,one requires the use of a propellant. The German word for propel istreiben, preterite form Trieb. So another aspect of looking at perversionin a social schema from a particular angle focuses our attention on therole of Trieb, commonly translated in anglophone psychoanalytic contextsas "drive," although not infrequently as "instinct." The problemwith either "drive" or "instinct" is the associations of subjectivity andwill, perhaps less so with instinct than drive, since the former's associationwith animals' or organisms' motivating force subverts the affinityto consciousness that "drive" might evoke. It is as if "drive" or Triebsomehow provides the glue that holds the particles together, the forcethat directs them.The drive, however, is not the same as perversion, because perversionis on the side of desire. Rather, what I mean by perversion is this effect ofor emphasis on fragmentation, partiality, coming apart, dispersion. I'mcurious as to how that structure could still be allied with or organized by

Contamination's Germinations 189some drive, not simply as an expression of that drive, but as a channel towhich the unity or coherence that perversion disperses might have beendisplaced, where the particles can be maintained in some form of organization,be it more chaotic than linear. Psychoanalytically, the drive isassociated with the organism's relations outside itself, but as psychoanalysishas been taken up in literary studies, the drive has come to beconnected with narrative, which might seem a vantage point by whichthe impersonality of the drive is more clearly viewed. In fact, narrative'sjuxtaposition with the drive ends up obscuring the fact that there is noindividual in either narrative or the drive. And yet, narrative is inherentlysocial; the telling of stories is unavoidably embedded in our socialorganization, our relations to one another. Thus my interest in thisessay is in how narrative's sociality could possibly work on a nonindividualistparadigm, and I suggest that for narrative to do so requiresperversion's partiality, dispersion. The drive provides a theory or inevitabledetour through which we can work out the question of how therecan be perverse narrative. Contamination, deeply perverse itself, as thenonhumanist, nonindividualist paradigm of driven dispersion, presentsthe epigrammatic figure for my concern. To begin, then, let us considernarratives of contamination and their work on or with the drive(s).In the postmodern canon, Don DeLillo's 1984 novel White Noise offersthe most likely literary example of the culture of contamination; the featuredimpurity is the Airborne Toxic Event, which takes up the middlesection of the novel. 2 But there's another text that uncannily has almostexactly the same features as White Noise: an airborne toxic event, presentedby the protagonists in a first-person narration that emphasizesthe quotidian, at times ventures upon meditation, or is interrupted bythe media, with the specter of Nazism in the background and the Germansin the fore, and a narrative drive toward closure at the end of theday—be it sunset or nightfall. This text is Christa Wolf's Accident: ADay's News (1987). 3 Perhaps it was just what was in the air in the mideighties,but I think something more drives the convergence of these twonovels' realization of contamination. What novel realization about thedrive germinates in the convergence of these two contaminations?There's little question, at first glance, that Jack Gladney, protagonist/narratorin Don DeLillo's White Noise, exhibits a strong deathdrive; it is easy to see his obsession with death, with who—he or his

i88E. L. McCallum<strong>the</strong> coherence of <strong>the</strong> individual subject, not to mention <strong>the</strong> illusory fullnessof subjects' social mediations through story and self; analyzing perversionin this way reveals important aspects of <strong>the</strong> nonindividualisticdimension of <strong>the</strong> social.This coming apart provokes me to offer what might best be called aperverse reading of <strong>the</strong> drive and to think fur<strong>the</strong>r about <strong>the</strong> particle, forparticles are elements or components of a larger phenomenon that canonly be discerned as things come apart. To make <strong>the</strong>se two apparentlydisparate things cohere, however, I will read <strong>the</strong>m through <strong>the</strong> figure ofcontamination, a perversion particularly predisposed to both <strong>the</strong> drive—as an organization of forces outside <strong>the</strong> ego—and <strong>the</strong> particle, since,whe<strong>the</strong>r radioactive, chemical, or even linguistic, contamination boilsdown to an introduction of unwanted foreign particles into a systemor conglomeration. This introduction of outside elements threatens tobreak down—or pervert—<strong>the</strong> system, as in <strong>the</strong> case of ecological contamination,or at minimum destroy <strong>the</strong> presumption of wholeness that<strong>the</strong> previously untainted conglomeration—for example, a contaminatedlanguage or cultural practice—had held.If we perceive particles as having some kind of (implicitly organized)motion to <strong>the</strong>m, ra<strong>the</strong>r than being purely static entities, we might callthat movement propelling. For instance, if one has particles of, say, hairspray or paint, that one seeks to remove from a can and apply to a surface,one requires <strong>the</strong> use of a propellant. The German word for propel istreiben, preterite form Trieb. So ano<strong>the</strong>r aspect of looking at perversionin a social schema from a particular angle focuses our attention on <strong>the</strong>role of Trieb, commonly translated in anglophone psychoanalytic contextsas "drive," although not infrequently as "instinct." The problemwith ei<strong>the</strong>r "drive" or "instinct" is <strong>the</strong> associations of subjectivity andwill, perhaps less so with instinct than drive, since <strong>the</strong> former's associationwith animals' or organisms' motivating force subverts <strong>the</strong> affinityto consciousness that "drive" might evoke. It is as if "drive" or Triebsomehow provides <strong>the</strong> glue that holds <strong>the</strong> particles toge<strong>the</strong>r, <strong>the</strong> forcethat directs <strong>the</strong>m.The drive, however, is not <strong>the</strong> same as perversion, because perversionis on <strong>the</strong> side of desire. Ra<strong>the</strong>r, what I mean by perversion is this effect ofor emphasis on fragmentation, partiality, coming apart, dispersion. I'mcurious as to how that structure could still be allied with or organized by

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