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Perversion the Social Relation

Perversion the Social Relation

Perversion the Social Relation

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Exotic Rituals and Family Values 103Tracey announces her frustration: "That's just it; we don't speak aboutit." Later, to her fa<strong>the</strong>r, Tracey announces bluntly, "I'm not going tobabysit for Uncle Francis anymore." When Harold evokes <strong>the</strong> old lie thatshe goes <strong>the</strong>re to practice, she says "That's absurd" and mentions <strong>the</strong>money Francis pays her as evidence that "he pretends I'm still babysittingfor him. ... He wants to believe that Lisa's still <strong>the</strong>re. I make iteasier for him to convince himself." Tracey's directness here provokesHarold to speak, albeit elliptically, about his bro<strong>the</strong>r: "Francis alwayshad strange ways to convince himself of many things. Things that neverhappened, things that might happen. People who did things for reasonsbut <strong>the</strong>y didn't." Tracey, of course, can't understand her fa<strong>the</strong>r's musings,but draws Harold back to <strong>the</strong> pertinent issue: "What has any of thisgot to do with me, Dad?" Finally forced to recognize his and Francis'sexploitation of Tracey, Harold answers, finally, "Nothing at all."By naming <strong>the</strong> absence that Francis's rituals are designed to coverover, Tracey manages to extricate herself from <strong>the</strong> disturbing drama, butit takes more than Tracey's resistance to demolish Francis's defenses.What more powerfully disrupts Francis's ritual conduct is his violentouster from <strong>the</strong> club: Eric, no longer able to tolerate Francis's specialrelationship with Christina, follows him to <strong>the</strong> bathroom one night andconvinces Francis to break <strong>the</strong> club's cardinal rule and touch Christina,<strong>the</strong>reby enabling <strong>the</strong> DJ to attack Francis and literally throw him out of<strong>the</strong> club into <strong>the</strong> rain-soaked street.For <strong>the</strong> rest of <strong>the</strong> film, Francis works to reinstate himself in <strong>the</strong> clubso as to resume his rituals with Christina, but <strong>the</strong>se efforts paradoxicallyforce him and o<strong>the</strong>rs to speak explicitly about his life and his losses for<strong>the</strong> first time. In so speaking, Francis can't help undermining <strong>the</strong> rituals'power to disavow those losses. First, he blackmails Thomas, whomhe's investigating for tax fraud, into visiting <strong>the</strong> club, wearing a wire,and interrogating Christina over what she thinks his touching her meant.This latter issue is <strong>the</strong> crucial one: Francis wants to know why Christinathinks he touched her. It is in Christina's talk with Thomas, which shefirst resists and <strong>the</strong>n pursues enthusiastically, as if grateful for <strong>the</strong> chanceto tell her own and Francis's story, that we learn of Francis's dead wifeand child. We also witness Francis listening to Christina tell his story,forced because of his own plan to hear his history repeated by and toano<strong>the</strong>r.

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