Perversion the Social Relation
Perversion the Social Relation Perversion the Social Relation
i66Michael P. BiblerThe extent to which homo-ness pushes Nat toward insurrection becomesmost evident in the particular manner in which he tries to buildand justify his revolution. But if we are to accept the power of Nat'sexperience of homo-ness with Willis, Styron's novel shows that weshouldn't rush into assuming that homosexuality offers this model forsocial transformation consistently, as though same-sex relations wouldalways mean the same thing between men or between women everytime. Just as, for Nat, the specific hierarchies of race, class, and genderenable his experience of sameness with another black male slave,they will also enable or restrict the experience and significance of sexualsameness depending on the identities of those involved. Indeed, Styron'snovel makes it perfectly clear that not every expression of same-sexdesire is also an example of homo-ness. In contrast to Nat's sexual encounterwith Willis, and just a few pages after it, the novel provides animage of same-sex relations that incorporates the significantly differentpattern of domination and submission. In the scene, Nat begins his accountof his life with his new master, the Reverend Eppes, by describingthe way that Eppes blatantly tries to "ravish" him (239). Riding on thebuggy away from Turner's plantation, Eppes strikes up a religious discoursewith Nat to disguise his more sinister proposition that Nat shouldsubmit to Eppes sexually. Eppes claims that King Solomon made it clearin the Bible that women are "whores" who always cause the downfalls ofmen; then he infers that since the Scripture also identifies men as "good"and "beautiful," sexual contact between men must be acceptable andsafe in comparison (236-37). Then, after a pause, Eppes stops the buggy,puts a hand on Nat's thigh, and tries more directly to seduce Nat bygetting him to verify the myth of black men's larger penises: "I hear tellyour average nigger boy's got a member on him inch or so longer'n ordinary.That right, boy?" (238). In this simple question, Eppes reassertsthe social difference between himself and Nat by invoking several otheraxes of difference—race ("nigger"), physiology (a penis "longer'n ordinary"),age ("boy"), and mental capability (also the infantilizing "boy").Proving that he is neither an emasculated deviant nor a hopeless submissive,Nat resists this advance, and the frustrated Eppes ends the encounterwith a remark that further puts Nat "in his place" as a slave:"You goin' to mind me, boy?" (238). Eppes focuses his sexual desire forNat on the idea of Nat's difference, eroticizing his racial difference to thepoint of obsessing about the size of his penis while also getting a thrill
"As If Set Free into Another Land" 167from the idea of being able to dominate someone with a supposedly superiorpotency. And when he can't dominate Nat sexually, he reassertshis own superiority by calling attention to Nat's legal powerlessness asa slave. Consequently, this scene lacks any evidence of the eroticizationof sexual sameness that Nat experiences with Willis. Eppes wants touse sexuality to reinforce slavery's hierarchy of differences and also getssexual pleasure from the exploitation of those differences.In addition to showing us that homo-ness is a unique, and perhaps uncommon,phenomenon, because not all same-sex relations are characterizedby the willful subordination of interpersonal differences in the nameof sexual sameness, the novel also reminds us that homo-ness when itdoes occur is not always automatically political in nature. Even whenhomo-ness does represent the main component of same-sex relations,homosexuality is not necessarily opposed in an active sense to the dominantarrangements of hierarchical differences. In the scene of Nat's encounterwith Willis, their mutual orgasm gives Nat a brief glimpse ofa world defined by total emancipation, but it also ironically creates anarrative interruption that threatens to alter or halt the course of Nat'sprogression toward insurrection. Although Nat has not yet figuredoutexactly what his calling is at this moment, he feels that God has chosenhim for some reason. Yet his encounter with Willis presents him withthe opportunity to digress from that chosen path and hide from his destiny.Moments after the two men climax together on the bank of thestream, Willis "murmurs" contentedly to Nat: "Man, I sho liked dat.Want to do it agin?" (204). Willis wants to repeat the pleasure of theircontact and presents Nat with what is actually a very important decisionfor him to make. If he reenters Willis's embrace, he risks forminga private relationship that will potentially limit his ability to fulfill anylarger purpose ordained for him as a chosen disciple of God. As a gaycouple, Nat and Willis would occupy a safe and satisfying bubble of privateliberation on the Turner plantation, but leave intact the structure ofthe slave institution. Homo-ness may possess antisocial or outlaw tendenciesbecause of its paradoxical intolerance for the hierarchical relationsthat enable it, but the sexually transcendental scene also testifiesto the dangers of forming an emotive relationship in place of a politicalcommunity. Linking Nat and Willis through their recognition of anerotic, shared sameness, the repetition of the act would present Nat withthe chance to "settle down," as it were, and find a kind of contentment
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i66Michael P. BiblerThe extent to which homo-ness pushes Nat toward insurrection becomesmost evident in <strong>the</strong> particular manner in which he tries to buildand justify his revolution. But if we are to accept <strong>the</strong> power of Nat'sexperience of homo-ness with Willis, Styron's novel shows that weshouldn't rush into assuming that homosexuality offers this model forsocial transformation consistently, as though same-sex relations wouldalways mean <strong>the</strong> same thing between men or between women everytime. Just as, for Nat, <strong>the</strong> specific hierarchies of race, class, and genderenable his experience of sameness with ano<strong>the</strong>r black male slave,<strong>the</strong>y will also enable or restrict <strong>the</strong> experience and significance of sexualsameness depending on <strong>the</strong> identities of those involved. Indeed, Styron'snovel makes it perfectly clear that not every expression of same-sexdesire is also an example of homo-ness. In contrast to Nat's sexual encounterwith Willis, and just a few pages after it, <strong>the</strong> novel provides animage of same-sex relations that incorporates <strong>the</strong> significantly differentpattern of domination and submission. In <strong>the</strong> scene, Nat begins his accountof his life with his new master, <strong>the</strong> Reverend Eppes, by describing<strong>the</strong> way that Eppes blatantly tries to "ravish" him (239). Riding on <strong>the</strong>buggy away from Turner's plantation, Eppes strikes up a religious discoursewith Nat to disguise his more sinister proposition that Nat shouldsubmit to Eppes sexually. Eppes claims that King Solomon made it clearin <strong>the</strong> Bible that women are "whores" who always cause <strong>the</strong> downfalls ofmen; <strong>the</strong>n he infers that since <strong>the</strong> Scripture also identifies men as "good"and "beautiful," sexual contact between men must be acceptable andsafe in comparison (236-37). Then, after a pause, Eppes stops <strong>the</strong> buggy,puts a hand on Nat's thigh, and tries more directly to seduce Nat bygetting him to verify <strong>the</strong> myth of black men's larger penises: "I hear tellyour average nigger boy's got a member on him inch or so longer'n ordinary.That right, boy?" (238). In this simple question, Eppes reasserts<strong>the</strong> social difference between himself and Nat by invoking several o<strong>the</strong>raxes of difference—race ("nigger"), physiology (a penis "longer'n ordinary"),age ("boy"), and mental capability (also <strong>the</strong> infantilizing "boy").Proving that he is nei<strong>the</strong>r an emasculated deviant nor a hopeless submissive,Nat resists this advance, and <strong>the</strong> frustrated Eppes ends <strong>the</strong> encounterwith a remark that fur<strong>the</strong>r puts Nat "in his place" as a slave:"You goin' to mind me, boy?" (238). Eppes focuses his sexual desire forNat on <strong>the</strong> idea of Nat's difference, eroticizing his racial difference to <strong>the</strong>point of obsessing about <strong>the</strong> size of his penis while also getting a thrill