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Perversion the Social Relation

Perversion the Social Relation

Perversion the Social Relation

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Confessions of a Medieval Sodomite 145If it is in fact <strong>the</strong> case, as he appears so passionately to believe, thatGilles can be forgiven for even <strong>the</strong>se truly despicable crimes, <strong>the</strong>n surely<strong>the</strong> light of grace will shine at least as brightly on <strong>the</strong> "everyday " sinnersof which <strong>the</strong> crowd was constituted. In his classic essay Group Psychologyand <strong>the</strong> Analysis of <strong>the</strong> Ego, Freud details <strong>the</strong> relationship between<strong>the</strong> type of empathie identification forming <strong>the</strong> basis of <strong>the</strong> transferenceof <strong>the</strong> trial audience and <strong>the</strong> vicissitudes of <strong>the</strong> subject's moral life: itsrelation, in o<strong>the</strong>r words, to <strong>the</strong> superegoic vectors of conscience, of internalizedself-surveillance and judgment. In <strong>the</strong> context of his analysisof <strong>the</strong> logic of group formation Freud first defines identification as "<strong>the</strong>earliest expression of an emotional tie with ano<strong>the</strong>r person,'* 25 <strong>the</strong>n contrasts<strong>the</strong> identificatory phenomenon with a libidinal object ca<strong>the</strong>xis,suggesting that we identify with <strong>the</strong> o<strong>the</strong>r as an alternative to taking thiso<strong>the</strong>r as a sexual object. Here it becomes apparent how <strong>the</strong> audience'sidentification served to desexualize its spectatorial position with respectto Gilles, said to repress in <strong>the</strong> process any libidinal investment it mayhave had in Gilles's dangerous and transgressive sexuality. For this reasonit is possible to qualify <strong>the</strong> crowd's reaction to Gilles's confessionas defensive. In order to avoid <strong>the</strong> interrogation of its own fascinationwith Gilles's criminality, <strong>the</strong> audience transforms <strong>the</strong> accused's rhetoricof innocence into <strong>the</strong> perspective from which it can view itself as beyondmoral reproach.More crucially, however, Freud also shows in this same essay howidentification subtends a kind of egoic sympatico in which <strong>the</strong> subject,in this case <strong>the</strong> collective subject constituted by <strong>the</strong> trial's auditors,"moulds" its ego "after <strong>the</strong> fashion of <strong>the</strong> one that has been taken asmodel" (106). Through this process Gilles's public manages to reconstructitself on <strong>the</strong> model of <strong>the</strong> criminal's noumenal innocence, in sodoing constituting itself as a "group" in <strong>the</strong> Freudian sense of <strong>the</strong> termby consolidating itself, so to speak, from <strong>the</strong> point of view of Gilles'sguiltless enunciation, all <strong>the</strong> while deriving <strong>the</strong> dividend in jouissancein <strong>the</strong> sharing of Gilles's guilty transgressions. It is also tremendouslysignificant to <strong>the</strong> case of Gilles de Rais that Freud relates <strong>the</strong> selectionby a group of an ego ideal through <strong>the</strong> identificatory act to what hecalls "self-observation, <strong>the</strong> moral conscience," and "<strong>the</strong> censorship ofdreams." Its identification with Gilles permitted a part of <strong>the</strong> audience'scollective ego to "cut itself off from <strong>the</strong> rest of <strong>the</strong> ego," <strong>the</strong>reby allowing<strong>the</strong> simultaneous coexistence of <strong>the</strong> reassuring, conscious narcissis-

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