10.07.2015 Views

Perversion the Social Relation

Perversion the Social Relation

Perversion the Social Relation

SHOW MORE
SHOW LESS
  • No tags were found...

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

io8Nina Schwartzshe desires to achieve. Significant in his absolute absence from ei<strong>the</strong>rZoë's memories or her present life is, of course, her fa<strong>the</strong>r. His literallack may suggest <strong>the</strong> failure of <strong>the</strong> paternal function for Zoë.Christina is contemptuous of Zoë's explanation of her occupation:"So you feel better adopting her options instead of creating your own?"But this question might well be asked of all <strong>the</strong> characters in <strong>the</strong> film^ whose options seem profoundly determined by family legacies. It's certainlytrue for Thomas, <strong>the</strong> gay exotic pet shop owner/smuggler, whohas also inherited his foundering business from his fa<strong>the</strong>r. Whe<strong>the</strong>rThomas inherited <strong>the</strong> very successful smuggling operation too is unclear,but <strong>the</strong> presence of his fa<strong>the</strong>r's gun in Thomas's desk drawer suggeststhat he might have. The dank, dim store, full of leaking tanks whosemurky waters obscure whatever <strong>the</strong> inhabitants might be, is absent anyshoppers. Indeed, until his involvement with <strong>the</strong> ballet and <strong>the</strong>n laterwith Francis, Thomas's only encounters with o<strong>the</strong>r people occur with<strong>the</strong> yuppie cab-sharer and, by means of an angry phone conversation,with <strong>the</strong> contractor/painter who has failed to complete a remodeling jobon Thomas's apartment. This conversation is <strong>the</strong> only occasion on whichhe manifests much assertiveness at all. His encounters at <strong>the</strong> ballet suggest<strong>the</strong> attenuated nature of his sexuality and perhaps of his life: on hisfirst visit to <strong>the</strong> performance, he sells <strong>the</strong> extra ballet ticket he receivedfrom <strong>the</strong> yuppie to a very attractive (and somewhat exotic looking) darkyoung man who's seeking admission to <strong>the</strong> <strong>the</strong>ater. After <strong>the</strong> performanceis over, Thomas insists on giving his money back to <strong>the</strong> youngman on <strong>the</strong> grounds that <strong>the</strong> tickets were a gift to him, not somethinghe paid for. In response, <strong>the</strong> young man invites Thomas for a drink, butThomas declines, walking away with a slight and ambiguous smile onhis lips. Thomas's second encounter at <strong>the</strong> ballet follows this exact samescript, including <strong>the</strong> return of money at <strong>the</strong> end of <strong>the</strong> performance, despite<strong>the</strong> fact that this time he actually did purchase both tickets. On<strong>the</strong> third encounter, however, Thomas accepts <strong>the</strong> invitation of <strong>the</strong> attractiveyoung man, and a later shot shows <strong>the</strong>m both in Thomas's bedroom,near <strong>the</strong> incubator containing <strong>the</strong> smuggled eggs, on <strong>the</strong> verge ofa romantic encounter. But, it turns out, his lover is <strong>the</strong> black customsofficer we had first seen observing while Thomas smuggled <strong>the</strong> illegaleggs into <strong>the</strong> country. When <strong>the</strong> officer departs Thomas's apartment, hetakes <strong>the</strong> illegal eggs with him, but later, when Thomas is still sleeping,he leaves a phone message identifying himself as both an agent of <strong>the</strong>

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!