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Perversion the Social Relation

Perversion the Social Relation

Perversion the Social Relation

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"As If Set Free into Ano<strong>the</strong>r Land" 185JIbid., 150.Styron, Confessions, 208.Many critics read Nat's abandonment of sexual contact in <strong>the</strong> name of God in variouslymoral terms that devalue <strong>the</strong> importance of <strong>the</strong> scene in relation to <strong>the</strong> restof <strong>the</strong> novel. Daniel W. Ross argues that Nat's "fear of women" has created in hima sexual "confusion" that "leads him to various compensations, including homosexuality,"as though Nat's pleasure in <strong>the</strong> scene were somehow false and <strong>the</strong> wholeencounter were simply a temporary deviation from both <strong>the</strong> narrative and his truesexuality (Ross, " 'Things I Don't Want to Find Out About': The Primal Scene inThe Confessions of Nat Turner,** Twentieth Century Literature: A Scholarly and CriticalJournal 39.1 [1993]: 86). Vincent Harding takes a more accusatory position andargues that "it is obviously his sense of guilt over <strong>the</strong> act which drives Nat into <strong>the</strong>river for Baptism" just after his climax with Willis (Harding, "You've Taken My Natand Gone," in William Styron's Nat Turner: Ten Black Writers Respond, ed. John HenrikClarke [Boston: Beacon Press, 1968], 26-27). And David Hadaller claims thatNat's encounter with Willis is a convenient sin that shows Nat his need to repentand study religion: "After he has enjoyed mutual masturbation with Willis, [Nat]immediately baptizes <strong>the</strong> young man and <strong>the</strong>n himself, promising to sin no more"(Hadaller, Gynicide: Women in <strong>the</strong> Novels of William Styron [Madison, Wis.: FairleighDickinson University Press, 1996], 118).For example, he believes that his master's wife, Miss Sarah Travis, treats him withgenerosity and kindness because she recognizes his basic humanity. Yet despite hispersonal affection for her, he decides not to save her. Indeed, his remarks on MissSarah are full of guilt and regret that he would have to kill her even though he thinksthat killing her would be wrong (273, 369). This same guilt is even more prominentin his misgivings about Margaret Whitehead, <strong>the</strong> only person Nat kills with his ownhands. As Daniel W. Ross notes, "Margaret had come closer than any o<strong>the</strong>r whiteperson to accepting Nat for what he was, often seeking his friendship and spiritualguidance ... [even though she] had failed to see Nat in his most elemental form—as a fully sexual man" (Ross, "Things," 94). By killing her, he violently severs <strong>the</strong>closest thing to a community that he ever truly had with a white person. Yet Natalso hates Margaret for "flaunting her sexuality" in front of him as though he reallywere <strong>the</strong> asexual being that slavery defines him as (94). Thus, in addition to needingto prove his leadership abilities to <strong>the</strong> o<strong>the</strong>r slaves, he decides to kill her in order toreassert his humanity and masculinity. Instead of sparing her because <strong>the</strong>y both genuinelylike each o<strong>the</strong>r, his resentment of <strong>the</strong> racialized difference between <strong>the</strong>ir genderidentities makes him regard this gender difference as an insurmountable barrier thatno revolution could equalize.The only o<strong>the</strong>r person in <strong>the</strong> novel that Nat decides to save is Judge Jeremiah Cobb.When Cobb meets Nat before Nat starts <strong>the</strong> insurrection, he offhandedly tells Nathow much he despises <strong>the</strong> entire institution of slavery because of <strong>the</strong> dehumanizingeffects it has both on <strong>the</strong> land and on every person living within its influence, whe<strong>the</strong>rslave or free. At <strong>the</strong> same time, he refuses to express any sympathy or pity for slaves

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