ALL STAR 2011 - Ozone Magazine

ALL STAR 2011 - Ozone Magazine ALL STAR 2011 - Ozone Magazine

10.07.2015 Views

MESSY MARVEverybody knows you’re a West Coast dude,but you’ve been moving around a lot lately.Did you just need a change of scenery?As a whole, [artists] in the Bay Area are justcontent with where we are. That’s just myopinion. I fuck with a lot of different peoplearound the world, and I’m out networking andtrying to build my brand.Do you think living in different places affectsyour style of music?I don’t feel like I have a particular sound. You’regonna hear a little South, a little Midwest, alittle East, and you’re definitely going to hearthe West cause that’s where I’m from. That’sthe problem, man, everybody’s caught up inhow you’re “supposed” to sound. I ain’t caughtup in none of that shit, man. I’m me. I ain’t gotnothing to prove. Every time I drop, I sell asubstantial amount of units, so I’m good.How do you think you’re able to maintainthat kind of fanbase without a major labelbehind you and without having that mainstreamlook?Because I’m out here networking. I built myworth.Are you going to get out and start doingmore shows now? You don’t give the peopletoo many opportunities to see you. Andyou’re in high demand because of that fact.I’m planning my 30-city tour right now. Butbefore I do that, I’m building my online presence.I’m doing a radio show. I’m on Twitter,Facebook, and Myspace. I’m going to get outhere and give the people what they’ve beenwaiting for.What’s going on with you and San Quinn?The beef was pretty ugly at one point butyou recently mentioned on Twitter that youguys had squashed it. How were you able toget to that point?People have different opinions on everything.Quinn had an opinion on how he felt Ishould’ve handled some things, and I had myopinion on how I felt he should’ve handledsome things. It escalated when the media andthe people grabbed ahold of it. You know howthat shit goes. But mutual friends of ours havebeen trying to squash it since day one. Me andQuinn ain’t even talked yet. Things take time.Whenever he comes around, or whenever Icome around, we can sit down and talk. Butfor now we’re just going through our mutualfriend from the turf and just putting it allbehind us. But really, it wasn’t no beef - it wasjust two opinions being stated and just howtwo men felt at the particular time.Is there anything else that needs to behashed out or are you just ready to moveforward and forget the whole situation?I would like to do that, to just move forwardand forget about the situation, but things taketime. Wounds take time to heal, especiallyones like these. So whenever we decide tocome around and sit down, we will.Why did you feel like it was important tosquash it?The beef didn’t affect me when it came to recordsales or nothing like that. I do remarkablenumbers independently anyway. It was justgetting out of hand, and Quinn felt the sameway. When shit like this happens, innocentpeople can get fucked up. So we’re comingtogether to let these kids know, and let thepeople know, we’re bigger than rap music.We’re gonna put our differences to the sideand move forward like men. That doesn’t meanme and San Quinn are gonna hang out everyday. You might not catch me at McDonald’ssitting down with the nigga eating no cheeseburgeror nothing. But we’re definitely gonnaput our differences to the side and squash thisshit like men do and move forward with whatyou’re doing.Is it your ultimate goal to be on a major labelwith your video all over TV and your songs allover the radio? Or are you more comfortablebeing in theunderground position you’re in,still selling independent units?I’m a street nigga, so the hustle is in me.Independently, I feel like this is what I’ve gotto do because this is what I know. Of course Iwanna take it to another level as far as media,publications, and sales. But I’m not gonna justmake commercial music and chase milliondollardreams. I’ve had paperwork in my facefor two million, three million. I turned thosedeals down just based on what they want totake from me and what I’ve built.What did they want to take from you? Publishing?Publishing. How many albums they want, whatI’m limited to do, just [giving up] the freedom Ihave as an independent. They wanted to takethat all away from me for that little amountof money. That few million is a little amountof money. I can make that in a year. Last yearI released 100 songs. I don’t remember howmany albums - five, I think. [I sold] over 50,000at $6/unit, so that deal didn’t look like shit tome. I definitely would like to further my careerbut I’m not gonna make commercial musictryin’ to chase this muthafuckin’ dream thatmight not even turn into reality. I’m gon’ keep54 // OZONE MAG

this shit solid. I keep the people feeling likeI’m one of them, because I am. That’s why I’vebeen so successful. I’m one of the people theyrecognize and they’re like, “I’m just like thatnigga.” That’s why my core fanbase won’t letme die. I ain’t did a show in three years, butI’m able to maintain my sales and my presencethrough the internet, the publications, and themedia. That’s just a blessing. The fans won’t letme die.What project are you working on now?I just dropped Highly Aggressive Volume2 yesterday. I’ve got a documentary and asoundtrack coming out called Gigantic, whichis the untold Messy Marv story behind the rapper,the entertainer, the father, the gangster.There’s a lot of educational Bay Area history inthere too. I shot and directed my reality showMr. Ghetto Celebrity. I’ve got my clothing linecoming soon. Right now I’m working on a newLP called The Cooking Channel. I’m workingevery day.You also seem to change your phone numberevery other day. It doesn’t seem like that’d begood for business.I got a 1-800 number that I keep steady forbusiness. That’s on 24 hours so I don’t evermiss the networking and business call. Butwhen you’re dealing with a personal line,you’ve got to keep the line clean and avoidthe bullshit. Somebody’s negative energy cansuck up all the positive energy out of you. I’vegot muthafuckers calling asking for Sprint billmoney and telling me their bitch done ran off.I don’t wanna hear none of that shit, man. Mybusiness associates and my homies keep myline. But everybody else, once they wanna suckthe positive energy out of a nigga with thatbullshit, I change my number.sound the same.Do you think it’s lack of ambition or just beingtoo comfortable?I guess everybody’s comfortable with it, andI ain’t knockin’ it. But I’ma tell the world a differentstory as far as the Bay Area. But I ain’tmad. Everybody’s playing a part. Everybody’srepresenting, and that’s what it is.Have you officially changed your name toThe Boy Boy Mess or is that basically just analias of Messy Marv?I officially changed my name to The Boy BoyYoung Mess ‘cause I officially changed as a person,as a whole. I’m always gon’ be Messy Marv,but it’s the new Mess. It’s the Mess that got upout of that jail. It’s the Mess that moved out ofthose conditions. It’s the Mess that outgrew alot of people in a lot of situations. It’s the Messthat couldn’t get rich in the Bay Area and hadto move up out of that muthafucker to get hispennies. The new Mess.You’ve been pretty open in the past aboutyour struggles with drug abuse. Have youmoved past that?Yeah, I’ve been clean for two years now, nodrugs. I didn’t go to rehab. Rehab is for weakpeople. I did mine based on discipline. Ismoked the fuck out of some weed, though,and had a drink or two, but as far as the partydrugs, I don’t fuck around...The rest of this interview is featured in OzoneMagazine #84:When you go out on tour, who else from theBay do you plan on performing with? What’syour take on the current Bay Area movement?I feel like everybody’s representing. Everybody’sgot a part they play, whether it’s theold Bay or the new Bay. I just feel like we’re ata standstill because everybody feels like theycan’t leave the Bay Area. So everybody endsup with the same production and the samegraphic designer doing their cover. That meanseverybody looks and sounds the same. Thenyou get everybody putting each other onthe album, so you’ve got the same features.Everybody’s fuckin’ with the same jeweler. Niggasare buying the same outfits from the sameclothing store. Nobody knows who is who. It’s400 muthafuckin’ rappers and they all look andOZONE MAG // 55

this shit solid. I keep the people feeling likeI’m one of them, because I am. That’s why I’vebeen so successful. I’m one of the people theyrecognize and they’re like, “I’m just like thatnigga.” That’s why my core fanbase won’t letme die. I ain’t did a show in three years, butI’m able to maintain my sales and my presencethrough the internet, the publications, and themedia. That’s just a blessing. The fans won’t letme die.What project are you working on now?I just dropped Highly Aggressive Volume2 yesterday. I’ve got a documentary and asoundtrack coming out called Gigantic, whichis the untold Messy Marv story behind the rapper,the entertainer, the father, the gangster.There’s a lot of educational Bay Area history inthere too. I shot and directed my reality showMr. Ghetto Celebrity. I’ve got my clothing linecoming soon. Right now I’m working on a newLP called The Cooking Channel. I’m workingevery day.You also seem to change your phone numberevery other day. It doesn’t seem like that’d begood for business.I got a 1-800 number that I keep steady forbusiness. That’s on 24 hours so I don’t evermiss the networking and business call. Butwhen you’re dealing with a personal line,you’ve got to keep the line clean and avoidthe bullshit. Somebody’s negative energy cansuck up all the positive energy out of you. I’vegot muthafuckers calling asking for Sprint billmoney and telling me their bitch done ran off.I don’t wanna hear none of that shit, man. Mybusiness associates and my homies keep myline. But everybody else, once they wanna suckthe positive energy out of a nigga with thatbullshit, I change my number.sound the same.Do you think it’s lack of ambition or just beingtoo comfortable?I guess everybody’s comfortable with it, andI ain’t knockin’ it. But I’ma tell the world a differentstory as far as the Bay Area. But I ain’tmad. Everybody’s playing a part. Everybody’srepresenting, and that’s what it is.Have you officially changed your name toThe Boy Boy Mess or is that basically just analias of Messy Marv?I officially changed my name to The Boy BoyYoung Mess ‘cause I officially changed as a person,as a whole. I’m always gon’ be Messy Marv,but it’s the new Mess. It’s the Mess that got upout of that jail. It’s the Mess that moved out ofthose conditions. It’s the Mess that outgrew alot of people in a lot of situations. It’s the Messthat couldn’t get rich in the Bay Area and hadto move up out of that muthafucker to get hispennies. The new Mess.You’ve been pretty open in the past aboutyour struggles with drug abuse. Have youmoved past that?Yeah, I’ve been clean for two years now, nodrugs. I didn’t go to rehab. Rehab is for weakpeople. I did mine based on discipline. Ismoked the fuck out of some weed, though,and had a drink or two, but as far as the partydrugs, I don’t fuck around...The rest of this interview is featured in <strong>Ozone</strong><strong>Magazine</strong> #84:When you go out on tour, who else from theBay do you plan on performing with? What’syour take on the current Bay Area movement?I feel like everybody’s representing. Everybody’sgot a part they play, whether it’s theold Bay or the new Bay. I just feel like we’re ata standstill because everybody feels like theycan’t leave the Bay Area. So everybody endsup with the same production and the samegraphic designer doing their cover. That meanseverybody looks and sounds the same. Thenyou get everybody putting each other onthe album, so you’ve got the same features.Everybody’s fuckin’ with the same jeweler. Niggasare buying the same outfits from the sameclothing store. Nobody knows who is who. It’s400 muthafuckin’ rappers and they all look andOZONE MAG // 55

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