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pAt coLLIns: docuMEntAry MAkEr - Fastnet Short Film Festival

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FASTNET SHORT FILM FESTIVAL<br />

OUR VILLAGE IS<br />

OUR SCREEN<br />

stEErIng coMMIttEE<br />

MAurIcE sEEzEr<br />

Chair & Artistic Director<br />

hELEn wELLs<br />

Co-Chair, Admin & Submissions<br />

MArIA pIzzutI<br />

Co-Artistic Director<br />

hILAry MccArthy<br />

Public Relations Officer<br />

pAuLInE cottEr<br />

Fundraising<br />

brIdIE d’ALton<br />

Treasurer<br />

tEchnIcAL dIrEctor<br />

MArtIn LEvIs<br />

grAphIc dEsIgn<br />

JonAthAn pArson<br />

mutegrab.com<br />

PAUL GOODE<br />

paulogoode.com<br />

prIntEd by<br />

InspIrE, Skibbereen<br />

EMAIL<br />

info@fastnetshortfilmfestival.com<br />

fEstIvAL <strong>pAt</strong>rons 2012<br />

tony bArry<br />

stEvE coogAn<br />

sInéAd cusAck<br />

grEg dykE<br />

JAck goLd<br />

JErEMy Irons<br />

John kELLEhEr<br />

chrIs o’dELL bsc<br />

dAvId puttnAM<br />

JIM shErIdAn<br />

kIrstEn shErIdAn<br />

gErArd stEMbrIdgE<br />

for ALL EnquIrIEs<br />

pLEAsE contAct:<br />

FEStIval Box oFFICE<br />

@ Your lEISurE<br />

MaIn StrEEt<br />

SChull<br />

WESt Cork<br />

+353 (0)28 28600<br />

opEnIng hours<br />

10aM-8PM<br />

www.fAstnEtshortfILMfEstIvAL.coM<br />

tIckEts<br />

fEstIvAL 4 dAy pAss 450<br />

studEnt 4 dAy pAss (Student ID required) 425<br />

subMIttErs 4 dAy pAss 425<br />

1 dAy AduLt pAss 415<br />

1 dAy studEnt And subMIttErs pAss 410<br />

tIckEtIng poLIcy<br />

Passes to the <strong>Festival</strong> are nominally priced and heavily subsidised and<br />

allow access to the Village Hall for all events on a first come first served<br />

basis. There is no facility to reserve seating. Most other festival activities<br />

are free of charge.<br />

Please note if no pass has been purchased at the Box Office a day rate<br />

of 315 will be charged on the door for entry into the Village Hall.<br />

We thank you for supporting Schull’s very own ‘Distributed Cinema’, an<br />

Intranet network dedicated to <strong>Short</strong> <strong>Film</strong>.<br />

Cover still from submitted film ‘El Pescador’ Directed by Samantha Pineda and Davy Giorgi<br />

welcome to schull and cfsff 2012!<br />

thanks to all of our sponsors for sticking with us in 2012, and in<br />

particular to our title sponsors Michael and kathleen Barry of Barry<br />

& Fitzwilliam, importers of Corona, who won an allianz Business<br />

to arts award for their cheerful and encouraging sponsorship of<br />

CFSFF in 2011. these last years have been enormously stressful<br />

to festivals around the country as government funding for the arts<br />

in Ireland dries up, and just when it seemed like it couldn’t get any<br />

worse, there is a whisper that the sponsorship support that alcohol<br />

brands give to both arts festivals and sporting events around Ireland<br />

may be banned by the government within the next two years. If this<br />

goes ahead, it will accelerate the centralization of cultural events<br />

in larger population centres already well under way thanks to the<br />

economic recession and will consequently put huge pressure on<br />

all festivals in rural areas, including our own. this will have an<br />

extremely negative impact on an already under pressure tourism<br />

sector and is surely unnecessary at this time.<br />

last year we developed Distributed Cinema and became a<br />

streaming festival for the short film competition submitters, all<br />

within the confines of Main Street Schull. this year, we will be<br />

streaming spoken events and Q&a content live from the village hall<br />

onto the web. this is an important step for us. our programme and<br />

our web presence define us, the one as a record of our aspirations,<br />

and the other as our window to the world. the live stream is<br />

happening thanks to Martin levis, our technical director, Brendan &<br />

Jane hurley from Digital Forge, who provide the required upload and<br />

download bandwidth free, the Irish <strong>Film</strong> Board for financial support<br />

specifically regarding Streaming, Granite Consulting for web design<br />

and Iomega Ireland and Canon Ireland, who have both provided<br />

equipment. With such a coherent and strong line-up of guests<br />

appearing at CFSFF2012, and such an active audience of short film<br />

makers and enthusiasts from all over the world attending, it’s a<br />

wonderful opportunity to show that rural communities can develop<br />

their own response to cultural centralization. In fact thanks to<br />

online technology, the electronic arts and crafts can thrive here. By<br />

supporting a festival like ours, where the emphasis is on the art,<br />

craft and technology of filmmaking, friends, supporters, filmmakers<br />

and sponsors alike empower and inspire the next generation of<br />

filmmakers and their audiences.<br />

Maurice seezer<br />

artistic Director, CFSFF 2012<br />

contEnts pAgE<br />

dIstrIbutEd cInEMA 04<br />

thE AwArds 05<br />

subMIssIons 06<br />

fILM<strong>MAkEr</strong> In focus: <strong>pAt</strong> <strong>coLLIns</strong> 20<br />

EvEnts schEduLE 22<br />

EvEnts dEtAILs 24<br />

sponsors And frIEnds 38<br />

spEcIAL thAnks 40<br />

sponsors 42


DISTRIbUTED<br />

CINEMA<br />

ovEr 150 short fILMs strEAMIng to wIfI And to thE<br />

foLLowIng vEnuEs:<br />

THE ViLLAGE HALL, THE COUrTyArD, COUrTyArD CrAfTs (Upstairs),<br />

WHyTE BOOks, THE BLACk sHEEP, HACkETT’s (Upstairs), THE NEW<br />

HAVEN, rEGAN’s BAr & NEWmAN’s WEsT (Upstairs).<br />

Welcome to ‘distributed cinema’, schull’s very own intranet network<br />

dedicated to short film. There are many different facilities around the<br />

village, from HD plasma screens, to projectors, to the 720HD projector<br />

in the Village Hall. Outside each venue is a sandwich board with the<br />

day’s programme running order outlined.<br />

‘distributed cinema’ was conceived of by the corona fastnet short<br />

film festival committee and John d’Alton, who coined the term and<br />

hatched a plan with us. We realised at Christmas 2010 that our main<br />

venue for the first two years, the harbour view hotel, had been closed<br />

down. (Thanks for the support over the first two years Denny & Sherrie<br />

Cullinane).<br />

We decided to create an intranet network in heart of schull, a pilot<br />

scheme to connect a number of premises to our own server enabling<br />

streaming of our short films to these premises. the premises would<br />

also enable wifi access, for the duration of the festival, so that attenders<br />

of the festival could stream the submitted short film of their choice on<br />

their laptop, smartphone or iPad. brendan hurley, from local internet<br />

provider digitalforge ran with it, planned and created the network,<br />

voluntarily giving of his time and expertise. 75% funding from west cork<br />

development partnership helped the scheme to get off the ground.<br />

granite consulting from Skibbereen helped us to create an intranet copy<br />

of our website that enabled wifi access, but only from within the village.<br />

Martin Levis spent many sleepless nights converting the submissions<br />

to the formats required for the films to be seen in the highest resolution<br />

on every platform. Iomega Ireland contributed hardware, and schull<br />

community college, schull sailing centre, fingal ferguson from<br />

Gubbeen, sean connell, camille & kerry fenn and Mark Mccarthy all<br />

provided much needed support at critical times to enable it all to run<br />

smoothly in 2011. let’s hope 2012 runs as smoothly!<br />

thE pIEr<br />

(2011) 89M<br />

WriTTEN & DirECTED By GErArD HUrLEy<br />

vILLAgE hALL / 8pM / wEdnEsdAy 23rd MAy, 2012 / AdM 46<br />

“among other pictures drawing positive notice was Gerard hurley’s<br />

beautifully composed, gorgeously acted the Pier. It tells a common story<br />

in Irish literature and film: the returning emigrant confronts what has<br />

changed and what has remained the same. the director plays a man<br />

who, told his father (karl Johnson) is dying, travels from new York to<br />

Cork to discover the old codger looking a little healthier than expected.<br />

an amusing, touching battle of wills then develops. the picture never<br />

comes close to striking a bum note…a small gem” (Donald Clarke, the<br />

Irish times film critic).<br />

Come along and see what all the fuss has been about with this locallymade<br />

<strong>Festival</strong> kick-starter.<br />

followed by q&A with director gerard hurley chaired by Maurice<br />

seezer.<br />

THE<br />

AWARDS<br />

<strong>pAt</strong> connor<br />

crEAtor of thE<br />

bEst of fEstIvAL AwArd<br />

Pat Connor was born in Dublin and<br />

studied art at NCAD. He lived and<br />

worked in New York from 1987-1993.<br />

He now lives in Schull. His work can<br />

be seen in several public collections<br />

including The Arts Council of Ireland,<br />

The Crawford Municipal Gallery, Cork,<br />

The National Museum of Ireland and<br />

The AIb Collection, Dublin. Pat has<br />

represented Ireland at the Paris biennale<br />

and in Japan, New York and Switzerland.<br />

bEst of fEstIvAL<br />

Cash prize of €2,000 and an original Pat Connor sculpture<br />

bEst IrIsh short fILM<br />

Cash prize of €2,000<br />

bEst young fILM<strong>MAkEr</strong> (u22)<br />

Cash prize of €2,000<br />

bEst In cork<br />

Cash prize of €500 – Sponsored by Cork County Council<br />

bEst drAMA<br />

Cash prize of €200<br />

bEst coMEdy<br />

Cash prize of €200<br />

bEst <strong>docuMEntAry</strong><br />

Cash prize of €200<br />

bEst EXpErIMEntAL<br />

Cash prize of €200<br />

bEst dAncE<br />

Cash prize of €200<br />

bEst AnIMAtIon<br />

Cash prize of €200<br />

bEst dIrEctIon<br />

Cash prize of €100<br />

bEst scrEEnpLAy<br />

Cash prize of €100<br />

bEst orIgInAL MusIc<br />

Cash prize of €100<br />

bEst cInEMAtogrAphy<br />

Cash prize of €100<br />

04 05


The following submission entries have not been<br />

given an official viewers classification. The films that<br />

contain obvious adult content, violence or improper<br />

language are in programmes 16 - 24 and have an<br />

over 18 recommendation.<br />

SUbMISSIONS<br />

progrAMME 01<br />

gArEth dAkIn<br />

rEvErsE rAMpAgEr<br />

2m/UK/Experimental/Over 18<br />

RRP unexpectedly gets what’s coming to him.<br />

dEborAh root<br />

rEgrEt rELIEf<br />

4m/Canada/Under 22<br />

A meditation on leaving a lover.<br />

yoI suzukI<br />

pArt ME fArAwAy<br />

4m/Japan/Experimental/Over 18<br />

Voice is a voice, image an image, I part, apart.<br />

stEphEn cunnAnE<br />

oh thE AccEnt!<br />

9m/USA/Comedy/Over 18<br />

Actor required with Irish accent. Simple, right?<br />

tAtsuhIro kIMIJIMA<br />

thE MAgIc rAbbIt 2<br />

5m/Japan/Drama/Over 18<br />

A girl’s desperate search for her ex-boyfriend.<br />

toMIsIn AdEpEJu<br />

quEstIons of AgE And LovE<br />

7m/UK/Under 22<br />

A young man’s notions of love and marriage.<br />

nIchoLAs ryAn-purcELL<br />

short fILM<br />

5m/Ireland/Under 22<br />

Can a relationship survive when one emigrates?<br />

coLIn cArroLL<br />

fALLIng to EArth<br />

8m/Ireland/Drama/Over 18<br />

An Irish boy meets a Portuguese girl.<br />

bArbArA dEIgnAn, cIAn McdEvItt<br />

dIAsporA<br />

5m/Canada/Documentary/Over 18<br />

Hopes and fears of the new Irish in Toronto.<br />

MohAMMAd ALkAzEMI<br />

druM & pLAy<br />

6m/USA/Drama/Over 18<br />

Two buskers. Will music save the day?<br />

standard practice recommends that in the absence<br />

of classification, festivals classify their entire<br />

programme as over 18. We thus recommend that<br />

parents use their discretion as we aim to repeat<br />

parts of the programme in various venues throughout.<br />

progrAMME 02<br />

vAL bLAkELy<br />

fLApJAck<br />

11m/USA/Comedy/Over 18<br />

Jack’s favourite Anime character made flesh.<br />

cAthErInE donovAn, grAcE o’MAhony<br />

thE popEMobILE<br />

12m/Ireland/Documentary/Over 18<br />

building the original popemobile in Cork in 1979.<br />

rIo fItch<br />

found A pEAnut<br />

11m/Canada/Comedy/Over 18<br />

The dire consequences of eating a bad peanut.<br />

ArrAn tEnzIn brAdstock<br />

trAppEd In A Loop<br />

14m/Ireland/Under 22<br />

Nightmares of a mysterious cloaked figure.<br />

brIAn crotty<br />

Eggs AgAIn<br />

9m/Ireland/Drama/Over 18<br />

An artist with an existential crisis.<br />

progrAMME 03<br />

coLIn cArroLL<br />

phILAdEphIA, hErE I pun!<br />

15m/Ireland/Documentary/Over 18<br />

An Irish motor-cyclist in search of greener<br />

pastures.<br />

EMMA Lu roMErEIn<br />

thE LAMEnt<br />

4m/Canada,Italy/Dance/Over 18<br />

Expressing a lament of love lost through dance.<br />

Josh brAdLEy<br />

An LAE Ar An MhArgAId<br />

4m/Ireland/Under 22<br />

A day in the life of Clonakilty’s Friday Market.<br />

AoIfE nAughton<br />

oscAr<br />

12m/Ireland/Documentary/Over 18<br />

Oscar waits every day for his minder to return.<br />

06 07


SUbMISSIONS<br />

08<br />

JAckson wILLIAMs<br />

work pLAcEMEnt<br />

8m/Ireland/Comedy/Over 18<br />

A rascist recruiter helps the unemployed.<br />

<strong>pAt</strong> coMEr<br />

thE dAytrIppErs<br />

9m/Ireland/Drama/Over 18<br />

Pensioner’s sedate day trip to the countryside.<br />

tErEncE whItE<br />

off your troLLEy<br />

5m/Ireland/Dance/Over 18<br />

Teenagers, a shopping trolley, mayhem.<br />

progrAMME 04<br />

A cALnAn, J hILL, k o’donovAn,<br />

n Murphy, p grIffEn, t vErLIndEn,<br />

t MAdAJczAk<br />

thE whEEL of LIfE<br />

9m/Ireland/Under 22<br />

The journey of life passes by in front of our eyes.<br />

noEL brAdy<br />

truE-d<br />

11/Ireland/Drama/Over 18<br />

A look at life from a different perspective.<br />

Judy soMErs<br />

A cod bIt My kIppEr<br />

1m/Canada/Animation/Over 18<br />

A fishy tale about “the one who got away”.<br />

shAun o’connor<br />

Mutt<br />

6m/Ireland/Comedy/Over 18<br />

A housesitter copes with a dead “Mutt”.<br />

conor dwAnE, kEvIn c. dwAnE<br />

L’hoMME fArsIcAL<br />

11m/Ireland/Comedy/Over 18<br />

before sound, one man, one pie, one destiny.<br />

toMIsIn AdEpEJu<br />

nostALgIA<br />

10m/UK/Drama/Over 18 & Under 22<br />

A film about remembering.<br />

JohnAthon hnoudIs, JosIAh hALL,<br />

khAndIs nEwMAn<br />

zoE<br />

10m/Australia/Drama/Over 18<br />

A girl cares less about what others think.<br />

progrAMME 05<br />

cAMEron MAckEnzIE<br />

LEttIng go<br />

8m/USA/Drama/Under 22<br />

Different stages of grief after losing someone close.<br />

roy LEcAnE, don fIELd<br />

<strong>pAt</strong>IEncE<br />

13m/Ireland/Comedy/Over 18<br />

Looking for company? Try the barber Shop.<br />

JAMEs McfAy<br />

burnIng hEArts<br />

15m/Australia, Japan/Experimental/Over 18<br />

A taximan saves a model from the Yakuza.<br />

nEIL boynton<br />

Au fILs du tEMps<br />

8m/UK/Experimental/Over 18<br />

If time and space is altered, how can we cope?<br />

hIrokI kAMAdA<br />

ALtErnAtIvE rEALIty<br />

10m/USA/Under 22<br />

A friendship develops over a video game.<br />

stEvE woods<br />

dutch dArknEss<br />

5m/Ireland/Experimental/Over 18<br />

The dark secret of the Dutch Golden Era of<br />

painting.<br />

progrAMME 06<br />

LucA nEstoLA<br />

Loss of tAstE<br />

3m/Italy/Drama/Over 18<br />

An old man rediscovers his love of good wine.<br />

bErnArd dowd<br />

thE prEhIstorIc pIpEr<br />

8m/Ireland/Animation/Over 18<br />

Ancient hominids invent the Uilleann Pipes.<br />

pAuL grovE<br />

strAngE MEEtIng<br />

13m/UK/Drama/Over 18<br />

Things go wrong for a lieutenant leading a patrol.<br />

rAchEL ross<br />

tAyLor<br />

11m/New Zealand/Under 22<br />

Two brothers reunite after three years.<br />

dónAL o’cEILLEAchAIr, JoAn MAry<br />

MccArthy<br />

dEArtháIr<br />

9m/Ireland/Documentary/Over 18<br />

An exploration of personal loss.<br />

John horAn<br />

thE dyIng LIght<br />

15m/Ireland/Drama/Over 18<br />

Two soldiers stranded and awaiting the inevitable.<br />

09


SUbMISSIONS<br />

10<br />

progrAMME 07<br />

rIck wILLIAMson<br />

A short fILM<br />

3m/USA/Comedy/Over 18<br />

A short film with short actors and long credits.<br />

MIchAEL notrIcA, MIchAEL rAusch<br />

dELILAh<br />

10m/USA/Under 22<br />

Coming of age story deals with love and tragedy.<br />

MArk MccArthy<br />

A dAy on thE wAtEr<br />

13m/Ireland/Documentary/Over 18<br />

The sport of Team Racing up close and personal.<br />

AMy drIvEr<br />

wILLA<br />

11m/Ireland/U22<br />

A couple want to share their life, but where?<br />

suzAnnAh MIrghAnI<br />

hAMour<br />

11m/Qatar/Drama/Over 18<br />

Disparate lives in Qatar during the Spring Equinox.<br />

tony cLIfford<br />

drEAM In thE dArk<br />

10m/USA/Drama/Over 18<br />

A man’s decision concerning the woman he loves.<br />

progrAMME 08<br />

rocko pAoLo<br />

gps<br />

7m/Canada/Drama/Over 18<br />

A man’s former business partner has a gift for him.<br />

bEn proudfoot<br />

Ink & pApEr<br />

9m/USA/Under 22<br />

A paper shop and LA’s last letter press print shop.<br />

shAun o’connor<br />

rInt<br />

5m/Ireland/Comedy/Over 18<br />

A tenant/landlord misunderstanding.<br />

LIAnE costELLo/sAM connor<br />

nAkEd<br />

7m/Ireland/Documentary/Over 18<br />

People’s pride in their own natural form.<br />

ALEX fEgAn<br />

thE court AstronoMEr<br />

15m/Ireland/Drama/Over 18<br />

A bishop tries to outwit a King in the 1600s.<br />

brIAn stynEs<br />

bEforE thE cAr ArrIvEs<br />

12m/Ireland/Drama/Over 18<br />

A family celebrates a child’s holy communion.<br />

progrAMME 09<br />

fEArgAL wArd, tAdhg o’suLLIvAn<br />

quArAntInE<br />

15m/Ireland/Documentary/Over 18<br />

A woman’s solitary time with illness, fate and faith.<br />

AnnA byrnE<br />

LEAvE to rEMAIn<br />

13m/Ireland/Documentary/Over 18<br />

A young man’s experience of residential care.<br />

oLof wErngrEn<br />

brännEr stAdEn<br />

9m/Sweden/Dance/Over 18<br />

An attempt at shaking life into fixed things.<br />

LIncoLn hALL<br />

JudgEMEnt<br />

6m/Australia/Under 22<br />

A priest dies and meets “the big guy”.<br />

prAkAsh MohAndAs<br />

512<br />

5m/USA/Comedy/Over 18<br />

A scrawny protagonist, a routine visit to the gym.<br />

JoshuA IzEnbErg<br />

dAds<br />

9m/USA/Comedy/Over 18<br />

Two number one dads, but there can only be one.<br />

progrAMME 10<br />

sEAn brEAthnAch<br />

Into thE LIght<br />

4m/Ireland/Dance/Over 18<br />

A girl explores beauty in everything around her.<br />

russEL frAMpton<br />

bLInd torrEnt<br />

15m/UK/Dance/Over 18<br />

Imagined archeology and ritualised movement.<br />

orLA wALsh<br />

rIdErs to thE sEA<br />

5m/Ireland/Comedy/Over 18<br />

A surfing duel off the West Coast of Ireland.<br />

John corcorAn<br />

shELLshock<br />

11m/Ireland/Drama/Over 18<br />

A young man returns home after serving in WW1.<br />

11


SUbMISSIONS<br />

12<br />

shIyAn fEng<br />

bEI yAo wAn, shAnghAI<br />

11m/USA/Documentary/Over 18<br />

Two migrant families struggle for a better life.<br />

coLIn hIckEy<br />

thE buILdEr<br />

10m/Colombia/Drama/Over 18<br />

A meditation between a father and his son.<br />

progrAMME 11<br />

phILIppA cArson<br />

MusIc MEMorIEs<br />

8m/Ireland/Drama/Over 18<br />

An old man and his neighbour connect.<br />

pErrIn kErns<br />

bEtwEEn sAsquAtch &<br />

supErMAn: LIvIng wIth<br />

down syndroME<br />

10m/USA/Documentary/Over 18<br />

Clark Kerns likes Sasquatch and Superman.<br />

AndrEw ryLAnd<br />

ELvIs prEstwIck<br />

14m/UK/Comedy/Over 18<br />

Elvis Presley transforms an office worker’s life.<br />

kAthy couLtEr<br />

thE ruLEs<br />

8m/UK/Comedy/Over 18<br />

The seven rules for finding your soulmate.<br />

gIonAnnI AntonIo gEbbIA<br />

thrEE ghosts froM Edo<br />

9m/Italy/Documentary/Over 18<br />

Three Ghosts of Tokyo reconnect through dance.<br />

sAMAnthA pInEdA, dAvy gIorgI<br />

EL pEscAdor<br />

10m/Mexico/Drama/Over 18<br />

Using photographs to ‘recapture’ memories.<br />

progrAMME 12<br />

LEE cronIn<br />

bILLy & chuck<br />

14m/Ireland/Drama/Over 18<br />

billy’s walkie talkie advises him on manoevres.<br />

sErEnA hunt<br />

kErpLonk<br />

6m/Australia/Comedy/Over 18<br />

A Scientist’s Rube Goldberg-style torture device.<br />

shAnE rEId<br />

four wALLs<br />

7m/Ireland/Documentary/Over 18<br />

Memories of childhood in Waterford.<br />

LIAnE costELLo<br />

A <strong>docuMEntAry</strong> About ME<br />

And runnIng rEALLy fAr<br />

11m/Ireland/Documentary/Over 18<br />

An exploration of running as a means of escape.<br />

tIbo torELLI<br />

thE LAst onE<br />

15m/UK/Animation/Over 18<br />

The last moments of the last man on earth.<br />

bEAu burrows<br />

thE grAvIty of bEIng<br />

6m/USA/Animation/Over 18<br />

A sleeping man finds that he attracts the moon.<br />

progrAMME 13<br />

MArk gILL<br />

thE voorMAn probLEM<br />

12m/UK/Comedy/Over 18<br />

A prisoner who believes he is a god.<br />

brIAn yung<br />

cArt<br />

7m/Canada/Comedy/Over 18<br />

A grocery store shopping cart seeks justice.<br />

kAtIA shAnnon<br />

poInt fInAL<br />

6m/Canada/Under 22<br />

When time stops for a factory supervisor.<br />

nIALL shEErIn<br />

Moon roostEr<br />

13m/Ireland/Comedy/Over 18<br />

be yourself, however bizarre your self may be.<br />

pIEt sonck<br />

chIt chAt<br />

13m/belgium/Drama/Over 18<br />

Two sisters discuss life, but all is not as it seems.<br />

JEff goLdEn<br />

whAt rEMAIns<br />

7m/USA/Animation/Over 18<br />

If we give nothing and yet attain all we desire.<br />

progrAMME 14<br />

kIM pIMMEL<br />

coMprEssEd 03<br />

2m/USA/Animation/Over 18<br />

Matter coallesces forming planetary bodies.<br />

EttorE nIcoLEttI<br />

IL LucchEtto<br />

3m/Italy/Comedy/Over 18<br />

When love is sealed to the universe, what’s next?<br />

13


SUbMISSIONS<br />

14<br />

hugh stoddArt, nIchoLA brucE<br />

LIfEtIME<br />

9m/UK/Drama/Over 18<br />

An old man and his cello arrive home.<br />

LIsA MuLcAhy<br />

coMIng hoME<br />

14m/Ireland/Drama/Over 18<br />

A journey to recovery from breast cancer.<br />

ÖzgüL gürbüz<br />

fLAwLEss LIfE<br />

4m/Turkey/Animation/Over 18<br />

A homeless man finds a way to live the dream.<br />

dAMIAn MccArthy<br />

nEvEr EvEr opEn It<br />

9m/Ireland/Drama/Over 18<br />

A bored nightwatchman and a strange noise.<br />

MArk MontI<br />

thE cAMp<br />

10m/UK, Thailand/Documentary/Over 18<br />

Many burmese escape to Thai border camps.<br />

LEón fErnAndEz<br />

MutAtIo<br />

8m/Mexico/Animation/Over 18<br />

A humanoid confronts the purpose of his life.<br />

progrAMME 15<br />

gEd MurrAy<br />

sMALL tIME<br />

12m/Ireland/Comedy/Over 18<br />

Rivaly between cocky student and professor.<br />

John hoEy<br />

soLArIA<br />

9m/Ireland/Drama/Over 18<br />

In space, Alex has one chance to save Rachel.<br />

cALEb sLAIn<br />

thE Lost And found shop<br />

9m/USA/Under 22<br />

A young girl has lost her favourite memory.<br />

cLAIrE dIX<br />

downpour<br />

4m/Ireland/Drama/Over 18<br />

Pivotal moments remembered by a bride to be.<br />

dAvId fAIn<br />

chorEogrAphy for<br />

pLAstIc ArMy MEn<br />

5m/USA/Animation/Over 18<br />

‘Ohayoo Ohio’ by Pink Martini gets a workover.<br />

duncAn McdowALL<br />

pAIntEd<br />

5m/Canada/Dance/Over 18<br />

Choreographic exploration of the notion of decay.<br />

ross whItAkEr<br />

hoME turf<br />

14m/Ireland/Documentary/Over 18<br />

An elegy to traditional methods of hand cutting turf.<br />

progrAMME 16<br />

kLoEE cIupErgEr<br />

thE chILd InsIdE<br />

13m/USA/Under 22<br />

A murderer sets his sights on young innocents.<br />

MIchAEL MEnsAh<br />

thE pErfEct gEntLEMAn<br />

5m/UK/Drama/Over 18<br />

A picnic is brought to an unexpected end.<br />

drAgA JovAnovIc<br />

your sELf Is A rEfLEctIon<br />

of MysELf<br />

7m/Canada/Experimental/Over 18<br />

An older woman connects with her younger self.<br />

brIAn EvAns, MAry nIEdErkorn<br />

spEEd dAtIng<br />

4m/USA/Experimental/Over 18<br />

A neurotic woman meets the man of her dreams.<br />

sAnELA grgIc<br />

EXIstEncE<br />

16m/USA/Drama/Over 18<br />

A frustrated girl with schizophrenic tendencies.<br />

tALAt gokdEMIr<br />

LEAvE<br />

12m/UK/Drama/Over 18<br />

A small child enables Maria to make a decision.<br />

progrAMME 17<br />

Andy goLdnEr, JoE d. LIndAuEr<br />

“grEEtIngs to thE<br />

MoroccAn fArMErs”<br />

7m/Germany/Experimental/Over 18 Canada<br />

1970, with music of exmagma, 1974.<br />

norMAn MAgdEn<br />

cAfé<br />

13m/USA/Experimental/Over 18<br />

An anonymous café for the undead hosts a star.<br />

LEonArd MArtIn<br />

thE nEw LIfE<br />

15m/Ireland/Comedy/Over 18<br />

Pregnant Jane hits on a younger man on a train.<br />

JEnnIfEr dysArt<br />

Moss orIgIns<br />

9m/Canada/Experimental/Over 18<br />

A woman encounters messages in the moss.<br />

15


SUbMISSIONS<br />

16<br />

thoMAs hEffEron<br />

thE hEIst<br />

9m/UK/Ireland/Comedy/Over 18<br />

Three eager bank robbers and a big plan.<br />

sIMon o’nEILL<br />

showtIME!<br />

4m/UK Ireland/Comedy/Over 18<br />

An attempted date, a trip into the subconscious.<br />

progrAMME 18<br />

dAvE thorpE<br />

IMpEtuous<br />

12m/Ireland/Drama/Over 18<br />

Kerrie wakens in a shed, unable to move.<br />

John gIgrIch<br />

thE cAbIn<br />

6m/USA/Comedy/Over 18<br />

An uninvited guest appears at a weekend cabin.<br />

sI EdwArds<br />

bIrthdAy gIrLs<br />

8m/Ireland/Drama/Over 18<br />

Two sisters visit their mother’s grave.<br />

tErEncE whItE<br />

bAby LovE<br />

9m/Ireland/Drama/Over 18<br />

ber is told she may never become a mother.<br />

dAvId bIckLEy<br />

thE dEEp<br />

7m/Ireland/Drama/Over 18<br />

byron Copper’s dreams are getting dangerous.<br />

dAnIEL kontur<br />

sIMpLE sIMon<br />

9m/UK/Drama/Over 18<br />

The struggle between what’s told and what’s seen.<br />

ErLEnd pALM<br />

Is thErE Anybody out<br />

thErE?<br />

9m/UK/Drama/Over 18<br />

A thriller set inside a run-down toilet cubicle.<br />

progrAMME 19<br />

MArthA crIstIAnA MErIno<br />

ALtErEgo y LA MáscArA<br />

dEL MIEdo<br />

9m/Mexico/Experimental/Over 18<br />

A mother and daughter confront their demons.<br />

pAuL vErhoEvEn<br />

unE LArME dE pLus<br />

16m/France/Drama/Over 18<br />

Jesus speaks to a boy and gives him a mission.<br />

bob gALLAghEr<br />

soMEtIMEs pEopLE…<br />

13m/Ireland/Drama/Over 18<br />

An explosive attraction between two women.<br />

kAJsA rIbbIng<br />

thE LIght<br />

12m/Sweden/Drama/Over 18<br />

An author imagines the games a young couple play.<br />

rILEy MorrIs<br />

thE LEgEnd of pIMp<br />

JAckEt<br />

10m/U.S.A./Comedy/Over 18<br />

A man’s jacket makes him irresistible to women.<br />

progrAMME 20<br />

tAdAs vIdMAntAs<br />

tIckIng boXEs<br />

9m/UK/Drama/Over 18<br />

barry Chilcot plans, he organises... he ticks boxes.<br />

hugh noonAn<br />

hAppy fAMILy<br />

11m/Ireland/Drama/Over 18<br />

A boy takes matters into his own hands.<br />

stEphEn <strong>pAt</strong>rIck kEnny<br />

cLowns<br />

15m/Ireland/Comedy/Over 18<br />

Four friends in debt kidnap the wrong guy.<br />

cArLo pErAssI<br />

déJà vu<br />

5m/Italy/Drama/Over 18<br />

Sometimes imagining a relationship is simpler.<br />

zAchAry wEXELMAn<br />

four quEstIons<br />

11m/USA/Drama/Over 18<br />

A man remembering his fiance meeting his family.<br />

IñIgo cAstAnEdo<br />

EL nuEvo sísIfo<br />

7m/Spain/Drama/Over 18<br />

A woman is depressed at the death of her son.<br />

progrAMME 21<br />

bEAuMont LoEwEnthAL<br />

kIng of LIfE<br />

2m/UK/Under 22<br />

A medic has to make a choice during combat.<br />

JonAthAn ALbErt Murphy<br />

oscAr v<br />

14m/brazil/Drama/Over 18<br />

Oscar V illegally enables a customer’s webcam.<br />

17


SUbMISSIONS<br />

18<br />

dAMIán cAno<br />

Los dErrIbAdos<br />

9m/Mexico/Drama/Over 18<br />

The adult world destroys Ramiro’s innocence.<br />

cAthAL fEEnEy<br />

oh<br />

4m/Ireland/Comedy/Over 18<br />

A father and son chat on a local bus journey.<br />

dAvId LAssItEr<br />

LIkE A good nEIghbour<br />

8m/USA/Drama/Over 18<br />

Suspicious noises in a neighbour’s apartment.<br />

EndA LoughMAn, MIkE AhErn<br />

thE hAtch<br />

12m/Ireland/Drama/Over 18<br />

Father and son witness a glowing object fall to sea.<br />

ruAIdhrI MAg fhLoInn<br />

punchLInE<br />

3m/Ireland/Drama/Over 18<br />

Joe is a funny guy onstage, but not at home.<br />

Ed cArtEr<br />

thE funErAL dIrEctor<br />

5m/UK/Comedy/Over 18<br />

A wearied existentialist finds solace in work.<br />

progrAMME 22<br />

rogEr bArkEr<br />

thE wEEkEnd hostAgE<br />

9m/UK/Comedy/Over 18<br />

A kidnapped man confronts his elusive captors.<br />

gEd MurrAy<br />

hELL cAt<br />

9m/Ireland/Comedy/Over 18<br />

What does a talking cat actually say to its owner?<br />

LIAM dELAhunty<br />

toM’s scEAdu<br />

15m/Ireland/Comedy/Over 18<br />

When Tom’s wife is asleep, he likes to unwind.<br />

sAJJAd hAIdEr<br />

nIght of A cArnIvAL<br />

13m/USA/Drama/Over 18<br />

A hooker is stranded in the wrong part of town.<br />

AIdAn gAuLt<br />

unJust<br />

13m/UK/Under 22<br />

A man struggles for the life of his family.<br />

progrAMME 23<br />

sAMuEL stEELE<br />

thE shot<br />

7m/UK/Comedy/Over 18<br />

Two hitmen partners develop relationship issues.<br />

oLE-André rønnEbErg<br />

kJEMp vEd MIn sIdE<br />

9m/Norway/Drama/Over 18<br />

Frank doesn’t go outside his flat much.<br />

MAurIcIo ArAngo<br />

thE nIght of thE Moon hAs<br />

MAny hours<br />

12m/Colombia/Drama/Over 18<br />

A man recovers the ‘disappeared’ from a river.<br />

J. XAvIEr vELAsco<br />

JuAn y LA borrEgA<br />

10m/Mexico/Drama/Over 18<br />

Juan’s routine life is interrupted by La borrega.<br />

robErt brAIdEn<br />

truE LovE<br />

10m/Australia/Drama/Over 18<br />

An ex-con meets a woman and finds hope.<br />

LEón rEchy<br />

AngustIA<br />

8m/Mexico/Drama/Over 18<br />

An executioner relieves his conscience.<br />

progrAMME 24<br />

pAuL L gArcIA<br />

onE MorE cup of coffEE<br />

12m/USA/Drama/Over 18<br />

A young woman ponders over a long cup of coffee.<br />

ruán MAgAn<br />

AngEL<br />

9m/Ireland/Drama/Over 18<br />

A young girl wanders alone through Dublin.<br />

AnnA rodgErs<br />

hoLd on tIght<br />

12m/Ireland/Documentary/Over 18<br />

An expression of love, not a political statement.<br />

JEssIcA nIchoLAs<br />

hEAvy<br />

8m/USA/Under 22<br />

A preacher sacrifices his soul for that of his wife.<br />

ghAzALEh soLtAnI<br />

thEsE nArrow ALLEys<br />

3m/Iran/Drama/Over 18<br />

Three shared lives take very different directions.<br />

socrAtEs ALAfouzos<br />

MIkros vAsILIAs<br />

15m/Greece/Drama/Over 18<br />

Ari is forced to face his secret childhood abuse.<br />

19


FIlMMakEr<br />

In FoCuS:<br />

Pat CollInS<br />

<strong>pAt</strong> <strong>coLLIns</strong>:<br />

<strong>docuMEntAry</strong> <strong>MAkEr</strong><br />

Pat Collins is originally from Drimoleague, West Cork and now lives with<br />

his wife and three children in Baltimore. Before making films he was<br />

editor of <strong>Film</strong> West Magazine and for three years was the programmer of<br />

the Galway <strong>Film</strong> Fleadh.<br />

Since 1999 he has made over 25 films. his first film Michael Hartnett,<br />

Necklace of Wrens won the Jury award at the Celtic <strong>Film</strong> <strong>Festival</strong> in 2000.<br />

Since then he has directed Talking to the Dead which centred on the Irish<br />

funeral tradition. this was followed by Oiléan Thoraí, which won Best<br />

Irish Documentary at the Irish <strong>Film</strong> and television awards in 2003.<br />

Abbas Kiarostami - The Art of Living (co-directed with Fergus Daly) was<br />

picked up for international distribution in 2004 by the French company<br />

Mk2. Rebel County used the shooting of ken loach’s ‘the Wind that<br />

Shakes the Barley’ to explore the War of Independence in West Cork. he<br />

has directed documentaries on the Irish writer Frank o’ Connor, the poet<br />

nuala ní Dhomhnaill and the Connemara based writer and cartograper<br />

tim robinson.<br />

his film John McGahern: A Private World won ‘Best Irish Documentary’<br />

at the Irish <strong>Film</strong> and television awards in 2005. In the same year his<br />

documentary Marooned won the Best Irish Sports Documentary award.<br />

locally, he has made films on the Copper Mines in allihes, the<br />

Castlehaven Gaa club and a historical documentary on the famine in<br />

Skibbereen.<br />

the feature documentary Gabriel Byrne: Stories from Home was<br />

completed in 2009 and the film essay What We Leave in Our Wake in 2011.<br />

he has just completed his first feature film Silence and is working on a<br />

short film What Remains which is made entirely from archive film from<br />

the Irish national <strong>Film</strong> archive.<br />

www.harvestfilms.ie<br />

20<br />

shortscrEEn fILM schooL<br />

“Are you interested in making your own film?”<br />

at the <strong>Short</strong>screen <strong>Film</strong> School you can learn all<br />

the tips and tricks you need to make your film great.<br />

Editing, camerawork, sound, script and much more.<br />

Winter workshops starting october 2012.<br />

Contact shortscreenfilmschool@gmail.com<br />

or Mark on 086 875 8652.<br />

John McgAhErn - A prIvAtE worLd<br />

thE courtyArd / 5pM / frIdAy 25th MAy, 2012<br />

Hummingbird Productions / Harvest <strong>Film</strong>s (2005) 52m<br />

RTE / bord Scannán na hÉireann<br />

on March 30th 2006, after a life-time of<br />

dedication to his art, John McGahern, one<br />

of Ireland’s most distinguished writers,<br />

sadly passed away after a long illness.<br />

Since the publication of his first book in<br />

1963, John McGahern was at the cultural<br />

heart of Irish life. he was in the happy<br />

position of being universally praised by the critics and equally loved by<br />

the reading public.<br />

John McGahern: A Private World was filmed in 2004 just prior to the<br />

publication of his memoirs and these memoirs form the backbone<br />

of the documentary. through intimate interviews, a strong and<br />

compelling sense of the man emerges, offering a rare insight into the<br />

creative process.<br />

dir: Pat Collins prod: Philip King Ed: Isobel Stephenson camera: Donal<br />

Gilligan sound: Eamon Little<br />

whAt wE LEAvE In our wAkE<br />

vILLAgE hALL / 4.30pM / sAturdAy 26th MAy, 2012<br />

Harvest <strong>Film</strong>s (2010) 70m<br />

bord Scannán na hÉireann<br />

What We Leave in Our Wake is a filmic<br />

essay which unfolds as a series of<br />

conversations on Ireland, exploring<br />

themes such as emigration, mythology,<br />

consumerism, socialism, the place of the<br />

church in Irish life, the central role of land<br />

in Irish history and the sense of a civic<br />

society. Combining images of contemporary Ireland with an evocative<br />

blend of archive, What We Leave in Our Wake questions what persists<br />

rather than the temporary fluctuations and trends, and talks to some of<br />

those uniquely placed to comment on how this country has evolved.<br />

Featuring contributions from Joe lee, Patrick o’ Connor, leila Doolan,<br />

Iain McGilchrist, Peter Mcverry, Declan kiberd, Desmond Fennell and<br />

olivia o’ leary and archive recordings of John McGahern and John<br />

Moriarty among others.<br />

dir: Pat Collins camera: Colm Hogan, Feargal Ward sound: John<br />

brennan Ed: Tadhg O’Sullivan<br />

tIM robInson: connEMArA<br />

nEwMAn’s wEst, upstAIrs / 11AM / sundAy 27th MAy, 2012<br />

Harvest <strong>Film</strong>s (2011) 57m<br />

Reel Art: <strong>Film</strong> base & The Arts Council of Ireland<br />

tim robinson has been extensively<br />

mapping and studying Connemara<br />

for the last thirty years. his work has<br />

reached international recognition through<br />

publications such as ‘listening to the<br />

Wind’, ‘the last Pool of Darkness’ and<br />

his forthcoming ‘a little Gaelic kingdom’.<br />

Tim Robinson: Connemara is a sixty minute film based on the three<br />

Connemara books and a visual interpretation of his work as a mapmaker<br />

and writer. an exploration of landscape, history and mythology<br />

- this film acts as an intersection between writing, film-making and the<br />

natural world.<br />

dir: Pat Collins prod: Sharon Whooley camera: Colm Hogan steadicam:<br />

Mick O’Rourke sound: John brennan & Susan Stenger Ed: Keith Walsh<br />

21


thurSDaY 24th<br />

9AM 10AM 11AM 12 noon 1pM 2pM 3pM<br />

subMIttEd short fILMs<br />

vILLAgE hALL<br />

progrAMMEs 1-9<br />

FrIDaY 25th<br />

9AM 10AM 11AM 12 noon 1pM 2pM 3pM<br />

subMIttEd short fILMs<br />

vILLAgE hALL<br />

progrAMMEs 10-18<br />

SaturDaY 26th<br />

9AM 10AM 11AM 12 noon 1pM 2pM 3pM<br />

SunDaY 27th<br />

9AM 10AM 11AM 12 noon 1pM 2pM 3pM<br />

subMIttEd short fILMs<br />

vILLAgE hALL<br />

progrAMMEs 23-24<br />

froM scrIpt to scrEEn: A<br />

MAstErcLAss wIth JAck goLd<br />

vILLAgE hALL<br />

cAnon workshop<br />

thE courtyArd<br />

thE kEEpEr of thE<br />

drEAM: A producEr’s<br />

pErspEctIvE<br />

nEwMAn’s wEst - upstAIrs<br />

coMMunIty<br />

fILMMAkIng<br />

workshop<br />

thE courtyArd<br />

dIy<br />

fILMMAkIng<br />

vILLAgE hALL<br />

MIkE hAnnon<br />

whAt to shoot<br />

your fILM on?<br />

thE courtyArd<br />

LocAL IntErEst<br />

fILMs<br />

vILLAgE hALL<br />

focus on<br />

MEXIco<br />

vILLAgE hALL<br />

scrIpt to scrEEn:<br />

A JoInt sEMInAr<br />

nEwMAn’s wEst - upstAIrs<br />

thE Art of thE<br />

coLourIst<br />

thE courtyArd<br />

tIM robInson: short fILM<br />

connEMArA InforMAtIon cLInIc<br />

nEwMAn’s wEst - upstAIrs nEwMAn’s wEst - upstAIrs<br />

bookshop<br />

rEAdIng<br />

whytE books<br />

dAvId MItchELL<br />

who sEEs whAt?<br />

thE rELAtIonshIp<br />

bEtwEEn<br />

dIrEctors And<br />

dops<br />

vILLAgE hALL<br />

roundtAbLE dIscussIon<br />

4pM 5pM 6pM 7pM 8pM 9pM 10pM<br />

fEstIvAL<br />

LAunch<br />

thE courtyArd<br />

kEn<br />

wArdrop<br />

shorts<br />

vILLAgE hALL AnothEr yEAr<br />

vILLAgE hALL<br />

4pM 5pM 6pM 7pM 8pM 9pM 10pM<br />

John<br />

McgAhErn<br />

- A prIvAtE<br />

worLd<br />

thE courtyArd<br />

4pM 5pM 6pM 7pM 8pM 9pM 10pM<br />

whAt wE LEAvE<br />

In our wAkE<br />

vILLAgE hALL<br />

post productIon<br />

AudIo workshop<br />

thE courtyArd<br />

4pM 5pM 6pM 7pM 8pM 9pM 10pM<br />

MIkE LEIgh<br />

vILLAgE hALL<br />

thE ownEr<br />

vILLAgE hALL<br />

IrIsh prEMIErE<br />

bookshop<br />

rEAdIng<br />

whytE books<br />

MAurIcE o’cALLAghAn<br />

dIffErEnt voIcEs,<br />

dIffErEnt <strong>pAt</strong>hs<br />

vILLAgE hALL<br />

‘kEn wArdrop:<br />

thE Art of thE<br />

short<br />

vILLAgE hALL<br />

LEnny<br />

AbrAhAMson,<br />

thE crAft of<br />

dIrEctIon<br />

vILLAgE hALL<br />

“It’s A wrAp!”<br />

prIzEgIvIng<br />

cErEMony<br />

vILLAgE hALL<br />

subMIttEd<br />

short fILMs<br />

vILLAgE hALL<br />

progrAMMEs 19-20<br />

notE:<br />

10.15pM - 12.30AM<br />

hIs &<br />

hErs<br />

subMIttEd<br />

short fILMs<br />

vILLAgE hALL<br />

progrAMMEs 21-22<br />

notE: 11pM - 1AM<br />

gArAgE<br />

vILLAgE hALL<br />

subMIttEd<br />

short fILMs<br />

vILLAgE hALL<br />

progrAMMEs 23-24<br />

notE: 11pM - 1AM


FESTIVAL EVENTS<br />

THURSDAY 24TH<br />

bongo bong undrEssIng My MothEr<br />

usELEss dog AnothEr yEAr<br />

subMIttEd short fILMs<br />

vILLAgE hALL / 9AM – 6pM / thursdAy 24th MAy, 2012<br />

PrOGrAmmEs 1 - 9<br />

FESTIVAL LAUNCH<br />

thE courtyArd / 6pM / thursdAy 24th MAy, 2012<br />

kEn wArdrop shorts<br />

vILLAgE hALL / 7pM / thursdAy 24th MAy, 2012<br />

hEn (2001) 5m<br />

dAMpEnEd spIrIts (2003) 3m<br />

LovE Is LIkE A buttErfLy (2003) 3m<br />

rAvIng (2004) 3m<br />

undrEssIng My MothEr (2004) 6m<br />

usELEss dog (2004) 5m<br />

ouch! (2005) 10m<br />

bongo bong (2006) 5m<br />

scorIng (2007) 3m<br />

fArEwELL pAckEts of tEn (2007) 3m<br />

tonguE tIEd (2007) 3m<br />

contAgIous (2007) 3m<br />

thE hErd (2009) 4m<br />

ken wardrop studied filmmaking at the national <strong>Film</strong> School, IaDt.<br />

In 2008, his work received the Grand Prix award at Sapporo. his short<br />

film Undressing my Mother, one of Ireland’s best loved short films, won<br />

European <strong>Film</strong> academy award, Special Jury Mention at Sundance and<br />

an IFta for Best <strong>Short</strong> <strong>Film</strong>. his Documentary on Circumcision Ouch!<br />

and Bongo Bong, were both nominated for an IFta. Farewell Packets of<br />

Ten won Best <strong>Short</strong> Documentary at toronto.<br />

24<br />

AnothEr yEAr<br />

(2009) 129m<br />

WriTTEN & DirECTED By mikE LEiGH<br />

vILLAgE hALL / 8pM / thursdAy 24th MAy, 2012<br />

cast includes: Jim Broadbent (tom), lesley Manville (Mary), ruth Sheen<br />

(Gerri), Peter Wight (ken), oliver Maltman (Joe), David Bradley (ronnie),<br />

karina Fernandez (katie), Martin Savage (Carl), Michele austin (tanya),<br />

Phil Davis (Jack), Stuart McQuarrie (tom’s Colleague) and Imelda<br />

Staunton (Janet).<br />

Spring, Summer, autumn, Winter. Family and friendship. love<br />

and warmth. Joy and sadness. hope and despair. Companionship.<br />

loneliness. a birth. a death. time passes… a happily married couple<br />

seek to maintain a balanced and non judgemental connection with<br />

their network of friends, despite the difficulties that such maintenance<br />

invariably throws up. Another Year was nominated for best film at Cannes<br />

2010, and for best screenplay at the academy awards 2011.<br />

producer Georgina Lowe, Danielle brandon, (line producer) Gail<br />

Egan( executive producer), Tessa Ross (executive producer) original<br />

Music Gary Yershon cinematography Dick Pope Editing Jon Gregory<br />

casting Nina Gold production design Simon beresford Art direction<br />

Andrew Rothschild set decoration Sophia Chowdhury costume design<br />

Jacqueline Durran.<br />

subMIttEd short fILMs<br />

vILLAgE hALL / 10.15 pM – 12.15AM / thursdAy 24th MAy, 2012<br />

PrOGrAmmEs 19 - 20<br />

25


FESTIVAL EVENTS<br />

FRIDAY 25TH<br />

subMIttEd short fILMs<br />

vILLAgE hALL / 9AM – 6pM / frIdAy 25th MAy, 2012<br />

PrOGrAmmEs 10 - 18<br />

John McgAhErn - A prIvAtE worLd<br />

(2005) 52m dIr: PAT COLLiNs<br />

courtyArd / 5pM / frIdAy 25th MAy, 2012<br />

See page 20-21 for details.<br />

thE ownEr<br />

(2012) 105m (IrIsh prEMIErE)<br />

vILLAgE hALL / 6pM / frIdAy 25th MAy, 2012<br />

MAIrtín dE bArrA<br />

26<br />

dir: Xavier Agudo, Mike Canzoniero, Francois<br />

Coetzee, Mairtín de barra, Todd Felderstein,<br />

Nicolas Fogliarini, Yango González, Nino<br />

Leitner, Craig Lines, Vishesh Mankal, Varun<br />

Mathur, Steve Murphy, Arne Nostitz-Rieneck,<br />

Asmit Pathare, Neha Raheja Thakker, Adam<br />

Ruszkowski, Alexander Schoenauer, Sabine<br />

Sebaali, Prashant Sehgal, Fahad Shaikh, Marty<br />

Shea, brian Shephard, Nicole Sylvester, John<br />

Versical, and Rafael Yoshida.<br />

the first of its kind, ‘The Owner’ is a<br />

multilingual online CollabFeature <strong>Film</strong>. 25<br />

filmmakers (most of whom have never met)<br />

from 5 continents joined forces online to<br />

write, direct, produce and now premiere this<br />

film in their own locations. the Irish Co-<br />

Director Mairtín de barra has been to Schull<br />

before. his debut short film ‘Tart’ won ‘Best<br />

Cinematography’ at CFSFF in 2009. In January<br />

2012 his documentary series “the Club”<br />

premiered on Setanta Sports. Mairtín has just<br />

wrapped his debut feature film ‘Beat Girl’ for<br />

Beactive Media.<br />

this worldwide collaborative project called CollabFeature, was conceived<br />

by two Detroit-based directors, Marty Shea and Ian Bonner. the project<br />

is will break the world record for most directors on a film, surpassing<br />

‘Paris je t’aime’, which currently holds the Guinness World record of 21.<br />

this is the film’s Irish Premiere, one of 25 premieres happening across 5<br />

continents on the same day.<br />

the film follows a backpack on a journey around the world, intersecting<br />

the lives of dozens of characters along the way. the owner brings<br />

together a variety of cultures, languages and film styles into a singular<br />

narrative plot. as the story progresses, we learn details about the<br />

mysterious man to whom the bag belongs.<br />

John kELLEhEr<br />

After the film, there will be a q&A with Mairtín<br />

de barra chaired by festival patron John<br />

kelleher. cfsff 2012 is delighted to welcome<br />

both Mairtín and John back to schull.<br />

kEn wArdrop: thE Art of thE short<br />

vILLAgE hALL / 8pM / frIdAy 25th MAy, 2012<br />

(Make sure you see ken Wardrop’s collection of short films on thursday<br />

24th May, 7pm in the village hall)<br />

award-winning director ken wardrop has made a unique contribution<br />

to the art of the <strong>Short</strong> <strong>Film</strong>. his body of work is testament to the ability<br />

of <strong>Short</strong>s to reveal the universal in the deeply personal, capturing the<br />

simple and the profound with lasting resonance. CFSFF 2012 is proud to<br />

present a chance to meet and be inspired by a true Master of the <strong>Short</strong><br />

<strong>Film</strong> form.<br />

ken Wardrop will be interviewed by director carmel winters, whose<br />

feature Snap (2010) won Best Irish <strong>Film</strong> and Best Irish Director at the<br />

Dublin Critics Circle awards 2011 and was shown at CFSFF last year.<br />

CFSFF is delighted to welcome her back to Schull. the interview will be<br />

followed by ken’s feature His & Hers.<br />

hIs & hErs<br />

(2009) 80m<br />

vILLAgE hALL / 9.30pM / frIdAy 25th MAy, 2012<br />

dir & Ed ken Wardrop prod andrew Freedman<br />

dops Michael lavelle & kate McCullough<br />

Music Denis Clohessy cast Many and varied…<br />

“A man loves his girlfriend the most, his wife<br />

the best, but his mother the longest.” old Irish<br />

Proverb<br />

From kitchens, living rooms, and hallways<br />

across the Irish midlands, His & Hers<br />

delightfully combines observation and charm<br />

to tell a 90-year-old love story through the<br />

voices of 70 women. this intimate gender<br />

and cultural snapshot explores a woman’s<br />

relationships with the men in her life - father,<br />

boyfriend, husband, son. Following sequentially from little girl to old<br />

woman, each character portrait is woven with the others into one<br />

perfectly crafted cinematic quilt.<br />

His & Hers won the audience award in the Dublin International <strong>Film</strong><br />

<strong>Festival</strong>, the Feature award in the Galway <strong>Film</strong> Fleadh, an IFta for Best<br />

Feature Documentary and the Cinematography award at the Sundance<br />

<strong>Film</strong> <strong>Festival</strong> 2010.<br />

subMIttEd short fILMs<br />

vILLAgE hALL / 11 pM – 1AM / frIdAy 25th MAy, 2012<br />

PrOGrAmmEs 21 - 22<br />

kEn wArdrop cArMEL wIntErs<br />

27


FESTIVAL EVENTS<br />

SATURDAY 26TH<br />

JAck goLd chrIs o’dELL cAthErInE<br />

gAby sMyth frAn kEAvEnEy<br />

tIErnAn<br />

EugEnE MccrystAL<br />

froM scrIpt to scrEEn: A<br />

MAstErcLAss wIth JAck goLd<br />

vILLAgE hALL / 10AM - 1.30pM / sAturdAy 26th MAy, 2012<br />

<strong>Film</strong>ing and editing a simple scene from a short story: “Dusky Ruth” by<br />

a.E. Coppard.<br />

Two actors, two chairs and a couple of props. Decisions have to be made.<br />

Where are the chairs? Where are the actors? How do they perform? How<br />

do they move? Where is the camera? Does it move? What size is the frame?<br />

Regarding editing, which shot do we use? How much do we use? What order<br />

do they go in? Remember this is a silent film, no dialogue. This is NOT a<br />

lecture. The audience are encouraged to participate. We will try to edit this<br />

sequence before your very eyes!<br />

28<br />

Jack Gold, May 2012<br />

dir: Jack Gold dop: Chris O’Dell Ed: Martin Levis Actors: Shauna<br />

McGowan and Jacob Cairns<br />

Jack gold has had an outstanding career as a director. of his best loved<br />

films, one is “The Naked Civil Servant” (1975) with John hurt. Chris<br />

o’Dell, our founding chairman, has worked with Jack as director of<br />

photography on several films including the wonderful “Goodnight Mr.<br />

Tom” (1998). this is a unique opportunity to witness a very experienced<br />

and successful Director and Dop team at work. the camera image will<br />

be projected directly onto the large screen in the village hall. We are<br />

delighted to welcome Jack and his wife Denyse back to Schull for<br />

CFSFF 2012.<br />

thE kEEpEr of thE drEAM: A<br />

producEr’s pErspEctIvE<br />

CATHEriNE TiErNAN AND GABy smyTH, s.P.i.<br />

nEwMAn’s wEst, upstAIrs / 11AM / sAturdAy 26th MAy, 2012<br />

“Manager, script editor, accountant, lawyer, banker, tea maker. A producer<br />

can be any and all of those things... from concept to the finished film on<br />

screen”.<br />

Catherine tiernan<br />

catherine tiernan is Membership Development and Communications<br />

Manager at Screen Producers Ireland. With Gaby Smyth, she will discuss<br />

the role of the producer, and S.P.I., in the rapidly changing world of<br />

film and tv production and distribution. She ran her own production<br />

company through the 90s, was later head of production and development<br />

at octagon and has participated on a number of European training<br />

programmes for producers. She is currently on the panel of international<br />

assessors for the MEDIa Development Programme.<br />

gaby smyth is the Chairman of Screen Producers Ireland, the national<br />

representative organisation of over 140 diverse production companies.<br />

he is a fellow of the Institute of Chartered accountants and runs his own<br />

chartered accountancy firm, specialising in the music, film and theatre<br />

arts. he is currently on the board of the Dublin International<br />

<strong>Film</strong> <strong>Festival</strong>.<br />

coMMunIty fILMMAkIng workshop<br />

wIth wEst cork tELEvIsIon<br />

thE courtyArd / 12noon / sAturdAy 26th MAy, 2012<br />

Working with the region’s daily online paper, West Cork Times, West<br />

Cork tv, an internet station, aims to train local groups and individuals<br />

to provide video coverage/archiving for their community and the region<br />

as a whole. this workshop is designed for those who have no training<br />

whatsoever and may be somewhat intimidated by the prospect of a foray<br />

into the media world. We are looking for the young and the old to step<br />

up with whatever equipment they can lay their hands on, and with a few<br />

simple rules and guidelines produce clear stories and reflections from<br />

and for their communities.<br />

This workshop is facilitated by Clonakilty based broadcast television<br />

production company Alchemy Electronic Arts, with fully qualified level 9<br />

trainers and educators.<br />

LocAL IntErEst fILMs<br />

vILLAgE hALL / 2pM / sAturdAy 26th MAy, 2012<br />

thE LIttLE wAy chArIty shop (2012) 4m<br />

dir: Colm rooney: <strong>Short</strong> Documentary on nellie Cotter’s little Way<br />

Charity Shop, Main Street, Schull. Made for the West Cork Development<br />

Partnership.<br />

A dAy on thE wAtEr (2012) 13m<br />

dir: Mark McCarthy: a documentary about the sport of team racing shot<br />

in Schull. Sailing up close and personal.<br />

An InspIrEd gAthErIng (2008) 30m<br />

dir: rob Bradstock: Members of the West Cork Craft and Design Guild at<br />

work, with commentary by Jeremy Irons.<br />

Six Degree Productions: www.sixdegreeproductions.com<br />

thE Art of thE coLourIst<br />

EUGENE mCCrysTAL<br />

courtyArd / 2pM / sAturdAy 26th MAy, 2012<br />

Eugene Mccrystal qualified as a broadcast engineer from ravensborne<br />

College, london in 1992. he worked in london, rome and Sydney before<br />

returning to Dublin in 1999 to spend 5 years working in the Yard and<br />

Screen Scene. In 2004 Eugene co-founded EGG Post Production but<br />

went out on his own in 2009. his main speciality in recent years has been<br />

working as a colourist on Feature films, Drama, Documentaries and all<br />

sorts of short form projects. Eugene will be discussing the importance of<br />

the colourist in post production.<br />

29


FESTIVAL EVENTS<br />

SATURDAY 26TH<br />

dAvId<br />

MItchELL<br />

30<br />

nIALL<br />

MAhonEy<br />

MAurIcE<br />

o’cALLAghAn<br />

kILLIAn<br />

fItzgErALd<br />

scrIpt to scrEEn: A JoInt sEMInAr<br />

frAN kEAVENEy, ifB sHOrT fiLm ExECUTiVE.<br />

NiALL mAHONEy, COrk sCrEEN COmmissiONEr.<br />

nEwMAn’s wEst, upstAIrs / 2pM / sAturdAy 26th MAy, 2012<br />

niall Mahoney will represent the role of the Cork Screen Commission<br />

in its primary purpose, that is, to nurture and develop indigenous film<br />

makers in Cork County. this will be followed by an in depth, step-bystep<br />

explanation from fran keaveney, <strong>Short</strong> <strong>Film</strong> Executive of the Irish<br />

<strong>Film</strong> Board, on the processes and requirements involved in submitting<br />

a Funding application to the IFB for their various schemes. there will<br />

follow a Q&a potentially involving a short film producer who has been<br />

successful in getting an IFB award. the audience will get a chance to<br />

hear what it was like from the inside, to ask directly about the whole<br />

experience and how to avoid the pitfalls.<br />

bookshop rEAdIng<br />

DAViD miTCHELL<br />

whytE books / 3pM/ sAturdAy 26th MAy, 2012<br />

david Mitchell’s first published novel, Ghostwritten (1999), had nine<br />

narrators in nine locations telling interlocking stories. Ghostwritten won<br />

the John llewellyn rhys Prize and was shorlisted for the Guardian First<br />

Book award. Both number9dream (2001) and the structurally remarkable<br />

Cloud Atlas (2004) were shortlisted for the Man Booker Prize. In 2006,<br />

Mitchell wrote the semi-autobiographical Black Swan Green and in 2010,<br />

The Thousand Autumns of Jacob de Zoet, an historical novel set at a Dutch<br />

East Indies Company trading post in early nineteenth century Japan.<br />

mAUriCE O’CALLAGHAN<br />

whytE books / 5pM / sAturdAy 26th MAy, 2012<br />

Maurice o’callaghan directed the 1995 feature film, Broken Harvest,<br />

about the lingering after-effects of the Civil War in 1950’s Ireland. he<br />

wrote A Day For The Fire And Other Stories, (Irish times Book of the<br />

Year, 2005, Francis McManus award <strong>Short</strong>list, rtE, read by Patrick<br />

Bergin). Maurice is directing the title story of this collection as a<br />

short film starring Jon kenny, Jonathan ryan and Patrick Bergin with<br />

Seamus Deasy directing photography. In 2007 he wrote the Celtic tiger<br />

meditation novel, A Man Who Was Somebody. Maurice will read from his<br />

current novel In Their Dreams Of Fire.<br />

post productIon AudIo workshop<br />

kiLLiAN fiTzGErALD (WEB.mAC.COm/AVATArPOsTPrODUCTiON)<br />

courtyArd / 4pM / sAturdAy 26th MAy, 2012<br />

killian fitzgerald has been working in the sound post production<br />

business for over 20 years and won an IFta in 2012 for his work on<br />

The Writing in the Sky (real <strong>Film</strong>s). having worked on everything from<br />

student shorts to full budget feature films, from tv trailers to soap<br />

operas, dramas and documentaries. he will talk about the importance<br />

of sound editing, effects design, mixing techniques and how some<br />

simple planning at an early stage can make the difference between a<br />

film turning out with a decent sound track or not. For anyone interested<br />

in learning how to plan sound in their film, whether dialogue, sound<br />

effects, music or mixing, this presentation is a must.<br />

cArLos gArcIA<br />

dE ALbA<br />

focus on MEXIco<br />

vILLAgE hALL / 3pM / sAturdAy 26th MAy, 2012<br />

cortAndo frontErAs 2 (2012) 18m<br />

Four winning films from the Institute of Mexicans abroad (IME)<br />

Competition, and a fifth from Ireland, awarded by the Mexican Foreign<br />

affairs Ministry and introduced here by his Excellency Carlos Garcia de<br />

alba, the Mexican ambassador to Ireland. 51 cell phone videos took part<br />

from 21 countries. the popular vote, via the internet, resulted in:<br />

i) Sara nazareth victoria torres, from Manila, the Philippines<br />

dE MuErtos En MAnILA (thE dEAd of MAnILA)<br />

ii) Darío rodríguez, from texas, uSa<br />

EL EXILo (thE EXILE)<br />

iii) Esteban Zúñiga, from France<br />

EspEro (I wAIt)<br />

the jury first place was awarded to:<br />

iv) valeria Saavedra, from Sweden<br />

AhorItA vEngo voy por LAs tortILLAs (I’LL bE bAck soon,<br />

I’M goIng out to gEt soME tortILLAs)<br />

suErtEs, huMorEs y pEquEñAs hIstorIAs (2010) 45m<br />

26 animated shorts, 13 dealing with deeds from the Independence<br />

(Bicentennial) and 13 about the Mexican revolution (Centennial). the<br />

shorts, lasting only 90 seconds each, were commissioned by Conaculta,<br />

through IMCInE, and brought together five of the best known Mexican<br />

animation directors, luis téllez, karla Castañeda, rigoberto “rigo”<br />

Mora (1965 – 2009), rené Castillo and rita Basulto, along with over<br />

150 illustrators, cartoonists and voices. Coproduced with CanIEtI the<br />

national Chamber of Electronics, telecom and It Industries.<br />

whAt wE LEAvE In our wAkE<br />

(2010) 70m Dir: PAT COLLiNs<br />

vILLAgE hALL / 4.30pM / sAturdAy 26th MAy, 2012<br />

(see Page 20 - 21 for details)<br />

31


FESTIVAL EVENTS<br />

SATURDAY 26TH<br />

<strong>pAt</strong> brAckEn kEn pAuL<br />

rosEnthALL<br />

rob hArpEr<br />

dIffErEnt voIcEs,<br />

dIffErEnt <strong>pAt</strong>hs to<br />

MEntAL hEALth rEcovEry<br />

With an introduction by dr. patrick bracken. Patrick will show ken Paul<br />

rosenthal’s film Crooked Beauty and will follow this with a talk on the<br />

recovery approach and the current attempt to define a new sensibility<br />

towards mental health issues.<br />

crookEd bEAuty<br />

(2011) 34m Dir., DOP, EDiTOr: kEN PAUL rOsENTHAL<br />

vILLAgE hALL / 6pM / sAturdAy 26th MAy, 2012<br />

a poetic chronicle of artist-activist Jacks<br />

Mcnamara’s transformative journey from<br />

childhood abuse to psych ward inpatient to<br />

pioneering mental health advocacy. It is an<br />

intimate portrait of her quest to live with<br />

courage and dignity and a powerful critique<br />

of standard psychiatric treatments. Poignant<br />

testimonials connect the fault lines of human<br />

nature to the unstable topography and mercurial weather patterns of the<br />

San Francisco Bay area, reshaping mental health stigmas through a new<br />

healing culture and political model for living with madness as a tool of<br />

creativity, inspiration and hope. www.crookedbeauty.com<br />

dr patrick bracken is a consultant psychiatrist and Clinical Director<br />

of the Centre for Mental health Care and recovery in Bantry General<br />

hospital. he advocates a ‘recovery’ approach to mental health issues,<br />

encouraging alternative ways of intervening and accepting different ways<br />

of framing such experiences. the recovery approach involves a mind-set<br />

based on an openness to negotiate how we frame, and intervene in,<br />

experiences of madness, distress and dislocation. Such a mind-set can<br />

be encouraged, promoted and supported but it cannot be reduced to<br />

a simple list of dos and don’ts. Importantly, the recovery approach is<br />

linked with moves to acknowledge and understand the links between<br />

states of madness and distress and the dynamics of human creativity.<br />

In the future, recovery-based services will be ones where the creative<br />

arts are not an ‘add-on’ to good mental health work but are instead at<br />

the heart of such work promoting new ways of exploring the nature of<br />

mental illness as well as providing positive ways for individuals to move<br />

on from being ‘stuck’. Pat will introduce and interview director rob<br />

harper about his film The Men In White Coats, made by rob for the nFtS<br />

last summer.<br />

thE MEn In whItE coAts<br />

(2012) 35m Dir., PrOD & DOP: rOB HArPEr<br />

Forty years ago they told Denis he was<br />

schizophrenic, but he doesn’t believe a word<br />

of it. Jake’s been stuck on the acute ward for<br />

months and rory’s doing his best to get him out.<br />

It’s an increasingly fine line between wisdom<br />

and insanity for all involved, struggling to keep<br />

it together on the South West Coast of Ireland.<br />

www.nftsfilm-tv.ac.uk<br />

rob harper graduated from Westminster university in 2008 and arrived<br />

at the nFtS in 2010. he enjoys directing intimate, narrative led films that<br />

explore the deeper psychological undercurrents of everyday life, often<br />

finding that a little humour can go a long way.<br />

32<br />

LEnny cArMEL<br />

AbrAhAMson<br />

wIntErs<br />

LEnny AbrAhAMson,<br />

thE crAft of dIrEctIon<br />

vILLAgE hALL / 8pM / sAturdAy 26th MAy, 2012<br />

Multiple-award-winning director Lenny Abrahamson has been a leading<br />

voice in the new wave of contemporary Irish and European cinema. here<br />

he talks to fellow Irish director carmel winters about the much lauded<br />

but little understood craft of the director. this is a rare opportunity to<br />

meet the man behind an extraordinary cinematic vision and to share the<br />

insights he has gained on the journey from first short to latest feature.<br />

lenny abrahamson is from Dublin and is a tCD foundation scholar in<br />

Philosophy. after a period of post graduate study in Stanford university,<br />

California, he returned home to concentrate on filmmaking. his short<br />

film 3 Joes won many awards back in the 90s, including best European<br />

short film at the Cork <strong>Film</strong> <strong>Festival</strong>. his debut feature Adam & Paul,<br />

written by Mark o’halloran who also acted one of the two leads, had<br />

enormous success winning best first feature at the 2004 Galway <strong>Film</strong><br />

Fleadh, best director at the 2005 IFtas and the Grand Prix at the 2005<br />

Sofia International <strong>Film</strong> <strong>Festival</strong>. his second feature, Garage, again<br />

collaborating with o’halloran as writer, won the CICaE art Cinema<br />

Prize in Director’s Fortnight at the 2007 Cannes <strong>Film</strong> <strong>Festival</strong>. Garage<br />

cleaned up at the 2008 IFtas winning best feature, best director, best<br />

script and best actor. It also took the prize for best feature at the torino<br />

International <strong>Film</strong> <strong>Festival</strong>, Italy 2007.<br />

gArAgE<br />

(2007) 85m Dir: LENNy ABrAHAmsON<br />

vILLAgE hALL / 9.30pM / sAturdAy 26th MAy, 2012<br />

Josie (Pat <strong>Short</strong>t) has spent 20 years as the<br />

caretaker of a crumbling petrol station in smalltown<br />

Ireland. Despite the loneliness and the<br />

fact that his neighbours treat him as a harmless<br />

misfit, he is always good natured and absurdly<br />

optimistic. Josie’s world shifts over the course of<br />

a summer when a teenager comes to work with<br />

him, and as a result of one thoughtless action on Josie’s part, events<br />

spiral out of his control changing his life forever.<br />

producer: Ed Guiney Exec. prod: Peter Carlton, andrew lowe<br />

screenplay: Mark o’halloran dop: Peter robertson Actors: Pat <strong>Short</strong>t,<br />

John keogh, George Costigan, anne-Marie Duff, Conor J ryan orig<br />

Music: Stephen rennicks Editor: Isobel Stephenson.<br />

subMIttEd short fILMs<br />

vILLAgE hALL / 11 pM – 1AM / sAturdAy 26th MAy, 2012<br />

PrOGrAmmEs 23 - 24<br />

33


FESTIVAL EVENTS<br />

SUNDAY 27TH<br />

<strong>pAt</strong> <strong>coLLIns</strong> John kELLEhEr<br />

subMIttEd short fILMs<br />

vILLAgE hALL / 9AM - 1pM / sundAy 27th MAy, 2012<br />

PrOGrAmmEs 23 - 24<br />

cAnon workshop<br />

courtyArd / 10AM - 12 noon / sundAy 27th MAy, 2012<br />

canon Eos digital sLr: Leave no story untold<br />

Canon Ireland are proud to present the latest in<br />

EoS Digital Slr technology at the Corona <strong>Fastnet</strong><br />

<strong>Short</strong> <strong>Film</strong> <strong>Festival</strong>. hear from Canon how the next<br />

generation in EoS Full hD Digital Slr cameras<br />

redefines creativity unlocking unprecedented<br />

possibilities in film making. this is a chance to try<br />

for yourself the groundbreaking EoS 5D Mark III<br />

as well as the multi award winning EoS 5D Mark<br />

II, EoS 7D, EoS 60D & EoS 600D. leave no story<br />

untold with Canon EoS.<br />

tIM robInson: connEMArA<br />

(2011) 57m Dir: PAT COLLiNs<br />

nEwMAn’s wEst, upstAIrs / 11AM / sundAy 27th MAy, 2012<br />

For details see pages 20 – 21<br />

CFSFF 2012 is delighted to welcome West Cork resident pat collins for<br />

a Q&a with John kelleher and a screening of three of his documentaries<br />

in a special director’s focus. Pat has over ten years experience of<br />

producing and directing creative documentaries. he has won numerous<br />

awards both nationally and internationally and has directed over 17<br />

documentaries, including one on the Irish writer Frank o’ Connor and<br />

the Irish language poet nuala ni Dhomhnaill In 2004, Pat’s documentary<br />

‘John McGahern: A Private World’ won the Best Irish Documentary award<br />

at the Irish <strong>Film</strong> and television awards and in 2011, ‘What We Leave In<br />

Our Wake’ received another IFta nomination.<br />

John kelleher continues to be one of Ireland’s leading independent film<br />

and television producers. he has produced six cinema films, including<br />

‘Eat the Peach‘ (1986), which he co-wrote, ‘Speakeasy’ (1999), ‘The Halo<br />

Effect’ (2002) directed by lance Daly and ‘Bang, You’re Dead’ (2002)<br />

directed by Martin Daneels. In a colourful career, he has been controller<br />

of programmes in rtE, managing director of the Sunday tribune,<br />

Director of Irish <strong>Film</strong> Classification, writer and producer. John has been<br />

an honorary patron of CFSFF from our first year and chairs a Q&a with<br />

this year’s filmmaker in focus, Pat Collins.<br />

34<br />

MIchAEL LAvELLE<br />

frAn kEAvEnEy<br />

whAt to shoot your fILM on?<br />

WiTH miCHAEL LAVELLE<br />

courtyArd / 12.30pM – 2pM / sundAy 27th MAy, 2012<br />

What should you shoot your film on? What are the broader<br />

implications of shooting on different cameras, different formats? how<br />

does the camera you choose affect the look of your film, your budget,<br />

your schedule and how you work with actors? award-winning filmmaker<br />

Michael Lavelle will guide participants through the range of<br />

options for shooting today, using his invaluable experience as both<br />

director and cinematographer to demystify the options that are available<br />

to a film-maker.<br />

Michael lavelle is a screenwriter, director and dop. he began his<br />

collaboration as a dop with director ken Wardrop in 2004 on “Undressing<br />

My Mother”, which went on to garner over 20 international awards<br />

including a European academy award. “Out of the Blue”, his debut short<br />

film as a writer/director picked up numerous international awards<br />

including Best <strong>Short</strong> <strong>Film</strong> at the london Independent <strong>Film</strong> <strong>Festival</strong>,<br />

the audience award at Cork <strong>Film</strong> <strong>Festival</strong> and the Grand Prix for<br />

Cinematography at the rhode Island <strong>Film</strong> <strong>Festival</strong>.<br />

“His & Hers” was his first feature film as a Dop. It was screened at<br />

Sundance 2010 where Michael (along with his co-dop kate<br />

McCullough) scooped the World Cinematography award for<br />

Documentary. Michael was selected as a finalist for the Berlinale today<br />

award 2011 with his short screenplay “Mother’s Little Helper”. Funded by<br />

the Berlinale and produced by Germany’s Macchiato Pictures, the film<br />

was shot on location in Berlin and screened at the Berlinale in 2011. It<br />

went on to win the award at CFSFF 2011 for best Drama as chosen by<br />

director kirsten Sheridan. We’re delighted to welcome Michael back to<br />

Schull for this talk.<br />

short fILM InforMAtIon cLInIc<br />

frAN kEAVENEy, irisH fiLm BOArD<br />

nEwMAn’s wEst, upstAIrs / 1pM / sundAy 27th MAy, 2012<br />

Following on from fran keaveney’s seminar on Saturday 26th, this is an<br />

opportunity to book a one-on-one 10 minute session with the Irish <strong>Film</strong><br />

Board’s <strong>Short</strong> <strong>Film</strong> Executive. Please book your slot through our box<br />

office and be on time.<br />

35


FESTIVAL EVENTS<br />

SUNDAY 27TH<br />

MIkE hAnnon<br />

MIkE hAnnon: dIy fILMMAkIng<br />

vILLAgE hALL / 1.30pM / sundAy 27th MAy, 2012<br />

grEyhound trAck (2010) 17min<br />

Exhibiting an anthropological style, Greyhound track appropriates<br />

a personalised version of the methodologies of direct cinema and<br />

ethnography to problematise the camera’s role.<br />

rAt’s IsLAnd (2011) 12min<br />

an observational account of how, in the face of personal and economic<br />

adversity, a father has made a home for himself and his son. It<br />

documents his efforts to survive in a social and geographic margin, as<br />

he tries to hold on to his family.<br />

tErMInAL convEntIon (2011) 30min<br />

terminal Convention was an ambitious hybrid event that inhabited the<br />

disused terminal of Cork airport, Ireland, for two weeks in March 2011.<br />

this film considers curated artist’s work, specifically created for the<br />

buildings they were exhibited in, in the light of their surrounds.<br />

All three films were directed by Mike Hannon.<br />

“the style of each film, their meaning and the way they were shot<br />

are very closely linked. Because I made these films by myself, I had<br />

complete control over every aspect of the film making process, from the<br />

initial concept to the final film. traditionally, filmmaking is characterised<br />

by compartmentalisation of labour. I am an advocate for a do-it-yourself<br />

approach, where everything you do is in service to a personal vision.”<br />

(Mike hannon, 2012)<br />

Mike hannon is an independent film maker and video artist whose work<br />

ranges from the experimental to the conventional, spanning a number<br />

of genres. he holds Bas in Fine art and applied Psychology. he has won<br />

many awards for his work, including Best Doc and Best in Cork at CFSFF<br />

2011 for rat’s Island. We were very taken with his DIY aesthetic, how this<br />

actually benefits his approach, particularly regarding rat’s Island, where<br />

his camera never seems to intrude. unusually, Mike’s approach benefits<br />

by the fact that he doesn’t need to work with a crew.<br />

who sEEs whAt? thE rELAtIonshIp<br />

bEtwEEn dIrEctors And dops<br />

vILLAgE hALL / 3pM / sundAy 27th MAy, 2012<br />

this roundtable discussion brings leading directors and<br />

cinematographers together to discuss how each collaborates to arrive at<br />

the shared vision we see on screen. Drawing from their own experience,<br />

the discussion will centre around the nuts and bolts of managing this<br />

most crucial relationship at the heart of film-making. Participants are:<br />

Jack gold, Lenny Abrahamson, chris o’dell, carmel winters and<br />

Michael Lavelle. Chaired by Aidan stanley, who is a founding member of<br />

the triskel arts Centre in Cork and has presented and produced several<br />

radio and television documentaries broadcast on rtÉ.<br />

36<br />

MIkE LEIgh grEg dykE<br />

MIkE LEIgh IntErvIEwEd by grEg dykE<br />

vILLAgE hALL / 5pM / sundAy 27th MAy, 2012<br />

Writer-director Mike Leigh was born in 1943 in Salford. he trained at<br />

the royal academy of Dramatic art, Camberwell, Central art Schools<br />

london, and at the london <strong>Film</strong> School, of which he is now Chairman.<br />

he has directed more than 20 films as well as having made a name<br />

for himself as theatre director, dramatist and screenwriter. his films<br />

have received countless international awards as well as several oscar<br />

nominations and awards. In 1971 he made his directorial debut with<br />

Bleak Moments, which went on to win the Golden leopard at the locarno<br />

<strong>Film</strong> <strong>Festival</strong>. In Cannes he won the Best Director award in 1993 for<br />

Naked, and the Palme d’or in 1996 for Secrets and Lies, which in itself<br />

received a total of five oscar nominations. In 2004, Vera Drake, his highly<br />

regarded study of society whose characters display an extraordinary<br />

depth, was awarded the Golden lion in venice.<br />

Another Year is leigh’s most recent full length movie. It screened in<br />

competition at Cannes in 2010 and it also went on to be nominated for<br />

an oscar. CFSFF will screen it on thursday 24th May 2012 in the village<br />

hall. his latest film A Running Jump is one of four shorts to be screened<br />

as part of the london 2012 <strong>Festival</strong>.<br />

after an early career as a journalist, greg dyke started his broadcasting<br />

career at lWt in 1977 and by 1991 he was Group Chief Executive.<br />

In January 2000, he was appointed Director General of the BBC. In<br />

november 2004 he became chancellor of university of York, and in<br />

March 2008 he was appointed Chair of the British <strong>Film</strong> Institute. CFSFF<br />

are delighted to welcome Greg back to his now familiar role as chair of<br />

the final day interview at Schull’s own film festival.<br />

It’s A wrAp!<br />

fEstIvAL prIzEgIvIng cErEMony<br />

vILLAgE hALL / 8pM / sundAy 27th MAy, 2012<br />

fOLLOWED By WrAP PArTy iN THE ViLLAGE<br />

the Corona <strong>Fastnet</strong> <strong>Short</strong> <strong>Film</strong> <strong>Festival</strong> Prizegiving Ceremony is open<br />

to all and takes place in the village hall, Schull at 8pm. the best of<br />

festival short film, the best Irish short film and the best under 22<br />

short film will be shown. Special guests, friends and sponsors will<br />

award prizes to the winning filmmakers. Don’t miss this very special<br />

occasion in Schull’s calendar and hang around for a night of fun in the<br />

CFSFF Wrap Party 2012.<br />

37


FESTIVAL EVENTS<br />

thE tEntED<br />

FrInGE<br />

thE tEntEd frIngE<br />

thE hArbour vIEw cAr pArk<br />

What could be happening in 4 tents and a horsebox?<br />

this is little taste of what will be going on but make sure to check the<br />

daily schedule by the venues and box office for more surprises.<br />

JunIor ActIvIty tEnt<br />

storytELLIng And drAMA ALL wEEkEnd for ALL AgEs<br />

dowtchA puppEts<br />

12noon, 2pM & 4pM / sundAy 27th MAy, 2012<br />

“grandma’s garden” is a delightful puppet show for younger children<br />

aged from 3 to 6. Seán is staying with his Grandmother for the first time<br />

while his mother is having a baby. he´s sad to be away from his games<br />

and his toys, and worries that he will have to share his parents with a<br />

new brother or sister. things get worse when he finds out there are no<br />

computer games, DvD´s or even a television in his Grandma’s house.<br />

“Grandma´s Garden” is full of surprises, magical characters, and funny<br />

songs. It encourages play, imagination and an interest in nature, while<br />

also introducing the idea of change, and being really, really good fun!<br />

“Listen Janey Mac” is a charming, fun exploration of the history of Cork<br />

City through puppetry and song, and a mildly cautionary tale reminding<br />

us all how lucky we are to live in the 21st Century. Janey Mac and her<br />

puppy wander into a magical stone circle that takes them back in time.<br />

they meet a boy from a ring fort, help build a monastery and escape a<br />

medieval slum trying to get home. “listen Janey Mac” is a gentle and<br />

humorous piece with plenty of songs and a taste of adventure suitable<br />

for a younger audience.<br />

dowtcha puppets is a Cork based puppetry company established in<br />

2002 by Cliff Dolliver and Mick lynch, as a trading name of Dolliver<br />

Design limited. they have produced nine new puppet shows for young<br />

audiences, seven street parades; two commissioned one-off adult<br />

pieces and have developed a programme of puppetry and puppet making<br />

workshops. www.dowtchapuppets.com<br />

JunIor cInEMA<br />

grown ups Must bE AccoMpAnIEd by A chILd…<br />

(EVEN if yOU HAVE TO BOrrOW ONE)<br />

the cinema interior will be decorated by the wall hangings created<br />

during the “two hour tApEstry proJEct” (the fastest tapestry<br />

making session in the west), made by the students from 6th Class in<br />

Scoil Mhuire, Schull. they illustrate the life of Zorro who was… wait for<br />

it… an Irishman from Wexford!<br />

the Mexican ambassador to Ireland, his Excellency Carlos Garcia de<br />

alba, will visit the exhibition and will also introduce a compilation of<br />

wonderful animations illustrating the story of the Mexican revolution<br />

and Mexican Independence in a humorous way.<br />

Check the daily schedule by the cinema or the box office for details on<br />

the screenings.<br />

38<br />

gAvIn hArtE ‘hAtch’<br />

gAvIn hArtE’s fAMous<br />

rE:cycLE cInEMA<br />

6 bikes, 12 legs, a 2000 lumen projector and 150W of audio system for<br />

screening short films. You want to watch? then pedal.<br />

gavin harte, Sustainable Development & Carbon Coach, holds a<br />

master’s degree in sustainable development. he has been a high profile<br />

spokesperson on environmental and sustainability issues for many<br />

years. he has worked as the national director of an taisce and was the<br />

founder and developer of Ireland’s first eco-village in Cloughjordan Co<br />

tipperary. Currently Gavin is working with Codema to help homeowners<br />

to start Energy Smart Communities to improve the energy efficiency<br />

of their homes. Gavin is also providing Education for Sustainable<br />

Development and climate change throughout Ireland. In a voluntary<br />

capacity Gavin works with the climate change campaigning group Stop<br />

Climate Chaos.<br />

www.esdtraining.net<br />

dAMIAn MccArthy’s horror horsEboX<br />

Four horrific short films, one director, one horsebox. there’s no escape<br />

in this retrospective of Damian McCarthy’s four horror shorts submitted<br />

one for every year of our festival’s existence. See them all on a loop over<br />

the weekend.<br />

he dies At the End (2009), hatch (2010), hungry hickory (2010) and<br />

never Ever open It (2011).<br />

AdvEnturEs ActIvItIEs showcAsE tEnt<br />

a tent dedicated to adventure activities<br />

in West Cork, with presentations from<br />

many of West Cork’s leading providers.<br />

looped video presentations of many<br />

eye catching, attention grabbing<br />

adventures, showcasing the natural<br />

beauty of our unique and pristine habitats. the issues of conservation,<br />

sustainable tourism and the promotion of West Cork as an eco-friendly<br />

destination and a film location managers’ paradise will be highlighted.<br />

organised and overseen by Jim kennedy of atlantic Sea kayaking and<br />

supported by Fáilte Ireland and West Cork Development Partnership.<br />

www.atlanticseakayaking.com and www.wcdp.ie<br />

39


FEStIval<br />

SPonSorS<br />

tItLE sponsor<br />

Corona<br />

grAnt AIdEd by<br />

Cork County Council<br />

West Cork Development<br />

Partnership<br />

Fáilte Ireland<br />

Culture Ireland<br />

Irish <strong>Film</strong> board<br />

fEstIvAL AssocIAtEs<br />

William and Judith bollinger<br />

benny and Cliona McCabe<br />

Michael Satke<br />

Frank Daly – Ronan, Daly Jermyn<br />

Solicitors<br />

Vivian Edward Nathan<br />

Digitalforge<br />

Subaru: Denis & Mary Ryan<br />

busInEss frIEnds<br />

John & Patti bennane<br />

John & Josephine bennett<br />

Jean-Michel & Anne Marie Cahier<br />

- The New Haven<br />

Nellie Cotter - Little Way Charity<br />

Shop<br />

Sue & Tez Hackett - Hackett’s bar<br />

Ken Kilkenny – Aseco Ireland Ltd<br />

Sabine Lenz & Len Lipitch -<br />

Enibas<br />

Pat & Sandra Maher<br />

David O’Reilly<br />

Frankie Ross<br />

Eanna & Mary Timmoney<br />

Sheila Whyte - Whyte books<br />

frIEnds<br />

Vincent & Josephine Ahern<br />

Jack & Maura Allen<br />

Peter Andrews<br />

Claire barrett<br />

Pat bracken and Joan Giller<br />

Jim & Maureen Carrig<br />

Annie Chance<br />

Moira & Deirdre Collins<br />

Tim and Noreen O’Connor<br />

Audrey Dunphy<br />

Credit Union Skibbereen<br />

James & Debbie Crowley<br />

Ann & Peter Dellar<br />

Irene Flynn<br />

Carol Gilbert<br />

Diana & Jeremy Gilbert<br />

Susan Hurley<br />

Con Lynch and betty O’Donoghue<br />

Sean McCarthy<br />

Pat McManus<br />

40<br />

Ann Martin<br />

barry Monahan<br />

Zena Mulligan<br />

Chris & Patricia O’Dell<br />

Noel & Peggy O’Donovan<br />

Peggy O’Hara<br />

John & Susan O’Shea<br />

Dorothy Quinlan<br />

Jean Regan<br />

Julia & Jack Zagar<br />

In kInd sponsorshIp<br />

Jeremy brosnan - brosnan’s<br />

Eurospar<br />

Tom brosnan - Centre Parks<br />

Harbour Homes Developments<br />

brendan & Jane Hurley -<br />

Digitalforge<br />

Liss Ard House<br />

Catherine Kelleher - The Moorings<br />

Maria & Jim Kennedy - Atlantic<br />

Sea Kayaking<br />

Arthur & Lydia Little<br />

Andrea & Martin Mueller -<br />

Corthna Lodge<br />

Seamus O’Donoghue<br />

Thomas Newman Photography<br />

Walter & Josephine Ryan-Purcell -<br />

Loughbeg Farm<br />

Colin Vearncombe<br />

iOmEGA ireland<br />

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thank You<br />

a SInCErE ‘thank You’ to<br />

all thE PEoPlE lIStED BEloW<br />

thE SuCCESS oF thE Corona FaStnEt<br />

<strong>Short</strong> FIlM FEStIval IS a tEStaMEnt to<br />

Your SuPPort<br />

@ your leisure, Davey ahern - Synth Eastwood, vincent and Josephine<br />

ahern, atlantic Sea kayaking - Maria & Jim kennedy, tony and Mairead<br />

Barry, Carlos Benyalo, Donal Beecher, David Bickley, Demian & Bruno<br />

Bichir, Black Sheep, the Bodega – Cork, Pat Bracken, tom & Jeremy<br />

Brosnan – Brosnan’s Eurospar, Gabrielle Byrne, Bunratty Inn, C103,<br />

Dan Cahill, Clare Carey, Jim & Maureen Carrig, Michael Collins,<br />

Edel Connor, Johanna Connor, Pat Connor, Jacqui Corcoran, arena,<br />

Sarah-Jane Sinnott – Cork County Council, niall Mahoney, Cork Screen<br />

Commissioner, Suzi Coughlan, Courtyard Crafts, John D’alton, Enibas,<br />

Father alan and the Parish Council, James Flynn, David & venita Galvin,<br />

his Excellency Carlos Garcia de alba, the Mexican ambassador to<br />

Ireland, Carol Gilbert, Joan Giller, richard Gostyn, Granite Consulting,<br />

Camilla Griehsel, Gubbeen Farmhouse Products, raul Padilla, Ivan<br />

trujillo, anjelica Barba, anna Zambon & Sarah ross from FICG,<br />

Guadalajara, hackett’s Bar, harbour homes Developments, Gavin<br />

harte, Clair & Ian haseldine, Brendan and Jane hurley – Digitalforge,<br />

Gerard hurley, hopkins Communications, Iván Gutiérrez, Pablo Briseño<br />

and Maru Garzon – IMCInE, Catherine & kevin kelleher, tom James<br />

– IoMEGa Ireland, Clair lalor, Jason lee, teri leiber, arthur & lydia<br />

little, little Way Charity Shop, the Moorings, Martin levis, liss ard<br />

house, len lipitch & Sabine lenz, David long Coach hire, Sarah &<br />

Derek Mcknight, luisa McCarthy, Mark McCarthy, tom McCarthy,<br />

aileen Maguire, MCS, Pat McCabe, toma McCullim, kevin McGowan,<br />

karen Minihan, andrea & Martin Mueller - Corthna lodge, Florence<br />

newman, newman’s West, Deirdre ni Challanain, tim o’Connor –<br />

Principal, Schull Community College, Sean o’Connell, Chris o’Dell and<br />

Patricia Coogan o’Dell, Seamus o’Donoghue, Fergus o’Farrell, Eleanor<br />

o’Driscoll, o’regan’s Bar, David o’reilly, Geraldine o’reilly, Bernadette<br />

o’Shea, Mags o’Sullivan, IFB, Jonathan Parson & Caragh MacCloskey,<br />

John and nona Pettersen, Con Power, David & Patsie Puttnam, Denis<br />

and Finola Quinlan, Frankie ross, Ed roycroft, Denis & Mary ryan,<br />

Walter and Josephine ryan-Purcell, Schull Community Council, Ger<br />

Prendeville & Schull Gardaí, Schull Drama Group, Schull Development<br />

association, Schull & Fitbones, Schull tidy towns, kirsten Sheridan,<br />

akira hatsusegawa, Sapporo <strong>Film</strong> <strong>Festival</strong>, aidan Stanley, Gerard<br />

Stembridge, team D.a.D.D.Y., the Calvinists, the Parish hall, thomas<br />

newman Photography, Colin vearncombe, robin Wells, Brendan Whyte,<br />

Sheila Whyte & Whyte Books, Carmel Winters, laura rascaroli, Gwenda<br />

Young, Barry Monahan, Pierluigi Ercole & nuala Finnegan – uCC <strong>Film</strong><br />

Studies, Julia Zagar.<br />

to ALL thE voLuntEErs who hAvE gIvEn up thEIr<br />

tIME to hELp ovEr thE pAst 4 yEArs –<br />

wE sALutE you!<br />

a special thanks to logistics at Collin’s Barracks, Cork<br />

a very special thanks to Martin levis for dedication above and beyond,<br />

and to Brendan hurley for the bandwidth and the enthusiasm.<br />

Many thanks to our social network administrators in 2010/2011/2012,<br />

Mark McCarthy, Pauline Cotter and hilary McCarthy, who have focused<br />

on Facebook in 2012<br />

www.facebook.com/fastnetshortfilmfestival<br />

as regards myspace & youtube, we’ll be back in 2013 or sooner<br />

www.myspace.com/fastnetshorts<br />

www.youtube.com/fastnetshorts<br />

and to all the businesses of Schull for their continued support,<br />

thank you.<br />

a huge thanks goes to all our guests, none of whom take any payment<br />

for taking part in our festival.<br />

41


FEStIval<br />

SPonSorS<br />

bILL & Judy<br />

boLLIngEr<br />

frAnk dALy<br />

tItLE sponsor:<br />

grAnt AIdEd by: In kInd sponsors:<br />

fEstIvAL AssocIAtEs: fEstIvAL progrAMMIng supportEd by:<br />

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