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Perversion the Social Relation

Perversion the Social Relation

Perversion the Social Relation

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The Masochist <strong>Social</strong> Link 117subject's scatological (excremental) identification, which equals adopting<strong>the</strong> position of <strong>the</strong> proletarian who has nothing to lose. The pure subjectemerges only through this experience of radical self-degradation,when I let/provoke <strong>the</strong> o<strong>the</strong>r to beat <strong>the</strong> crap out of me, emptying me ofall substantial content, of all symbolic support that could confer on mea minimum of dignity. Consequently, when Jack beats himself in frontof his boss, his message to <strong>the</strong> boss is: "I know you want to beat me; but,you see, your desire to beat me is also my desire, so, if you were to beatme, you would be fulfilling <strong>the</strong> role of <strong>the</strong> servant of my perverse masochistdesire. But you are too much of a coward to act out your desire,so I will do it for you—here you have it, what you really wanted. Whyare you so embarrassed? Are you not ready to accept it?" Crucial hereis <strong>the</strong> gap between fantasy and reality. The boss, of course, would havenever actually beaten up Jack: he was merely fantasizing about doing it,and <strong>the</strong> painful effect of Jack's self-beating hinges on <strong>the</strong> very fact tha<strong>the</strong> stages <strong>the</strong> content of <strong>the</strong> secret fantasy his boss would never be ableto actualize.Paradoxically, such a staging is <strong>the</strong> first act of liberation: by means ofit, <strong>the</strong> servant's masochistic libidinal attachment to his master is broughtto <strong>the</strong> daylight, and <strong>the</strong> servant thus acquires a minimal distance towardit. Already at a purely formal level, <strong>the</strong> fact of beating up oneself rendersclear <strong>the</strong> simple fact that <strong>the</strong> master is superfluous: "Who needs youfor terrorizing me? I can do it myself!" It is thus only through first beatingup (hitting) oneself that one becomes free: <strong>the</strong> true goal of this beatingis to beat out that which in me attaches me to <strong>the</strong> master. When,toward <strong>the</strong> end, Jack shoots at himself (surviving <strong>the</strong> shot, effectivelykilling only "Tyler in himself," his double), he <strong>the</strong>reby also liberateshimself from <strong>the</strong> dual mirror-relationship of beating: in this culminationof self-aggression, its logic cancels itself; Jack will no longer haveto beat himself—now he will be able to beat <strong>the</strong> true enemy (<strong>the</strong> system).And, incidentally, <strong>the</strong> same strategy is occasionally used in politicaldemonstrations: when a crowd is stopped by police ready to beat<strong>the</strong>m, <strong>the</strong> way to bring about a shocking reversal of <strong>the</strong> situation is for<strong>the</strong> individuals in <strong>the</strong> crowd to start beating each o<strong>the</strong>r. In his essay onSacher-Masoch, 4 Gilles Deleuze elaborated in detail this aspect: far frombringing any satisfaction to <strong>the</strong> sadistic witness, <strong>the</strong> masochiste selftorturefrustrates <strong>the</strong> sadist, depriving him of his power over <strong>the</strong> mas-

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