pAt coLLIns: docuMEntAry MAkEr - Fastnet Short Film Festival
pAt coLLIns: docuMEntAry MAkEr - Fastnet Short Film Festival
pAt coLLIns: docuMEntAry MAkEr - Fastnet Short Film Festival
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FASTNET SHORT FILM FESTIVAL<br />
OUR VILLAGE IS<br />
OUR SCREEN<br />
stEErIng coMMIttEE<br />
MAurIcE sEEzEr<br />
Chair & Artistic Director<br />
hELEn wELLs<br />
Co-Chair, Admin & Submissions<br />
MArIA pIzzutI<br />
Co-Artistic Director<br />
hILAry MccArthy<br />
Public Relations Officer<br />
pAuLInE cottEr<br />
Fundraising<br />
brIdIE d’ALton<br />
Treasurer<br />
tEchnIcAL dIrEctor<br />
MArtIn LEvIs<br />
grAphIc dEsIgn<br />
JonAthAn pArson<br />
mutegrab.com<br />
PAUL GOODE<br />
paulogoode.com<br />
prIntEd by<br />
InspIrE, Skibbereen<br />
EMAIL<br />
info@fastnetshortfilmfestival.com<br />
fEstIvAL <strong>pAt</strong>rons 2012<br />
tony bArry<br />
stEvE coogAn<br />
sInéAd cusAck<br />
grEg dykE<br />
JAck goLd<br />
JErEMy Irons<br />
John kELLEhEr<br />
chrIs o’dELL bsc<br />
dAvId puttnAM<br />
JIM shErIdAn<br />
kIrstEn shErIdAn<br />
gErArd stEMbrIdgE<br />
for ALL EnquIrIEs<br />
pLEAsE contAct:<br />
FEStIval Box oFFICE<br />
@ Your lEISurE<br />
MaIn StrEEt<br />
SChull<br />
WESt Cork<br />
+353 (0)28 28600<br />
opEnIng hours<br />
10aM-8PM<br />
www.fAstnEtshortfILMfEstIvAL.coM<br />
tIckEts<br />
fEstIvAL 4 dAy pAss 450<br />
studEnt 4 dAy pAss (Student ID required) 425<br />
subMIttErs 4 dAy pAss 425<br />
1 dAy AduLt pAss 415<br />
1 dAy studEnt And subMIttErs pAss 410<br />
tIckEtIng poLIcy<br />
Passes to the <strong>Festival</strong> are nominally priced and heavily subsidised and<br />
allow access to the Village Hall for all events on a first come first served<br />
basis. There is no facility to reserve seating. Most other festival activities<br />
are free of charge.<br />
Please note if no pass has been purchased at the Box Office a day rate<br />
of 315 will be charged on the door for entry into the Village Hall.<br />
We thank you for supporting Schull’s very own ‘Distributed Cinema’, an<br />
Intranet network dedicated to <strong>Short</strong> <strong>Film</strong>.<br />
Cover still from submitted film ‘El Pescador’ Directed by Samantha Pineda and Davy Giorgi<br />
welcome to schull and cfsff 2012!<br />
thanks to all of our sponsors for sticking with us in 2012, and in<br />
particular to our title sponsors Michael and kathleen Barry of Barry<br />
& Fitzwilliam, importers of Corona, who won an allianz Business<br />
to arts award for their cheerful and encouraging sponsorship of<br />
CFSFF in 2011. these last years have been enormously stressful<br />
to festivals around the country as government funding for the arts<br />
in Ireland dries up, and just when it seemed like it couldn’t get any<br />
worse, there is a whisper that the sponsorship support that alcohol<br />
brands give to both arts festivals and sporting events around Ireland<br />
may be banned by the government within the next two years. If this<br />
goes ahead, it will accelerate the centralization of cultural events<br />
in larger population centres already well under way thanks to the<br />
economic recession and will consequently put huge pressure on<br />
all festivals in rural areas, including our own. this will have an<br />
extremely negative impact on an already under pressure tourism<br />
sector and is surely unnecessary at this time.<br />
last year we developed Distributed Cinema and became a<br />
streaming festival for the short film competition submitters, all<br />
within the confines of Main Street Schull. this year, we will be<br />
streaming spoken events and Q&a content live from the village hall<br />
onto the web. this is an important step for us. our programme and<br />
our web presence define us, the one as a record of our aspirations,<br />
and the other as our window to the world. the live stream is<br />
happening thanks to Martin levis, our technical director, Brendan &<br />
Jane hurley from Digital Forge, who provide the required upload and<br />
download bandwidth free, the Irish <strong>Film</strong> Board for financial support<br />
specifically regarding Streaming, Granite Consulting for web design<br />
and Iomega Ireland and Canon Ireland, who have both provided<br />
equipment. With such a coherent and strong line-up of guests<br />
appearing at CFSFF2012, and such an active audience of short film<br />
makers and enthusiasts from all over the world attending, it’s a<br />
wonderful opportunity to show that rural communities can develop<br />
their own response to cultural centralization. In fact thanks to<br />
online technology, the electronic arts and crafts can thrive here. By<br />
supporting a festival like ours, where the emphasis is on the art,<br />
craft and technology of filmmaking, friends, supporters, filmmakers<br />
and sponsors alike empower and inspire the next generation of<br />
filmmakers and their audiences.<br />
Maurice seezer<br />
artistic Director, CFSFF 2012<br />
contEnts pAgE<br />
dIstrIbutEd cInEMA 04<br />
thE AwArds 05<br />
subMIssIons 06<br />
fILM<strong>MAkEr</strong> In focus: <strong>pAt</strong> <strong>coLLIns</strong> 20<br />
EvEnts schEduLE 22<br />
EvEnts dEtAILs 24<br />
sponsors And frIEnds 38<br />
spEcIAL thAnks 40<br />
sponsors 42
DISTRIbUTED<br />
CINEMA<br />
ovEr 150 short fILMs strEAMIng to wIfI And to thE<br />
foLLowIng vEnuEs:<br />
THE ViLLAGE HALL, THE COUrTyArD, COUrTyArD CrAfTs (Upstairs),<br />
WHyTE BOOks, THE BLACk sHEEP, HACkETT’s (Upstairs), THE NEW<br />
HAVEN, rEGAN’s BAr & NEWmAN’s WEsT (Upstairs).<br />
Welcome to ‘distributed cinema’, schull’s very own intranet network<br />
dedicated to short film. There are many different facilities around the<br />
village, from HD plasma screens, to projectors, to the 720HD projector<br />
in the Village Hall. Outside each venue is a sandwich board with the<br />
day’s programme running order outlined.<br />
‘distributed cinema’ was conceived of by the corona fastnet short<br />
film festival committee and John d’Alton, who coined the term and<br />
hatched a plan with us. We realised at Christmas 2010 that our main<br />
venue for the first two years, the harbour view hotel, had been closed<br />
down. (Thanks for the support over the first two years Denny & Sherrie<br />
Cullinane).<br />
We decided to create an intranet network in heart of schull, a pilot<br />
scheme to connect a number of premises to our own server enabling<br />
streaming of our short films to these premises. the premises would<br />
also enable wifi access, for the duration of the festival, so that attenders<br />
of the festival could stream the submitted short film of their choice on<br />
their laptop, smartphone or iPad. brendan hurley, from local internet<br />
provider digitalforge ran with it, planned and created the network,<br />
voluntarily giving of his time and expertise. 75% funding from west cork<br />
development partnership helped the scheme to get off the ground.<br />
granite consulting from Skibbereen helped us to create an intranet copy<br />
of our website that enabled wifi access, but only from within the village.<br />
Martin Levis spent many sleepless nights converting the submissions<br />
to the formats required for the films to be seen in the highest resolution<br />
on every platform. Iomega Ireland contributed hardware, and schull<br />
community college, schull sailing centre, fingal ferguson from<br />
Gubbeen, sean connell, camille & kerry fenn and Mark Mccarthy all<br />
provided much needed support at critical times to enable it all to run<br />
smoothly in 2011. let’s hope 2012 runs as smoothly!<br />
thE pIEr<br />
(2011) 89M<br />
WriTTEN & DirECTED By GErArD HUrLEy<br />
vILLAgE hALL / 8pM / wEdnEsdAy 23rd MAy, 2012 / AdM 46<br />
“among other pictures drawing positive notice was Gerard hurley’s<br />
beautifully composed, gorgeously acted the Pier. It tells a common story<br />
in Irish literature and film: the returning emigrant confronts what has<br />
changed and what has remained the same. the director plays a man<br />
who, told his father (karl Johnson) is dying, travels from new York to<br />
Cork to discover the old codger looking a little healthier than expected.<br />
an amusing, touching battle of wills then develops. the picture never<br />
comes close to striking a bum note…a small gem” (Donald Clarke, the<br />
Irish times film critic).<br />
Come along and see what all the fuss has been about with this locallymade<br />
<strong>Festival</strong> kick-starter.<br />
followed by q&A with director gerard hurley chaired by Maurice<br />
seezer.<br />
THE<br />
AWARDS<br />
<strong>pAt</strong> connor<br />
crEAtor of thE<br />
bEst of fEstIvAL AwArd<br />
Pat Connor was born in Dublin and<br />
studied art at NCAD. He lived and<br />
worked in New York from 1987-1993.<br />
He now lives in Schull. His work can<br />
be seen in several public collections<br />
including The Arts Council of Ireland,<br />
The Crawford Municipal Gallery, Cork,<br />
The National Museum of Ireland and<br />
The AIb Collection, Dublin. Pat has<br />
represented Ireland at the Paris biennale<br />
and in Japan, New York and Switzerland.<br />
bEst of fEstIvAL<br />
Cash prize of €2,000 and an original Pat Connor sculpture<br />
bEst IrIsh short fILM<br />
Cash prize of €2,000<br />
bEst young fILM<strong>MAkEr</strong> (u22)<br />
Cash prize of €2,000<br />
bEst In cork<br />
Cash prize of €500 – Sponsored by Cork County Council<br />
bEst drAMA<br />
Cash prize of €200<br />
bEst coMEdy<br />
Cash prize of €200<br />
bEst <strong>docuMEntAry</strong><br />
Cash prize of €200<br />
bEst EXpErIMEntAL<br />
Cash prize of €200<br />
bEst dAncE<br />
Cash prize of €200<br />
bEst AnIMAtIon<br />
Cash prize of €200<br />
bEst dIrEctIon<br />
Cash prize of €100<br />
bEst scrEEnpLAy<br />
Cash prize of €100<br />
bEst orIgInAL MusIc<br />
Cash prize of €100<br />
bEst cInEMAtogrAphy<br />
Cash prize of €100<br />
04 05
The following submission entries have not been<br />
given an official viewers classification. The films that<br />
contain obvious adult content, violence or improper<br />
language are in programmes 16 - 24 and have an<br />
over 18 recommendation.<br />
SUbMISSIONS<br />
progrAMME 01<br />
gArEth dAkIn<br />
rEvErsE rAMpAgEr<br />
2m/UK/Experimental/Over 18<br />
RRP unexpectedly gets what’s coming to him.<br />
dEborAh root<br />
rEgrEt rELIEf<br />
4m/Canada/Under 22<br />
A meditation on leaving a lover.<br />
yoI suzukI<br />
pArt ME fArAwAy<br />
4m/Japan/Experimental/Over 18<br />
Voice is a voice, image an image, I part, apart.<br />
stEphEn cunnAnE<br />
oh thE AccEnt!<br />
9m/USA/Comedy/Over 18<br />
Actor required with Irish accent. Simple, right?<br />
tAtsuhIro kIMIJIMA<br />
thE MAgIc rAbbIt 2<br />
5m/Japan/Drama/Over 18<br />
A girl’s desperate search for her ex-boyfriend.<br />
toMIsIn AdEpEJu<br />
quEstIons of AgE And LovE<br />
7m/UK/Under 22<br />
A young man’s notions of love and marriage.<br />
nIchoLAs ryAn-purcELL<br />
short fILM<br />
5m/Ireland/Under 22<br />
Can a relationship survive when one emigrates?<br />
coLIn cArroLL<br />
fALLIng to EArth<br />
8m/Ireland/Drama/Over 18<br />
An Irish boy meets a Portuguese girl.<br />
bArbArA dEIgnAn, cIAn McdEvItt<br />
dIAsporA<br />
5m/Canada/Documentary/Over 18<br />
Hopes and fears of the new Irish in Toronto.<br />
MohAMMAd ALkAzEMI<br />
druM & pLAy<br />
6m/USA/Drama/Over 18<br />
Two buskers. Will music save the day?<br />
standard practice recommends that in the absence<br />
of classification, festivals classify their entire<br />
programme as over 18. We thus recommend that<br />
parents use their discretion as we aim to repeat<br />
parts of the programme in various venues throughout.<br />
progrAMME 02<br />
vAL bLAkELy<br />
fLApJAck<br />
11m/USA/Comedy/Over 18<br />
Jack’s favourite Anime character made flesh.<br />
cAthErInE donovAn, grAcE o’MAhony<br />
thE popEMobILE<br />
12m/Ireland/Documentary/Over 18<br />
building the original popemobile in Cork in 1979.<br />
rIo fItch<br />
found A pEAnut<br />
11m/Canada/Comedy/Over 18<br />
The dire consequences of eating a bad peanut.<br />
ArrAn tEnzIn brAdstock<br />
trAppEd In A Loop<br />
14m/Ireland/Under 22<br />
Nightmares of a mysterious cloaked figure.<br />
brIAn crotty<br />
Eggs AgAIn<br />
9m/Ireland/Drama/Over 18<br />
An artist with an existential crisis.<br />
progrAMME 03<br />
coLIn cArroLL<br />
phILAdEphIA, hErE I pun!<br />
15m/Ireland/Documentary/Over 18<br />
An Irish motor-cyclist in search of greener<br />
pastures.<br />
EMMA Lu roMErEIn<br />
thE LAMEnt<br />
4m/Canada,Italy/Dance/Over 18<br />
Expressing a lament of love lost through dance.<br />
Josh brAdLEy<br />
An LAE Ar An MhArgAId<br />
4m/Ireland/Under 22<br />
A day in the life of Clonakilty’s Friday Market.<br />
AoIfE nAughton<br />
oscAr<br />
12m/Ireland/Documentary/Over 18<br />
Oscar waits every day for his minder to return.<br />
06 07
SUbMISSIONS<br />
08<br />
JAckson wILLIAMs<br />
work pLAcEMEnt<br />
8m/Ireland/Comedy/Over 18<br />
A rascist recruiter helps the unemployed.<br />
<strong>pAt</strong> coMEr<br />
thE dAytrIppErs<br />
9m/Ireland/Drama/Over 18<br />
Pensioner’s sedate day trip to the countryside.<br />
tErEncE whItE<br />
off your troLLEy<br />
5m/Ireland/Dance/Over 18<br />
Teenagers, a shopping trolley, mayhem.<br />
progrAMME 04<br />
A cALnAn, J hILL, k o’donovAn,<br />
n Murphy, p grIffEn, t vErLIndEn,<br />
t MAdAJczAk<br />
thE whEEL of LIfE<br />
9m/Ireland/Under 22<br />
The journey of life passes by in front of our eyes.<br />
noEL brAdy<br />
truE-d<br />
11/Ireland/Drama/Over 18<br />
A look at life from a different perspective.<br />
Judy soMErs<br />
A cod bIt My kIppEr<br />
1m/Canada/Animation/Over 18<br />
A fishy tale about “the one who got away”.<br />
shAun o’connor<br />
Mutt<br />
6m/Ireland/Comedy/Over 18<br />
A housesitter copes with a dead “Mutt”.<br />
conor dwAnE, kEvIn c. dwAnE<br />
L’hoMME fArsIcAL<br />
11m/Ireland/Comedy/Over 18<br />
before sound, one man, one pie, one destiny.<br />
toMIsIn AdEpEJu<br />
nostALgIA<br />
10m/UK/Drama/Over 18 & Under 22<br />
A film about remembering.<br />
JohnAthon hnoudIs, JosIAh hALL,<br />
khAndIs nEwMAn<br />
zoE<br />
10m/Australia/Drama/Over 18<br />
A girl cares less about what others think.<br />
progrAMME 05<br />
cAMEron MAckEnzIE<br />
LEttIng go<br />
8m/USA/Drama/Under 22<br />
Different stages of grief after losing someone close.<br />
roy LEcAnE, don fIELd<br />
<strong>pAt</strong>IEncE<br />
13m/Ireland/Comedy/Over 18<br />
Looking for company? Try the barber Shop.<br />
JAMEs McfAy<br />
burnIng hEArts<br />
15m/Australia, Japan/Experimental/Over 18<br />
A taximan saves a model from the Yakuza.<br />
nEIL boynton<br />
Au fILs du tEMps<br />
8m/UK/Experimental/Over 18<br />
If time and space is altered, how can we cope?<br />
hIrokI kAMAdA<br />
ALtErnAtIvE rEALIty<br />
10m/USA/Under 22<br />
A friendship develops over a video game.<br />
stEvE woods<br />
dutch dArknEss<br />
5m/Ireland/Experimental/Over 18<br />
The dark secret of the Dutch Golden Era of<br />
painting.<br />
progrAMME 06<br />
LucA nEstoLA<br />
Loss of tAstE<br />
3m/Italy/Drama/Over 18<br />
An old man rediscovers his love of good wine.<br />
bErnArd dowd<br />
thE prEhIstorIc pIpEr<br />
8m/Ireland/Animation/Over 18<br />
Ancient hominids invent the Uilleann Pipes.<br />
pAuL grovE<br />
strAngE MEEtIng<br />
13m/UK/Drama/Over 18<br />
Things go wrong for a lieutenant leading a patrol.<br />
rAchEL ross<br />
tAyLor<br />
11m/New Zealand/Under 22<br />
Two brothers reunite after three years.<br />
dónAL o’cEILLEAchAIr, JoAn MAry<br />
MccArthy<br />
dEArtháIr<br />
9m/Ireland/Documentary/Over 18<br />
An exploration of personal loss.<br />
John horAn<br />
thE dyIng LIght<br />
15m/Ireland/Drama/Over 18<br />
Two soldiers stranded and awaiting the inevitable.<br />
09
SUbMISSIONS<br />
10<br />
progrAMME 07<br />
rIck wILLIAMson<br />
A short fILM<br />
3m/USA/Comedy/Over 18<br />
A short film with short actors and long credits.<br />
MIchAEL notrIcA, MIchAEL rAusch<br />
dELILAh<br />
10m/USA/Under 22<br />
Coming of age story deals with love and tragedy.<br />
MArk MccArthy<br />
A dAy on thE wAtEr<br />
13m/Ireland/Documentary/Over 18<br />
The sport of Team Racing up close and personal.<br />
AMy drIvEr<br />
wILLA<br />
11m/Ireland/U22<br />
A couple want to share their life, but where?<br />
suzAnnAh MIrghAnI<br />
hAMour<br />
11m/Qatar/Drama/Over 18<br />
Disparate lives in Qatar during the Spring Equinox.<br />
tony cLIfford<br />
drEAM In thE dArk<br />
10m/USA/Drama/Over 18<br />
A man’s decision concerning the woman he loves.<br />
progrAMME 08<br />
rocko pAoLo<br />
gps<br />
7m/Canada/Drama/Over 18<br />
A man’s former business partner has a gift for him.<br />
bEn proudfoot<br />
Ink & pApEr<br />
9m/USA/Under 22<br />
A paper shop and LA’s last letter press print shop.<br />
shAun o’connor<br />
rInt<br />
5m/Ireland/Comedy/Over 18<br />
A tenant/landlord misunderstanding.<br />
LIAnE costELLo/sAM connor<br />
nAkEd<br />
7m/Ireland/Documentary/Over 18<br />
People’s pride in their own natural form.<br />
ALEX fEgAn<br />
thE court AstronoMEr<br />
15m/Ireland/Drama/Over 18<br />
A bishop tries to outwit a King in the 1600s.<br />
brIAn stynEs<br />
bEforE thE cAr ArrIvEs<br />
12m/Ireland/Drama/Over 18<br />
A family celebrates a child’s holy communion.<br />
progrAMME 09<br />
fEArgAL wArd, tAdhg o’suLLIvAn<br />
quArAntInE<br />
15m/Ireland/Documentary/Over 18<br />
A woman’s solitary time with illness, fate and faith.<br />
AnnA byrnE<br />
LEAvE to rEMAIn<br />
13m/Ireland/Documentary/Over 18<br />
A young man’s experience of residential care.<br />
oLof wErngrEn<br />
brännEr stAdEn<br />
9m/Sweden/Dance/Over 18<br />
An attempt at shaking life into fixed things.<br />
LIncoLn hALL<br />
JudgEMEnt<br />
6m/Australia/Under 22<br />
A priest dies and meets “the big guy”.<br />
prAkAsh MohAndAs<br />
512<br />
5m/USA/Comedy/Over 18<br />
A scrawny protagonist, a routine visit to the gym.<br />
JoshuA IzEnbErg<br />
dAds<br />
9m/USA/Comedy/Over 18<br />
Two number one dads, but there can only be one.<br />
progrAMME 10<br />
sEAn brEAthnAch<br />
Into thE LIght<br />
4m/Ireland/Dance/Over 18<br />
A girl explores beauty in everything around her.<br />
russEL frAMpton<br />
bLInd torrEnt<br />
15m/UK/Dance/Over 18<br />
Imagined archeology and ritualised movement.<br />
orLA wALsh<br />
rIdErs to thE sEA<br />
5m/Ireland/Comedy/Over 18<br />
A surfing duel off the West Coast of Ireland.<br />
John corcorAn<br />
shELLshock<br />
11m/Ireland/Drama/Over 18<br />
A young man returns home after serving in WW1.<br />
11
SUbMISSIONS<br />
12<br />
shIyAn fEng<br />
bEI yAo wAn, shAnghAI<br />
11m/USA/Documentary/Over 18<br />
Two migrant families struggle for a better life.<br />
coLIn hIckEy<br />
thE buILdEr<br />
10m/Colombia/Drama/Over 18<br />
A meditation between a father and his son.<br />
progrAMME 11<br />
phILIppA cArson<br />
MusIc MEMorIEs<br />
8m/Ireland/Drama/Over 18<br />
An old man and his neighbour connect.<br />
pErrIn kErns<br />
bEtwEEn sAsquAtch &<br />
supErMAn: LIvIng wIth<br />
down syndroME<br />
10m/USA/Documentary/Over 18<br />
Clark Kerns likes Sasquatch and Superman.<br />
AndrEw ryLAnd<br />
ELvIs prEstwIck<br />
14m/UK/Comedy/Over 18<br />
Elvis Presley transforms an office worker’s life.<br />
kAthy couLtEr<br />
thE ruLEs<br />
8m/UK/Comedy/Over 18<br />
The seven rules for finding your soulmate.<br />
gIonAnnI AntonIo gEbbIA<br />
thrEE ghosts froM Edo<br />
9m/Italy/Documentary/Over 18<br />
Three Ghosts of Tokyo reconnect through dance.<br />
sAMAnthA pInEdA, dAvy gIorgI<br />
EL pEscAdor<br />
10m/Mexico/Drama/Over 18<br />
Using photographs to ‘recapture’ memories.<br />
progrAMME 12<br />
LEE cronIn<br />
bILLy & chuck<br />
14m/Ireland/Drama/Over 18<br />
billy’s walkie talkie advises him on manoevres.<br />
sErEnA hunt<br />
kErpLonk<br />
6m/Australia/Comedy/Over 18<br />
A Scientist’s Rube Goldberg-style torture device.<br />
shAnE rEId<br />
four wALLs<br />
7m/Ireland/Documentary/Over 18<br />
Memories of childhood in Waterford.<br />
LIAnE costELLo<br />
A <strong>docuMEntAry</strong> About ME<br />
And runnIng rEALLy fAr<br />
11m/Ireland/Documentary/Over 18<br />
An exploration of running as a means of escape.<br />
tIbo torELLI<br />
thE LAst onE<br />
15m/UK/Animation/Over 18<br />
The last moments of the last man on earth.<br />
bEAu burrows<br />
thE grAvIty of bEIng<br />
6m/USA/Animation/Over 18<br />
A sleeping man finds that he attracts the moon.<br />
progrAMME 13<br />
MArk gILL<br />
thE voorMAn probLEM<br />
12m/UK/Comedy/Over 18<br />
A prisoner who believes he is a god.<br />
brIAn yung<br />
cArt<br />
7m/Canada/Comedy/Over 18<br />
A grocery store shopping cart seeks justice.<br />
kAtIA shAnnon<br />
poInt fInAL<br />
6m/Canada/Under 22<br />
When time stops for a factory supervisor.<br />
nIALL shEErIn<br />
Moon roostEr<br />
13m/Ireland/Comedy/Over 18<br />
be yourself, however bizarre your self may be.<br />
pIEt sonck<br />
chIt chAt<br />
13m/belgium/Drama/Over 18<br />
Two sisters discuss life, but all is not as it seems.<br />
JEff goLdEn<br />
whAt rEMAIns<br />
7m/USA/Animation/Over 18<br />
If we give nothing and yet attain all we desire.<br />
progrAMME 14<br />
kIM pIMMEL<br />
coMprEssEd 03<br />
2m/USA/Animation/Over 18<br />
Matter coallesces forming planetary bodies.<br />
EttorE nIcoLEttI<br />
IL LucchEtto<br />
3m/Italy/Comedy/Over 18<br />
When love is sealed to the universe, what’s next?<br />
13
SUbMISSIONS<br />
14<br />
hugh stoddArt, nIchoLA brucE<br />
LIfEtIME<br />
9m/UK/Drama/Over 18<br />
An old man and his cello arrive home.<br />
LIsA MuLcAhy<br />
coMIng hoME<br />
14m/Ireland/Drama/Over 18<br />
A journey to recovery from breast cancer.<br />
ÖzgüL gürbüz<br />
fLAwLEss LIfE<br />
4m/Turkey/Animation/Over 18<br />
A homeless man finds a way to live the dream.<br />
dAMIAn MccArthy<br />
nEvEr EvEr opEn It<br />
9m/Ireland/Drama/Over 18<br />
A bored nightwatchman and a strange noise.<br />
MArk MontI<br />
thE cAMp<br />
10m/UK, Thailand/Documentary/Over 18<br />
Many burmese escape to Thai border camps.<br />
LEón fErnAndEz<br />
MutAtIo<br />
8m/Mexico/Animation/Over 18<br />
A humanoid confronts the purpose of his life.<br />
progrAMME 15<br />
gEd MurrAy<br />
sMALL tIME<br />
12m/Ireland/Comedy/Over 18<br />
Rivaly between cocky student and professor.<br />
John hoEy<br />
soLArIA<br />
9m/Ireland/Drama/Over 18<br />
In space, Alex has one chance to save Rachel.<br />
cALEb sLAIn<br />
thE Lost And found shop<br />
9m/USA/Under 22<br />
A young girl has lost her favourite memory.<br />
cLAIrE dIX<br />
downpour<br />
4m/Ireland/Drama/Over 18<br />
Pivotal moments remembered by a bride to be.<br />
dAvId fAIn<br />
chorEogrAphy for<br />
pLAstIc ArMy MEn<br />
5m/USA/Animation/Over 18<br />
‘Ohayoo Ohio’ by Pink Martini gets a workover.<br />
duncAn McdowALL<br />
pAIntEd<br />
5m/Canada/Dance/Over 18<br />
Choreographic exploration of the notion of decay.<br />
ross whItAkEr<br />
hoME turf<br />
14m/Ireland/Documentary/Over 18<br />
An elegy to traditional methods of hand cutting turf.<br />
progrAMME 16<br />
kLoEE cIupErgEr<br />
thE chILd InsIdE<br />
13m/USA/Under 22<br />
A murderer sets his sights on young innocents.<br />
MIchAEL MEnsAh<br />
thE pErfEct gEntLEMAn<br />
5m/UK/Drama/Over 18<br />
A picnic is brought to an unexpected end.<br />
drAgA JovAnovIc<br />
your sELf Is A rEfLEctIon<br />
of MysELf<br />
7m/Canada/Experimental/Over 18<br />
An older woman connects with her younger self.<br />
brIAn EvAns, MAry nIEdErkorn<br />
spEEd dAtIng<br />
4m/USA/Experimental/Over 18<br />
A neurotic woman meets the man of her dreams.<br />
sAnELA grgIc<br />
EXIstEncE<br />
16m/USA/Drama/Over 18<br />
A frustrated girl with schizophrenic tendencies.<br />
tALAt gokdEMIr<br />
LEAvE<br />
12m/UK/Drama/Over 18<br />
A small child enables Maria to make a decision.<br />
progrAMME 17<br />
Andy goLdnEr, JoE d. LIndAuEr<br />
“grEEtIngs to thE<br />
MoroccAn fArMErs”<br />
7m/Germany/Experimental/Over 18 Canada<br />
1970, with music of exmagma, 1974.<br />
norMAn MAgdEn<br />
cAfé<br />
13m/USA/Experimental/Over 18<br />
An anonymous café for the undead hosts a star.<br />
LEonArd MArtIn<br />
thE nEw LIfE<br />
15m/Ireland/Comedy/Over 18<br />
Pregnant Jane hits on a younger man on a train.<br />
JEnnIfEr dysArt<br />
Moss orIgIns<br />
9m/Canada/Experimental/Over 18<br />
A woman encounters messages in the moss.<br />
15
SUbMISSIONS<br />
16<br />
thoMAs hEffEron<br />
thE hEIst<br />
9m/UK/Ireland/Comedy/Over 18<br />
Three eager bank robbers and a big plan.<br />
sIMon o’nEILL<br />
showtIME!<br />
4m/UK Ireland/Comedy/Over 18<br />
An attempted date, a trip into the subconscious.<br />
progrAMME 18<br />
dAvE thorpE<br />
IMpEtuous<br />
12m/Ireland/Drama/Over 18<br />
Kerrie wakens in a shed, unable to move.<br />
John gIgrIch<br />
thE cAbIn<br />
6m/USA/Comedy/Over 18<br />
An uninvited guest appears at a weekend cabin.<br />
sI EdwArds<br />
bIrthdAy gIrLs<br />
8m/Ireland/Drama/Over 18<br />
Two sisters visit their mother’s grave.<br />
tErEncE whItE<br />
bAby LovE<br />
9m/Ireland/Drama/Over 18<br />
ber is told she may never become a mother.<br />
dAvId bIckLEy<br />
thE dEEp<br />
7m/Ireland/Drama/Over 18<br />
byron Copper’s dreams are getting dangerous.<br />
dAnIEL kontur<br />
sIMpLE sIMon<br />
9m/UK/Drama/Over 18<br />
The struggle between what’s told and what’s seen.<br />
ErLEnd pALM<br />
Is thErE Anybody out<br />
thErE?<br />
9m/UK/Drama/Over 18<br />
A thriller set inside a run-down toilet cubicle.<br />
progrAMME 19<br />
MArthA crIstIAnA MErIno<br />
ALtErEgo y LA MáscArA<br />
dEL MIEdo<br />
9m/Mexico/Experimental/Over 18<br />
A mother and daughter confront their demons.<br />
pAuL vErhoEvEn<br />
unE LArME dE pLus<br />
16m/France/Drama/Over 18<br />
Jesus speaks to a boy and gives him a mission.<br />
bob gALLAghEr<br />
soMEtIMEs pEopLE…<br />
13m/Ireland/Drama/Over 18<br />
An explosive attraction between two women.<br />
kAJsA rIbbIng<br />
thE LIght<br />
12m/Sweden/Drama/Over 18<br />
An author imagines the games a young couple play.<br />
rILEy MorrIs<br />
thE LEgEnd of pIMp<br />
JAckEt<br />
10m/U.S.A./Comedy/Over 18<br />
A man’s jacket makes him irresistible to women.<br />
progrAMME 20<br />
tAdAs vIdMAntAs<br />
tIckIng boXEs<br />
9m/UK/Drama/Over 18<br />
barry Chilcot plans, he organises... he ticks boxes.<br />
hugh noonAn<br />
hAppy fAMILy<br />
11m/Ireland/Drama/Over 18<br />
A boy takes matters into his own hands.<br />
stEphEn <strong>pAt</strong>rIck kEnny<br />
cLowns<br />
15m/Ireland/Comedy/Over 18<br />
Four friends in debt kidnap the wrong guy.<br />
cArLo pErAssI<br />
déJà vu<br />
5m/Italy/Drama/Over 18<br />
Sometimes imagining a relationship is simpler.<br />
zAchAry wEXELMAn<br />
four quEstIons<br />
11m/USA/Drama/Over 18<br />
A man remembering his fiance meeting his family.<br />
IñIgo cAstAnEdo<br />
EL nuEvo sísIfo<br />
7m/Spain/Drama/Over 18<br />
A woman is depressed at the death of her son.<br />
progrAMME 21<br />
bEAuMont LoEwEnthAL<br />
kIng of LIfE<br />
2m/UK/Under 22<br />
A medic has to make a choice during combat.<br />
JonAthAn ALbErt Murphy<br />
oscAr v<br />
14m/brazil/Drama/Over 18<br />
Oscar V illegally enables a customer’s webcam.<br />
17
SUbMISSIONS<br />
18<br />
dAMIán cAno<br />
Los dErrIbAdos<br />
9m/Mexico/Drama/Over 18<br />
The adult world destroys Ramiro’s innocence.<br />
cAthAL fEEnEy<br />
oh<br />
4m/Ireland/Comedy/Over 18<br />
A father and son chat on a local bus journey.<br />
dAvId LAssItEr<br />
LIkE A good nEIghbour<br />
8m/USA/Drama/Over 18<br />
Suspicious noises in a neighbour’s apartment.<br />
EndA LoughMAn, MIkE AhErn<br />
thE hAtch<br />
12m/Ireland/Drama/Over 18<br />
Father and son witness a glowing object fall to sea.<br />
ruAIdhrI MAg fhLoInn<br />
punchLInE<br />
3m/Ireland/Drama/Over 18<br />
Joe is a funny guy onstage, but not at home.<br />
Ed cArtEr<br />
thE funErAL dIrEctor<br />
5m/UK/Comedy/Over 18<br />
A wearied existentialist finds solace in work.<br />
progrAMME 22<br />
rogEr bArkEr<br />
thE wEEkEnd hostAgE<br />
9m/UK/Comedy/Over 18<br />
A kidnapped man confronts his elusive captors.<br />
gEd MurrAy<br />
hELL cAt<br />
9m/Ireland/Comedy/Over 18<br />
What does a talking cat actually say to its owner?<br />
LIAM dELAhunty<br />
toM’s scEAdu<br />
15m/Ireland/Comedy/Over 18<br />
When Tom’s wife is asleep, he likes to unwind.<br />
sAJJAd hAIdEr<br />
nIght of A cArnIvAL<br />
13m/USA/Drama/Over 18<br />
A hooker is stranded in the wrong part of town.<br />
AIdAn gAuLt<br />
unJust<br />
13m/UK/Under 22<br />
A man struggles for the life of his family.<br />
progrAMME 23<br />
sAMuEL stEELE<br />
thE shot<br />
7m/UK/Comedy/Over 18<br />
Two hitmen partners develop relationship issues.<br />
oLE-André rønnEbErg<br />
kJEMp vEd MIn sIdE<br />
9m/Norway/Drama/Over 18<br />
Frank doesn’t go outside his flat much.<br />
MAurIcIo ArAngo<br />
thE nIght of thE Moon hAs<br />
MAny hours<br />
12m/Colombia/Drama/Over 18<br />
A man recovers the ‘disappeared’ from a river.<br />
J. XAvIEr vELAsco<br />
JuAn y LA borrEgA<br />
10m/Mexico/Drama/Over 18<br />
Juan’s routine life is interrupted by La borrega.<br />
robErt brAIdEn<br />
truE LovE<br />
10m/Australia/Drama/Over 18<br />
An ex-con meets a woman and finds hope.<br />
LEón rEchy<br />
AngustIA<br />
8m/Mexico/Drama/Over 18<br />
An executioner relieves his conscience.<br />
progrAMME 24<br />
pAuL L gArcIA<br />
onE MorE cup of coffEE<br />
12m/USA/Drama/Over 18<br />
A young woman ponders over a long cup of coffee.<br />
ruán MAgAn<br />
AngEL<br />
9m/Ireland/Drama/Over 18<br />
A young girl wanders alone through Dublin.<br />
AnnA rodgErs<br />
hoLd on tIght<br />
12m/Ireland/Documentary/Over 18<br />
An expression of love, not a political statement.<br />
JEssIcA nIchoLAs<br />
hEAvy<br />
8m/USA/Under 22<br />
A preacher sacrifices his soul for that of his wife.<br />
ghAzALEh soLtAnI<br />
thEsE nArrow ALLEys<br />
3m/Iran/Drama/Over 18<br />
Three shared lives take very different directions.<br />
socrAtEs ALAfouzos<br />
MIkros vAsILIAs<br />
15m/Greece/Drama/Over 18<br />
Ari is forced to face his secret childhood abuse.<br />
19
FIlMMakEr<br />
In FoCuS:<br />
Pat CollInS<br />
<strong>pAt</strong> <strong>coLLIns</strong>:<br />
<strong>docuMEntAry</strong> <strong>MAkEr</strong><br />
Pat Collins is originally from Drimoleague, West Cork and now lives with<br />
his wife and three children in Baltimore. Before making films he was<br />
editor of <strong>Film</strong> West Magazine and for three years was the programmer of<br />
the Galway <strong>Film</strong> Fleadh.<br />
Since 1999 he has made over 25 films. his first film Michael Hartnett,<br />
Necklace of Wrens won the Jury award at the Celtic <strong>Film</strong> <strong>Festival</strong> in 2000.<br />
Since then he has directed Talking to the Dead which centred on the Irish<br />
funeral tradition. this was followed by Oiléan Thoraí, which won Best<br />
Irish Documentary at the Irish <strong>Film</strong> and television awards in 2003.<br />
Abbas Kiarostami - The Art of Living (co-directed with Fergus Daly) was<br />
picked up for international distribution in 2004 by the French company<br />
Mk2. Rebel County used the shooting of ken loach’s ‘the Wind that<br />
Shakes the Barley’ to explore the War of Independence in West Cork. he<br />
has directed documentaries on the Irish writer Frank o’ Connor, the poet<br />
nuala ní Dhomhnaill and the Connemara based writer and cartograper<br />
tim robinson.<br />
his film John McGahern: A Private World won ‘Best Irish Documentary’<br />
at the Irish <strong>Film</strong> and television awards in 2005. In the same year his<br />
documentary Marooned won the Best Irish Sports Documentary award.<br />
locally, he has made films on the Copper Mines in allihes, the<br />
Castlehaven Gaa club and a historical documentary on the famine in<br />
Skibbereen.<br />
the feature documentary Gabriel Byrne: Stories from Home was<br />
completed in 2009 and the film essay What We Leave in Our Wake in 2011.<br />
he has just completed his first feature film Silence and is working on a<br />
short film What Remains which is made entirely from archive film from<br />
the Irish national <strong>Film</strong> archive.<br />
www.harvestfilms.ie<br />
20<br />
shortscrEEn fILM schooL<br />
“Are you interested in making your own film?”<br />
at the <strong>Short</strong>screen <strong>Film</strong> School you can learn all<br />
the tips and tricks you need to make your film great.<br />
Editing, camerawork, sound, script and much more.<br />
Winter workshops starting october 2012.<br />
Contact shortscreenfilmschool@gmail.com<br />
or Mark on 086 875 8652.<br />
John McgAhErn - A prIvAtE worLd<br />
thE courtyArd / 5pM / frIdAy 25th MAy, 2012<br />
Hummingbird Productions / Harvest <strong>Film</strong>s (2005) 52m<br />
RTE / bord Scannán na hÉireann<br />
on March 30th 2006, after a life-time of<br />
dedication to his art, John McGahern, one<br />
of Ireland’s most distinguished writers,<br />
sadly passed away after a long illness.<br />
Since the publication of his first book in<br />
1963, John McGahern was at the cultural<br />
heart of Irish life. he was in the happy<br />
position of being universally praised by the critics and equally loved by<br />
the reading public.<br />
John McGahern: A Private World was filmed in 2004 just prior to the<br />
publication of his memoirs and these memoirs form the backbone<br />
of the documentary. through intimate interviews, a strong and<br />
compelling sense of the man emerges, offering a rare insight into the<br />
creative process.<br />
dir: Pat Collins prod: Philip King Ed: Isobel Stephenson camera: Donal<br />
Gilligan sound: Eamon Little<br />
whAt wE LEAvE In our wAkE<br />
vILLAgE hALL / 4.30pM / sAturdAy 26th MAy, 2012<br />
Harvest <strong>Film</strong>s (2010) 70m<br />
bord Scannán na hÉireann<br />
What We Leave in Our Wake is a filmic<br />
essay which unfolds as a series of<br />
conversations on Ireland, exploring<br />
themes such as emigration, mythology,<br />
consumerism, socialism, the place of the<br />
church in Irish life, the central role of land<br />
in Irish history and the sense of a civic<br />
society. Combining images of contemporary Ireland with an evocative<br />
blend of archive, What We Leave in Our Wake questions what persists<br />
rather than the temporary fluctuations and trends, and talks to some of<br />
those uniquely placed to comment on how this country has evolved.<br />
Featuring contributions from Joe lee, Patrick o’ Connor, leila Doolan,<br />
Iain McGilchrist, Peter Mcverry, Declan kiberd, Desmond Fennell and<br />
olivia o’ leary and archive recordings of John McGahern and John<br />
Moriarty among others.<br />
dir: Pat Collins camera: Colm Hogan, Feargal Ward sound: John<br />
brennan Ed: Tadhg O’Sullivan<br />
tIM robInson: connEMArA<br />
nEwMAn’s wEst, upstAIrs / 11AM / sundAy 27th MAy, 2012<br />
Harvest <strong>Film</strong>s (2011) 57m<br />
Reel Art: <strong>Film</strong> base & The Arts Council of Ireland<br />
tim robinson has been extensively<br />
mapping and studying Connemara<br />
for the last thirty years. his work has<br />
reached international recognition through<br />
publications such as ‘listening to the<br />
Wind’, ‘the last Pool of Darkness’ and<br />
his forthcoming ‘a little Gaelic kingdom’.<br />
Tim Robinson: Connemara is a sixty minute film based on the three<br />
Connemara books and a visual interpretation of his work as a mapmaker<br />
and writer. an exploration of landscape, history and mythology<br />
- this film acts as an intersection between writing, film-making and the<br />
natural world.<br />
dir: Pat Collins prod: Sharon Whooley camera: Colm Hogan steadicam:<br />
Mick O’Rourke sound: John brennan & Susan Stenger Ed: Keith Walsh<br />
21
thurSDaY 24th<br />
9AM 10AM 11AM 12 noon 1pM 2pM 3pM<br />
subMIttEd short fILMs<br />
vILLAgE hALL<br />
progrAMMEs 1-9<br />
FrIDaY 25th<br />
9AM 10AM 11AM 12 noon 1pM 2pM 3pM<br />
subMIttEd short fILMs<br />
vILLAgE hALL<br />
progrAMMEs 10-18<br />
SaturDaY 26th<br />
9AM 10AM 11AM 12 noon 1pM 2pM 3pM<br />
SunDaY 27th<br />
9AM 10AM 11AM 12 noon 1pM 2pM 3pM<br />
subMIttEd short fILMs<br />
vILLAgE hALL<br />
progrAMMEs 23-24<br />
froM scrIpt to scrEEn: A<br />
MAstErcLAss wIth JAck goLd<br />
vILLAgE hALL<br />
cAnon workshop<br />
thE courtyArd<br />
thE kEEpEr of thE<br />
drEAM: A producEr’s<br />
pErspEctIvE<br />
nEwMAn’s wEst - upstAIrs<br />
coMMunIty<br />
fILMMAkIng<br />
workshop<br />
thE courtyArd<br />
dIy<br />
fILMMAkIng<br />
vILLAgE hALL<br />
MIkE hAnnon<br />
whAt to shoot<br />
your fILM on?<br />
thE courtyArd<br />
LocAL IntErEst<br />
fILMs<br />
vILLAgE hALL<br />
focus on<br />
MEXIco<br />
vILLAgE hALL<br />
scrIpt to scrEEn:<br />
A JoInt sEMInAr<br />
nEwMAn’s wEst - upstAIrs<br />
thE Art of thE<br />
coLourIst<br />
thE courtyArd<br />
tIM robInson: short fILM<br />
connEMArA InforMAtIon cLInIc<br />
nEwMAn’s wEst - upstAIrs nEwMAn’s wEst - upstAIrs<br />
bookshop<br />
rEAdIng<br />
whytE books<br />
dAvId MItchELL<br />
who sEEs whAt?<br />
thE rELAtIonshIp<br />
bEtwEEn<br />
dIrEctors And<br />
dops<br />
vILLAgE hALL<br />
roundtAbLE dIscussIon<br />
4pM 5pM 6pM 7pM 8pM 9pM 10pM<br />
fEstIvAL<br />
LAunch<br />
thE courtyArd<br />
kEn<br />
wArdrop<br />
shorts<br />
vILLAgE hALL AnothEr yEAr<br />
vILLAgE hALL<br />
4pM 5pM 6pM 7pM 8pM 9pM 10pM<br />
John<br />
McgAhErn<br />
- A prIvAtE<br />
worLd<br />
thE courtyArd<br />
4pM 5pM 6pM 7pM 8pM 9pM 10pM<br />
whAt wE LEAvE<br />
In our wAkE<br />
vILLAgE hALL<br />
post productIon<br />
AudIo workshop<br />
thE courtyArd<br />
4pM 5pM 6pM 7pM 8pM 9pM 10pM<br />
MIkE LEIgh<br />
vILLAgE hALL<br />
thE ownEr<br />
vILLAgE hALL<br />
IrIsh prEMIErE<br />
bookshop<br />
rEAdIng<br />
whytE books<br />
MAurIcE o’cALLAghAn<br />
dIffErEnt voIcEs,<br />
dIffErEnt <strong>pAt</strong>hs<br />
vILLAgE hALL<br />
‘kEn wArdrop:<br />
thE Art of thE<br />
short<br />
vILLAgE hALL<br />
LEnny<br />
AbrAhAMson,<br />
thE crAft of<br />
dIrEctIon<br />
vILLAgE hALL<br />
“It’s A wrAp!”<br />
prIzEgIvIng<br />
cErEMony<br />
vILLAgE hALL<br />
subMIttEd<br />
short fILMs<br />
vILLAgE hALL<br />
progrAMMEs 19-20<br />
notE:<br />
10.15pM - 12.30AM<br />
hIs &<br />
hErs<br />
subMIttEd<br />
short fILMs<br />
vILLAgE hALL<br />
progrAMMEs 21-22<br />
notE: 11pM - 1AM<br />
gArAgE<br />
vILLAgE hALL<br />
subMIttEd<br />
short fILMs<br />
vILLAgE hALL<br />
progrAMMEs 23-24<br />
notE: 11pM - 1AM
FESTIVAL EVENTS<br />
THURSDAY 24TH<br />
bongo bong undrEssIng My MothEr<br />
usELEss dog AnothEr yEAr<br />
subMIttEd short fILMs<br />
vILLAgE hALL / 9AM – 6pM / thursdAy 24th MAy, 2012<br />
PrOGrAmmEs 1 - 9<br />
FESTIVAL LAUNCH<br />
thE courtyArd / 6pM / thursdAy 24th MAy, 2012<br />
kEn wArdrop shorts<br />
vILLAgE hALL / 7pM / thursdAy 24th MAy, 2012<br />
hEn (2001) 5m<br />
dAMpEnEd spIrIts (2003) 3m<br />
LovE Is LIkE A buttErfLy (2003) 3m<br />
rAvIng (2004) 3m<br />
undrEssIng My MothEr (2004) 6m<br />
usELEss dog (2004) 5m<br />
ouch! (2005) 10m<br />
bongo bong (2006) 5m<br />
scorIng (2007) 3m<br />
fArEwELL pAckEts of tEn (2007) 3m<br />
tonguE tIEd (2007) 3m<br />
contAgIous (2007) 3m<br />
thE hErd (2009) 4m<br />
ken wardrop studied filmmaking at the national <strong>Film</strong> School, IaDt.<br />
In 2008, his work received the Grand Prix award at Sapporo. his short<br />
film Undressing my Mother, one of Ireland’s best loved short films, won<br />
European <strong>Film</strong> academy award, Special Jury Mention at Sundance and<br />
an IFta for Best <strong>Short</strong> <strong>Film</strong>. his Documentary on Circumcision Ouch!<br />
and Bongo Bong, were both nominated for an IFta. Farewell Packets of<br />
Ten won Best <strong>Short</strong> Documentary at toronto.<br />
24<br />
AnothEr yEAr<br />
(2009) 129m<br />
WriTTEN & DirECTED By mikE LEiGH<br />
vILLAgE hALL / 8pM / thursdAy 24th MAy, 2012<br />
cast includes: Jim Broadbent (tom), lesley Manville (Mary), ruth Sheen<br />
(Gerri), Peter Wight (ken), oliver Maltman (Joe), David Bradley (ronnie),<br />
karina Fernandez (katie), Martin Savage (Carl), Michele austin (tanya),<br />
Phil Davis (Jack), Stuart McQuarrie (tom’s Colleague) and Imelda<br />
Staunton (Janet).<br />
Spring, Summer, autumn, Winter. Family and friendship. love<br />
and warmth. Joy and sadness. hope and despair. Companionship.<br />
loneliness. a birth. a death. time passes… a happily married couple<br />
seek to maintain a balanced and non judgemental connection with<br />
their network of friends, despite the difficulties that such maintenance<br />
invariably throws up. Another Year was nominated for best film at Cannes<br />
2010, and for best screenplay at the academy awards 2011.<br />
producer Georgina Lowe, Danielle brandon, (line producer) Gail<br />
Egan( executive producer), Tessa Ross (executive producer) original<br />
Music Gary Yershon cinematography Dick Pope Editing Jon Gregory<br />
casting Nina Gold production design Simon beresford Art direction<br />
Andrew Rothschild set decoration Sophia Chowdhury costume design<br />
Jacqueline Durran.<br />
subMIttEd short fILMs<br />
vILLAgE hALL / 10.15 pM – 12.15AM / thursdAy 24th MAy, 2012<br />
PrOGrAmmEs 19 - 20<br />
25
FESTIVAL EVENTS<br />
FRIDAY 25TH<br />
subMIttEd short fILMs<br />
vILLAgE hALL / 9AM – 6pM / frIdAy 25th MAy, 2012<br />
PrOGrAmmEs 10 - 18<br />
John McgAhErn - A prIvAtE worLd<br />
(2005) 52m dIr: PAT COLLiNs<br />
courtyArd / 5pM / frIdAy 25th MAy, 2012<br />
See page 20-21 for details.<br />
thE ownEr<br />
(2012) 105m (IrIsh prEMIErE)<br />
vILLAgE hALL / 6pM / frIdAy 25th MAy, 2012<br />
MAIrtín dE bArrA<br />
26<br />
dir: Xavier Agudo, Mike Canzoniero, Francois<br />
Coetzee, Mairtín de barra, Todd Felderstein,<br />
Nicolas Fogliarini, Yango González, Nino<br />
Leitner, Craig Lines, Vishesh Mankal, Varun<br />
Mathur, Steve Murphy, Arne Nostitz-Rieneck,<br />
Asmit Pathare, Neha Raheja Thakker, Adam<br />
Ruszkowski, Alexander Schoenauer, Sabine<br />
Sebaali, Prashant Sehgal, Fahad Shaikh, Marty<br />
Shea, brian Shephard, Nicole Sylvester, John<br />
Versical, and Rafael Yoshida.<br />
the first of its kind, ‘The Owner’ is a<br />
multilingual online CollabFeature <strong>Film</strong>. 25<br />
filmmakers (most of whom have never met)<br />
from 5 continents joined forces online to<br />
write, direct, produce and now premiere this<br />
film in their own locations. the Irish Co-<br />
Director Mairtín de barra has been to Schull<br />
before. his debut short film ‘Tart’ won ‘Best<br />
Cinematography’ at CFSFF in 2009. In January<br />
2012 his documentary series “the Club”<br />
premiered on Setanta Sports. Mairtín has just<br />
wrapped his debut feature film ‘Beat Girl’ for<br />
Beactive Media.<br />
this worldwide collaborative project called CollabFeature, was conceived<br />
by two Detroit-based directors, Marty Shea and Ian Bonner. the project<br />
is will break the world record for most directors on a film, surpassing<br />
‘Paris je t’aime’, which currently holds the Guinness World record of 21.<br />
this is the film’s Irish Premiere, one of 25 premieres happening across 5<br />
continents on the same day.<br />
the film follows a backpack on a journey around the world, intersecting<br />
the lives of dozens of characters along the way. the owner brings<br />
together a variety of cultures, languages and film styles into a singular<br />
narrative plot. as the story progresses, we learn details about the<br />
mysterious man to whom the bag belongs.<br />
John kELLEhEr<br />
After the film, there will be a q&A with Mairtín<br />
de barra chaired by festival patron John<br />
kelleher. cfsff 2012 is delighted to welcome<br />
both Mairtín and John back to schull.<br />
kEn wArdrop: thE Art of thE short<br />
vILLAgE hALL / 8pM / frIdAy 25th MAy, 2012<br />
(Make sure you see ken Wardrop’s collection of short films on thursday<br />
24th May, 7pm in the village hall)<br />
award-winning director ken wardrop has made a unique contribution<br />
to the art of the <strong>Short</strong> <strong>Film</strong>. his body of work is testament to the ability<br />
of <strong>Short</strong>s to reveal the universal in the deeply personal, capturing the<br />
simple and the profound with lasting resonance. CFSFF 2012 is proud to<br />
present a chance to meet and be inspired by a true Master of the <strong>Short</strong><br />
<strong>Film</strong> form.<br />
ken Wardrop will be interviewed by director carmel winters, whose<br />
feature Snap (2010) won Best Irish <strong>Film</strong> and Best Irish Director at the<br />
Dublin Critics Circle awards 2011 and was shown at CFSFF last year.<br />
CFSFF is delighted to welcome her back to Schull. the interview will be<br />
followed by ken’s feature His & Hers.<br />
hIs & hErs<br />
(2009) 80m<br />
vILLAgE hALL / 9.30pM / frIdAy 25th MAy, 2012<br />
dir & Ed ken Wardrop prod andrew Freedman<br />
dops Michael lavelle & kate McCullough<br />
Music Denis Clohessy cast Many and varied…<br />
“A man loves his girlfriend the most, his wife<br />
the best, but his mother the longest.” old Irish<br />
Proverb<br />
From kitchens, living rooms, and hallways<br />
across the Irish midlands, His & Hers<br />
delightfully combines observation and charm<br />
to tell a 90-year-old love story through the<br />
voices of 70 women. this intimate gender<br />
and cultural snapshot explores a woman’s<br />
relationships with the men in her life - father,<br />
boyfriend, husband, son. Following sequentially from little girl to old<br />
woman, each character portrait is woven with the others into one<br />
perfectly crafted cinematic quilt.<br />
His & Hers won the audience award in the Dublin International <strong>Film</strong><br />
<strong>Festival</strong>, the Feature award in the Galway <strong>Film</strong> Fleadh, an IFta for Best<br />
Feature Documentary and the Cinematography award at the Sundance<br />
<strong>Film</strong> <strong>Festival</strong> 2010.<br />
subMIttEd short fILMs<br />
vILLAgE hALL / 11 pM – 1AM / frIdAy 25th MAy, 2012<br />
PrOGrAmmEs 21 - 22<br />
kEn wArdrop cArMEL wIntErs<br />
27
FESTIVAL EVENTS<br />
SATURDAY 26TH<br />
JAck goLd chrIs o’dELL cAthErInE<br />
gAby sMyth frAn kEAvEnEy<br />
tIErnAn<br />
EugEnE MccrystAL<br />
froM scrIpt to scrEEn: A<br />
MAstErcLAss wIth JAck goLd<br />
vILLAgE hALL / 10AM - 1.30pM / sAturdAy 26th MAy, 2012<br />
<strong>Film</strong>ing and editing a simple scene from a short story: “Dusky Ruth” by<br />
a.E. Coppard.<br />
Two actors, two chairs and a couple of props. Decisions have to be made.<br />
Where are the chairs? Where are the actors? How do they perform? How<br />
do they move? Where is the camera? Does it move? What size is the frame?<br />
Regarding editing, which shot do we use? How much do we use? What order<br />
do they go in? Remember this is a silent film, no dialogue. This is NOT a<br />
lecture. The audience are encouraged to participate. We will try to edit this<br />
sequence before your very eyes!<br />
28<br />
Jack Gold, May 2012<br />
dir: Jack Gold dop: Chris O’Dell Ed: Martin Levis Actors: Shauna<br />
McGowan and Jacob Cairns<br />
Jack gold has had an outstanding career as a director. of his best loved<br />
films, one is “The Naked Civil Servant” (1975) with John hurt. Chris<br />
o’Dell, our founding chairman, has worked with Jack as director of<br />
photography on several films including the wonderful “Goodnight Mr.<br />
Tom” (1998). this is a unique opportunity to witness a very experienced<br />
and successful Director and Dop team at work. the camera image will<br />
be projected directly onto the large screen in the village hall. We are<br />
delighted to welcome Jack and his wife Denyse back to Schull for<br />
CFSFF 2012.<br />
thE kEEpEr of thE drEAM: A<br />
producEr’s pErspEctIvE<br />
CATHEriNE TiErNAN AND GABy smyTH, s.P.i.<br />
nEwMAn’s wEst, upstAIrs / 11AM / sAturdAy 26th MAy, 2012<br />
“Manager, script editor, accountant, lawyer, banker, tea maker. A producer<br />
can be any and all of those things... from concept to the finished film on<br />
screen”.<br />
Catherine tiernan<br />
catherine tiernan is Membership Development and Communications<br />
Manager at Screen Producers Ireland. With Gaby Smyth, she will discuss<br />
the role of the producer, and S.P.I., in the rapidly changing world of<br />
film and tv production and distribution. She ran her own production<br />
company through the 90s, was later head of production and development<br />
at octagon and has participated on a number of European training<br />
programmes for producers. She is currently on the panel of international<br />
assessors for the MEDIa Development Programme.<br />
gaby smyth is the Chairman of Screen Producers Ireland, the national<br />
representative organisation of over 140 diverse production companies.<br />
he is a fellow of the Institute of Chartered accountants and runs his own<br />
chartered accountancy firm, specialising in the music, film and theatre<br />
arts. he is currently on the board of the Dublin International<br />
<strong>Film</strong> <strong>Festival</strong>.<br />
coMMunIty fILMMAkIng workshop<br />
wIth wEst cork tELEvIsIon<br />
thE courtyArd / 12noon / sAturdAy 26th MAy, 2012<br />
Working with the region’s daily online paper, West Cork Times, West<br />
Cork tv, an internet station, aims to train local groups and individuals<br />
to provide video coverage/archiving for their community and the region<br />
as a whole. this workshop is designed for those who have no training<br />
whatsoever and may be somewhat intimidated by the prospect of a foray<br />
into the media world. We are looking for the young and the old to step<br />
up with whatever equipment they can lay their hands on, and with a few<br />
simple rules and guidelines produce clear stories and reflections from<br />
and for their communities.<br />
This workshop is facilitated by Clonakilty based broadcast television<br />
production company Alchemy Electronic Arts, with fully qualified level 9<br />
trainers and educators.<br />
LocAL IntErEst fILMs<br />
vILLAgE hALL / 2pM / sAturdAy 26th MAy, 2012<br />
thE LIttLE wAy chArIty shop (2012) 4m<br />
dir: Colm rooney: <strong>Short</strong> Documentary on nellie Cotter’s little Way<br />
Charity Shop, Main Street, Schull. Made for the West Cork Development<br />
Partnership.<br />
A dAy on thE wAtEr (2012) 13m<br />
dir: Mark McCarthy: a documentary about the sport of team racing shot<br />
in Schull. Sailing up close and personal.<br />
An InspIrEd gAthErIng (2008) 30m<br />
dir: rob Bradstock: Members of the West Cork Craft and Design Guild at<br />
work, with commentary by Jeremy Irons.<br />
Six Degree Productions: www.sixdegreeproductions.com<br />
thE Art of thE coLourIst<br />
EUGENE mCCrysTAL<br />
courtyArd / 2pM / sAturdAy 26th MAy, 2012<br />
Eugene Mccrystal qualified as a broadcast engineer from ravensborne<br />
College, london in 1992. he worked in london, rome and Sydney before<br />
returning to Dublin in 1999 to spend 5 years working in the Yard and<br />
Screen Scene. In 2004 Eugene co-founded EGG Post Production but<br />
went out on his own in 2009. his main speciality in recent years has been<br />
working as a colourist on Feature films, Drama, Documentaries and all<br />
sorts of short form projects. Eugene will be discussing the importance of<br />
the colourist in post production.<br />
29
FESTIVAL EVENTS<br />
SATURDAY 26TH<br />
dAvId<br />
MItchELL<br />
30<br />
nIALL<br />
MAhonEy<br />
MAurIcE<br />
o’cALLAghAn<br />
kILLIAn<br />
fItzgErALd<br />
scrIpt to scrEEn: A JoInt sEMInAr<br />
frAN kEAVENEy, ifB sHOrT fiLm ExECUTiVE.<br />
NiALL mAHONEy, COrk sCrEEN COmmissiONEr.<br />
nEwMAn’s wEst, upstAIrs / 2pM / sAturdAy 26th MAy, 2012<br />
niall Mahoney will represent the role of the Cork Screen Commission<br />
in its primary purpose, that is, to nurture and develop indigenous film<br />
makers in Cork County. this will be followed by an in depth, step-bystep<br />
explanation from fran keaveney, <strong>Short</strong> <strong>Film</strong> Executive of the Irish<br />
<strong>Film</strong> Board, on the processes and requirements involved in submitting<br />
a Funding application to the IFB for their various schemes. there will<br />
follow a Q&a potentially involving a short film producer who has been<br />
successful in getting an IFB award. the audience will get a chance to<br />
hear what it was like from the inside, to ask directly about the whole<br />
experience and how to avoid the pitfalls.<br />
bookshop rEAdIng<br />
DAViD miTCHELL<br />
whytE books / 3pM/ sAturdAy 26th MAy, 2012<br />
david Mitchell’s first published novel, Ghostwritten (1999), had nine<br />
narrators in nine locations telling interlocking stories. Ghostwritten won<br />
the John llewellyn rhys Prize and was shorlisted for the Guardian First<br />
Book award. Both number9dream (2001) and the structurally remarkable<br />
Cloud Atlas (2004) were shortlisted for the Man Booker Prize. In 2006,<br />
Mitchell wrote the semi-autobiographical Black Swan Green and in 2010,<br />
The Thousand Autumns of Jacob de Zoet, an historical novel set at a Dutch<br />
East Indies Company trading post in early nineteenth century Japan.<br />
mAUriCE O’CALLAGHAN<br />
whytE books / 5pM / sAturdAy 26th MAy, 2012<br />
Maurice o’callaghan directed the 1995 feature film, Broken Harvest,<br />
about the lingering after-effects of the Civil War in 1950’s Ireland. he<br />
wrote A Day For The Fire And Other Stories, (Irish times Book of the<br />
Year, 2005, Francis McManus award <strong>Short</strong>list, rtE, read by Patrick<br />
Bergin). Maurice is directing the title story of this collection as a<br />
short film starring Jon kenny, Jonathan ryan and Patrick Bergin with<br />
Seamus Deasy directing photography. In 2007 he wrote the Celtic tiger<br />
meditation novel, A Man Who Was Somebody. Maurice will read from his<br />
current novel In Their Dreams Of Fire.<br />
post productIon AudIo workshop<br />
kiLLiAN fiTzGErALD (WEB.mAC.COm/AVATArPOsTPrODUCTiON)<br />
courtyArd / 4pM / sAturdAy 26th MAy, 2012<br />
killian fitzgerald has been working in the sound post production<br />
business for over 20 years and won an IFta in 2012 for his work on<br />
The Writing in the Sky (real <strong>Film</strong>s). having worked on everything from<br />
student shorts to full budget feature films, from tv trailers to soap<br />
operas, dramas and documentaries. he will talk about the importance<br />
of sound editing, effects design, mixing techniques and how some<br />
simple planning at an early stage can make the difference between a<br />
film turning out with a decent sound track or not. For anyone interested<br />
in learning how to plan sound in their film, whether dialogue, sound<br />
effects, music or mixing, this presentation is a must.<br />
cArLos gArcIA<br />
dE ALbA<br />
focus on MEXIco<br />
vILLAgE hALL / 3pM / sAturdAy 26th MAy, 2012<br />
cortAndo frontErAs 2 (2012) 18m<br />
Four winning films from the Institute of Mexicans abroad (IME)<br />
Competition, and a fifth from Ireland, awarded by the Mexican Foreign<br />
affairs Ministry and introduced here by his Excellency Carlos Garcia de<br />
alba, the Mexican ambassador to Ireland. 51 cell phone videos took part<br />
from 21 countries. the popular vote, via the internet, resulted in:<br />
i) Sara nazareth victoria torres, from Manila, the Philippines<br />
dE MuErtos En MAnILA (thE dEAd of MAnILA)<br />
ii) Darío rodríguez, from texas, uSa<br />
EL EXILo (thE EXILE)<br />
iii) Esteban Zúñiga, from France<br />
EspEro (I wAIt)<br />
the jury first place was awarded to:<br />
iv) valeria Saavedra, from Sweden<br />
AhorItA vEngo voy por LAs tortILLAs (I’LL bE bAck soon,<br />
I’M goIng out to gEt soME tortILLAs)<br />
suErtEs, huMorEs y pEquEñAs hIstorIAs (2010) 45m<br />
26 animated shorts, 13 dealing with deeds from the Independence<br />
(Bicentennial) and 13 about the Mexican revolution (Centennial). the<br />
shorts, lasting only 90 seconds each, were commissioned by Conaculta,<br />
through IMCInE, and brought together five of the best known Mexican<br />
animation directors, luis téllez, karla Castañeda, rigoberto “rigo”<br />
Mora (1965 – 2009), rené Castillo and rita Basulto, along with over<br />
150 illustrators, cartoonists and voices. Coproduced with CanIEtI the<br />
national Chamber of Electronics, telecom and It Industries.<br />
whAt wE LEAvE In our wAkE<br />
(2010) 70m Dir: PAT COLLiNs<br />
vILLAgE hALL / 4.30pM / sAturdAy 26th MAy, 2012<br />
(see Page 20 - 21 for details)<br />
31
FESTIVAL EVENTS<br />
SATURDAY 26TH<br />
<strong>pAt</strong> brAckEn kEn pAuL<br />
rosEnthALL<br />
rob hArpEr<br />
dIffErEnt voIcEs,<br />
dIffErEnt <strong>pAt</strong>hs to<br />
MEntAL hEALth rEcovEry<br />
With an introduction by dr. patrick bracken. Patrick will show ken Paul<br />
rosenthal’s film Crooked Beauty and will follow this with a talk on the<br />
recovery approach and the current attempt to define a new sensibility<br />
towards mental health issues.<br />
crookEd bEAuty<br />
(2011) 34m Dir., DOP, EDiTOr: kEN PAUL rOsENTHAL<br />
vILLAgE hALL / 6pM / sAturdAy 26th MAy, 2012<br />
a poetic chronicle of artist-activist Jacks<br />
Mcnamara’s transformative journey from<br />
childhood abuse to psych ward inpatient to<br />
pioneering mental health advocacy. It is an<br />
intimate portrait of her quest to live with<br />
courage and dignity and a powerful critique<br />
of standard psychiatric treatments. Poignant<br />
testimonials connect the fault lines of human<br />
nature to the unstable topography and mercurial weather patterns of the<br />
San Francisco Bay area, reshaping mental health stigmas through a new<br />
healing culture and political model for living with madness as a tool of<br />
creativity, inspiration and hope. www.crookedbeauty.com<br />
dr patrick bracken is a consultant psychiatrist and Clinical Director<br />
of the Centre for Mental health Care and recovery in Bantry General<br />
hospital. he advocates a ‘recovery’ approach to mental health issues,<br />
encouraging alternative ways of intervening and accepting different ways<br />
of framing such experiences. the recovery approach involves a mind-set<br />
based on an openness to negotiate how we frame, and intervene in,<br />
experiences of madness, distress and dislocation. Such a mind-set can<br />
be encouraged, promoted and supported but it cannot be reduced to<br />
a simple list of dos and don’ts. Importantly, the recovery approach is<br />
linked with moves to acknowledge and understand the links between<br />
states of madness and distress and the dynamics of human creativity.<br />
In the future, recovery-based services will be ones where the creative<br />
arts are not an ‘add-on’ to good mental health work but are instead at<br />
the heart of such work promoting new ways of exploring the nature of<br />
mental illness as well as providing positive ways for individuals to move<br />
on from being ‘stuck’. Pat will introduce and interview director rob<br />
harper about his film The Men In White Coats, made by rob for the nFtS<br />
last summer.<br />
thE MEn In whItE coAts<br />
(2012) 35m Dir., PrOD & DOP: rOB HArPEr<br />
Forty years ago they told Denis he was<br />
schizophrenic, but he doesn’t believe a word<br />
of it. Jake’s been stuck on the acute ward for<br />
months and rory’s doing his best to get him out.<br />
It’s an increasingly fine line between wisdom<br />
and insanity for all involved, struggling to keep<br />
it together on the South West Coast of Ireland.<br />
www.nftsfilm-tv.ac.uk<br />
rob harper graduated from Westminster university in 2008 and arrived<br />
at the nFtS in 2010. he enjoys directing intimate, narrative led films that<br />
explore the deeper psychological undercurrents of everyday life, often<br />
finding that a little humour can go a long way.<br />
32<br />
LEnny cArMEL<br />
AbrAhAMson<br />
wIntErs<br />
LEnny AbrAhAMson,<br />
thE crAft of dIrEctIon<br />
vILLAgE hALL / 8pM / sAturdAy 26th MAy, 2012<br />
Multiple-award-winning director Lenny Abrahamson has been a leading<br />
voice in the new wave of contemporary Irish and European cinema. here<br />
he talks to fellow Irish director carmel winters about the much lauded<br />
but little understood craft of the director. this is a rare opportunity to<br />
meet the man behind an extraordinary cinematic vision and to share the<br />
insights he has gained on the journey from first short to latest feature.<br />
lenny abrahamson is from Dublin and is a tCD foundation scholar in<br />
Philosophy. after a period of post graduate study in Stanford university,<br />
California, he returned home to concentrate on filmmaking. his short<br />
film 3 Joes won many awards back in the 90s, including best European<br />
short film at the Cork <strong>Film</strong> <strong>Festival</strong>. his debut feature Adam & Paul,<br />
written by Mark o’halloran who also acted one of the two leads, had<br />
enormous success winning best first feature at the 2004 Galway <strong>Film</strong><br />
Fleadh, best director at the 2005 IFtas and the Grand Prix at the 2005<br />
Sofia International <strong>Film</strong> <strong>Festival</strong>. his second feature, Garage, again<br />
collaborating with o’halloran as writer, won the CICaE art Cinema<br />
Prize in Director’s Fortnight at the 2007 Cannes <strong>Film</strong> <strong>Festival</strong>. Garage<br />
cleaned up at the 2008 IFtas winning best feature, best director, best<br />
script and best actor. It also took the prize for best feature at the torino<br />
International <strong>Film</strong> <strong>Festival</strong>, Italy 2007.<br />
gArAgE<br />
(2007) 85m Dir: LENNy ABrAHAmsON<br />
vILLAgE hALL / 9.30pM / sAturdAy 26th MAy, 2012<br />
Josie (Pat <strong>Short</strong>t) has spent 20 years as the<br />
caretaker of a crumbling petrol station in smalltown<br />
Ireland. Despite the loneliness and the<br />
fact that his neighbours treat him as a harmless<br />
misfit, he is always good natured and absurdly<br />
optimistic. Josie’s world shifts over the course of<br />
a summer when a teenager comes to work with<br />
him, and as a result of one thoughtless action on Josie’s part, events<br />
spiral out of his control changing his life forever.<br />
producer: Ed Guiney Exec. prod: Peter Carlton, andrew lowe<br />
screenplay: Mark o’halloran dop: Peter robertson Actors: Pat <strong>Short</strong>t,<br />
John keogh, George Costigan, anne-Marie Duff, Conor J ryan orig<br />
Music: Stephen rennicks Editor: Isobel Stephenson.<br />
subMIttEd short fILMs<br />
vILLAgE hALL / 11 pM – 1AM / sAturdAy 26th MAy, 2012<br />
PrOGrAmmEs 23 - 24<br />
33
FESTIVAL EVENTS<br />
SUNDAY 27TH<br />
<strong>pAt</strong> <strong>coLLIns</strong> John kELLEhEr<br />
subMIttEd short fILMs<br />
vILLAgE hALL / 9AM - 1pM / sundAy 27th MAy, 2012<br />
PrOGrAmmEs 23 - 24<br />
cAnon workshop<br />
courtyArd / 10AM - 12 noon / sundAy 27th MAy, 2012<br />
canon Eos digital sLr: Leave no story untold<br />
Canon Ireland are proud to present the latest in<br />
EoS Digital Slr technology at the Corona <strong>Fastnet</strong><br />
<strong>Short</strong> <strong>Film</strong> <strong>Festival</strong>. hear from Canon how the next<br />
generation in EoS Full hD Digital Slr cameras<br />
redefines creativity unlocking unprecedented<br />
possibilities in film making. this is a chance to try<br />
for yourself the groundbreaking EoS 5D Mark III<br />
as well as the multi award winning EoS 5D Mark<br />
II, EoS 7D, EoS 60D & EoS 600D. leave no story<br />
untold with Canon EoS.<br />
tIM robInson: connEMArA<br />
(2011) 57m Dir: PAT COLLiNs<br />
nEwMAn’s wEst, upstAIrs / 11AM / sundAy 27th MAy, 2012<br />
For details see pages 20 – 21<br />
CFSFF 2012 is delighted to welcome West Cork resident pat collins for<br />
a Q&a with John kelleher and a screening of three of his documentaries<br />
in a special director’s focus. Pat has over ten years experience of<br />
producing and directing creative documentaries. he has won numerous<br />
awards both nationally and internationally and has directed over 17<br />
documentaries, including one on the Irish writer Frank o’ Connor and<br />
the Irish language poet nuala ni Dhomhnaill In 2004, Pat’s documentary<br />
‘John McGahern: A Private World’ won the Best Irish Documentary award<br />
at the Irish <strong>Film</strong> and television awards and in 2011, ‘What We Leave In<br />
Our Wake’ received another IFta nomination.<br />
John kelleher continues to be one of Ireland’s leading independent film<br />
and television producers. he has produced six cinema films, including<br />
‘Eat the Peach‘ (1986), which he co-wrote, ‘Speakeasy’ (1999), ‘The Halo<br />
Effect’ (2002) directed by lance Daly and ‘Bang, You’re Dead’ (2002)<br />
directed by Martin Daneels. In a colourful career, he has been controller<br />
of programmes in rtE, managing director of the Sunday tribune,<br />
Director of Irish <strong>Film</strong> Classification, writer and producer. John has been<br />
an honorary patron of CFSFF from our first year and chairs a Q&a with<br />
this year’s filmmaker in focus, Pat Collins.<br />
34<br />
MIchAEL LAvELLE<br />
frAn kEAvEnEy<br />
whAt to shoot your fILM on?<br />
WiTH miCHAEL LAVELLE<br />
courtyArd / 12.30pM – 2pM / sundAy 27th MAy, 2012<br />
What should you shoot your film on? What are the broader<br />
implications of shooting on different cameras, different formats? how<br />
does the camera you choose affect the look of your film, your budget,<br />
your schedule and how you work with actors? award-winning filmmaker<br />
Michael Lavelle will guide participants through the range of<br />
options for shooting today, using his invaluable experience as both<br />
director and cinematographer to demystify the options that are available<br />
to a film-maker.<br />
Michael lavelle is a screenwriter, director and dop. he began his<br />
collaboration as a dop with director ken Wardrop in 2004 on “Undressing<br />
My Mother”, which went on to garner over 20 international awards<br />
including a European academy award. “Out of the Blue”, his debut short<br />
film as a writer/director picked up numerous international awards<br />
including Best <strong>Short</strong> <strong>Film</strong> at the london Independent <strong>Film</strong> <strong>Festival</strong>,<br />
the audience award at Cork <strong>Film</strong> <strong>Festival</strong> and the Grand Prix for<br />
Cinematography at the rhode Island <strong>Film</strong> <strong>Festival</strong>.<br />
“His & Hers” was his first feature film as a Dop. It was screened at<br />
Sundance 2010 where Michael (along with his co-dop kate<br />
McCullough) scooped the World Cinematography award for<br />
Documentary. Michael was selected as a finalist for the Berlinale today<br />
award 2011 with his short screenplay “Mother’s Little Helper”. Funded by<br />
the Berlinale and produced by Germany’s Macchiato Pictures, the film<br />
was shot on location in Berlin and screened at the Berlinale in 2011. It<br />
went on to win the award at CFSFF 2011 for best Drama as chosen by<br />
director kirsten Sheridan. We’re delighted to welcome Michael back to<br />
Schull for this talk.<br />
short fILM InforMAtIon cLInIc<br />
frAN kEAVENEy, irisH fiLm BOArD<br />
nEwMAn’s wEst, upstAIrs / 1pM / sundAy 27th MAy, 2012<br />
Following on from fran keaveney’s seminar on Saturday 26th, this is an<br />
opportunity to book a one-on-one 10 minute session with the Irish <strong>Film</strong><br />
Board’s <strong>Short</strong> <strong>Film</strong> Executive. Please book your slot through our box<br />
office and be on time.<br />
35
FESTIVAL EVENTS<br />
SUNDAY 27TH<br />
MIkE hAnnon<br />
MIkE hAnnon: dIy fILMMAkIng<br />
vILLAgE hALL / 1.30pM / sundAy 27th MAy, 2012<br />
grEyhound trAck (2010) 17min<br />
Exhibiting an anthropological style, Greyhound track appropriates<br />
a personalised version of the methodologies of direct cinema and<br />
ethnography to problematise the camera’s role.<br />
rAt’s IsLAnd (2011) 12min<br />
an observational account of how, in the face of personal and economic<br />
adversity, a father has made a home for himself and his son. It<br />
documents his efforts to survive in a social and geographic margin, as<br />
he tries to hold on to his family.<br />
tErMInAL convEntIon (2011) 30min<br />
terminal Convention was an ambitious hybrid event that inhabited the<br />
disused terminal of Cork airport, Ireland, for two weeks in March 2011.<br />
this film considers curated artist’s work, specifically created for the<br />
buildings they were exhibited in, in the light of their surrounds.<br />
All three films were directed by Mike Hannon.<br />
“the style of each film, their meaning and the way they were shot<br />
are very closely linked. Because I made these films by myself, I had<br />
complete control over every aspect of the film making process, from the<br />
initial concept to the final film. traditionally, filmmaking is characterised<br />
by compartmentalisation of labour. I am an advocate for a do-it-yourself<br />
approach, where everything you do is in service to a personal vision.”<br />
(Mike hannon, 2012)<br />
Mike hannon is an independent film maker and video artist whose work<br />
ranges from the experimental to the conventional, spanning a number<br />
of genres. he holds Bas in Fine art and applied Psychology. he has won<br />
many awards for his work, including Best Doc and Best in Cork at CFSFF<br />
2011 for rat’s Island. We were very taken with his DIY aesthetic, how this<br />
actually benefits his approach, particularly regarding rat’s Island, where<br />
his camera never seems to intrude. unusually, Mike’s approach benefits<br />
by the fact that he doesn’t need to work with a crew.<br />
who sEEs whAt? thE rELAtIonshIp<br />
bEtwEEn dIrEctors And dops<br />
vILLAgE hALL / 3pM / sundAy 27th MAy, 2012<br />
this roundtable discussion brings leading directors and<br />
cinematographers together to discuss how each collaborates to arrive at<br />
the shared vision we see on screen. Drawing from their own experience,<br />
the discussion will centre around the nuts and bolts of managing this<br />
most crucial relationship at the heart of film-making. Participants are:<br />
Jack gold, Lenny Abrahamson, chris o’dell, carmel winters and<br />
Michael Lavelle. Chaired by Aidan stanley, who is a founding member of<br />
the triskel arts Centre in Cork and has presented and produced several<br />
radio and television documentaries broadcast on rtÉ.<br />
36<br />
MIkE LEIgh grEg dykE<br />
MIkE LEIgh IntErvIEwEd by grEg dykE<br />
vILLAgE hALL / 5pM / sundAy 27th MAy, 2012<br />
Writer-director Mike Leigh was born in 1943 in Salford. he trained at<br />
the royal academy of Dramatic art, Camberwell, Central art Schools<br />
london, and at the london <strong>Film</strong> School, of which he is now Chairman.<br />
he has directed more than 20 films as well as having made a name<br />
for himself as theatre director, dramatist and screenwriter. his films<br />
have received countless international awards as well as several oscar<br />
nominations and awards. In 1971 he made his directorial debut with<br />
Bleak Moments, which went on to win the Golden leopard at the locarno<br />
<strong>Film</strong> <strong>Festival</strong>. In Cannes he won the Best Director award in 1993 for<br />
Naked, and the Palme d’or in 1996 for Secrets and Lies, which in itself<br />
received a total of five oscar nominations. In 2004, Vera Drake, his highly<br />
regarded study of society whose characters display an extraordinary<br />
depth, was awarded the Golden lion in venice.<br />
Another Year is leigh’s most recent full length movie. It screened in<br />
competition at Cannes in 2010 and it also went on to be nominated for<br />
an oscar. CFSFF will screen it on thursday 24th May 2012 in the village<br />
hall. his latest film A Running Jump is one of four shorts to be screened<br />
as part of the london 2012 <strong>Festival</strong>.<br />
after an early career as a journalist, greg dyke started his broadcasting<br />
career at lWt in 1977 and by 1991 he was Group Chief Executive.<br />
In January 2000, he was appointed Director General of the BBC. In<br />
november 2004 he became chancellor of university of York, and in<br />
March 2008 he was appointed Chair of the British <strong>Film</strong> Institute. CFSFF<br />
are delighted to welcome Greg back to his now familiar role as chair of<br />
the final day interview at Schull’s own film festival.<br />
It’s A wrAp!<br />
fEstIvAL prIzEgIvIng cErEMony<br />
vILLAgE hALL / 8pM / sundAy 27th MAy, 2012<br />
fOLLOWED By WrAP PArTy iN THE ViLLAGE<br />
the Corona <strong>Fastnet</strong> <strong>Short</strong> <strong>Film</strong> <strong>Festival</strong> Prizegiving Ceremony is open<br />
to all and takes place in the village hall, Schull at 8pm. the best of<br />
festival short film, the best Irish short film and the best under 22<br />
short film will be shown. Special guests, friends and sponsors will<br />
award prizes to the winning filmmakers. Don’t miss this very special<br />
occasion in Schull’s calendar and hang around for a night of fun in the<br />
CFSFF Wrap Party 2012.<br />
37
FESTIVAL EVENTS<br />
thE tEntED<br />
FrInGE<br />
thE tEntEd frIngE<br />
thE hArbour vIEw cAr pArk<br />
What could be happening in 4 tents and a horsebox?<br />
this is little taste of what will be going on but make sure to check the<br />
daily schedule by the venues and box office for more surprises.<br />
JunIor ActIvIty tEnt<br />
storytELLIng And drAMA ALL wEEkEnd for ALL AgEs<br />
dowtchA puppEts<br />
12noon, 2pM & 4pM / sundAy 27th MAy, 2012<br />
“grandma’s garden” is a delightful puppet show for younger children<br />
aged from 3 to 6. Seán is staying with his Grandmother for the first time<br />
while his mother is having a baby. he´s sad to be away from his games<br />
and his toys, and worries that he will have to share his parents with a<br />
new brother or sister. things get worse when he finds out there are no<br />
computer games, DvD´s or even a television in his Grandma’s house.<br />
“Grandma´s Garden” is full of surprises, magical characters, and funny<br />
songs. It encourages play, imagination and an interest in nature, while<br />
also introducing the idea of change, and being really, really good fun!<br />
“Listen Janey Mac” is a charming, fun exploration of the history of Cork<br />
City through puppetry and song, and a mildly cautionary tale reminding<br />
us all how lucky we are to live in the 21st Century. Janey Mac and her<br />
puppy wander into a magical stone circle that takes them back in time.<br />
they meet a boy from a ring fort, help build a monastery and escape a<br />
medieval slum trying to get home. “listen Janey Mac” is a gentle and<br />
humorous piece with plenty of songs and a taste of adventure suitable<br />
for a younger audience.<br />
dowtcha puppets is a Cork based puppetry company established in<br />
2002 by Cliff Dolliver and Mick lynch, as a trading name of Dolliver<br />
Design limited. they have produced nine new puppet shows for young<br />
audiences, seven street parades; two commissioned one-off adult<br />
pieces and have developed a programme of puppetry and puppet making<br />
workshops. www.dowtchapuppets.com<br />
JunIor cInEMA<br />
grown ups Must bE AccoMpAnIEd by A chILd…<br />
(EVEN if yOU HAVE TO BOrrOW ONE)<br />
the cinema interior will be decorated by the wall hangings created<br />
during the “two hour tApEstry proJEct” (the fastest tapestry<br />
making session in the west), made by the students from 6th Class in<br />
Scoil Mhuire, Schull. they illustrate the life of Zorro who was… wait for<br />
it… an Irishman from Wexford!<br />
the Mexican ambassador to Ireland, his Excellency Carlos Garcia de<br />
alba, will visit the exhibition and will also introduce a compilation of<br />
wonderful animations illustrating the story of the Mexican revolution<br />
and Mexican Independence in a humorous way.<br />
Check the daily schedule by the cinema or the box office for details on<br />
the screenings.<br />
38<br />
gAvIn hArtE ‘hAtch’<br />
gAvIn hArtE’s fAMous<br />
rE:cycLE cInEMA<br />
6 bikes, 12 legs, a 2000 lumen projector and 150W of audio system for<br />
screening short films. You want to watch? then pedal.<br />
gavin harte, Sustainable Development & Carbon Coach, holds a<br />
master’s degree in sustainable development. he has been a high profile<br />
spokesperson on environmental and sustainability issues for many<br />
years. he has worked as the national director of an taisce and was the<br />
founder and developer of Ireland’s first eco-village in Cloughjordan Co<br />
tipperary. Currently Gavin is working with Codema to help homeowners<br />
to start Energy Smart Communities to improve the energy efficiency<br />
of their homes. Gavin is also providing Education for Sustainable<br />
Development and climate change throughout Ireland. In a voluntary<br />
capacity Gavin works with the climate change campaigning group Stop<br />
Climate Chaos.<br />
www.esdtraining.net<br />
dAMIAn MccArthy’s horror horsEboX<br />
Four horrific short films, one director, one horsebox. there’s no escape<br />
in this retrospective of Damian McCarthy’s four horror shorts submitted<br />
one for every year of our festival’s existence. See them all on a loop over<br />
the weekend.<br />
he dies At the End (2009), hatch (2010), hungry hickory (2010) and<br />
never Ever open It (2011).<br />
AdvEnturEs ActIvItIEs showcAsE tEnt<br />
a tent dedicated to adventure activities<br />
in West Cork, with presentations from<br />
many of West Cork’s leading providers.<br />
looped video presentations of many<br />
eye catching, attention grabbing<br />
adventures, showcasing the natural<br />
beauty of our unique and pristine habitats. the issues of conservation,<br />
sustainable tourism and the promotion of West Cork as an eco-friendly<br />
destination and a film location managers’ paradise will be highlighted.<br />
organised and overseen by Jim kennedy of atlantic Sea kayaking and<br />
supported by Fáilte Ireland and West Cork Development Partnership.<br />
www.atlanticseakayaking.com and www.wcdp.ie<br />
39
FEStIval<br />
SPonSorS<br />
tItLE sponsor<br />
Corona<br />
grAnt AIdEd by<br />
Cork County Council<br />
West Cork Development<br />
Partnership<br />
Fáilte Ireland<br />
Culture Ireland<br />
Irish <strong>Film</strong> board<br />
fEstIvAL AssocIAtEs<br />
William and Judith bollinger<br />
benny and Cliona McCabe<br />
Michael Satke<br />
Frank Daly – Ronan, Daly Jermyn<br />
Solicitors<br />
Vivian Edward Nathan<br />
Digitalforge<br />
Subaru: Denis & Mary Ryan<br />
busInEss frIEnds<br />
John & Patti bennane<br />
John & Josephine bennett<br />
Jean-Michel & Anne Marie Cahier<br />
- The New Haven<br />
Nellie Cotter - Little Way Charity<br />
Shop<br />
Sue & Tez Hackett - Hackett’s bar<br />
Ken Kilkenny – Aseco Ireland Ltd<br />
Sabine Lenz & Len Lipitch -<br />
Enibas<br />
Pat & Sandra Maher<br />
David O’Reilly<br />
Frankie Ross<br />
Eanna & Mary Timmoney<br />
Sheila Whyte - Whyte books<br />
frIEnds<br />
Vincent & Josephine Ahern<br />
Jack & Maura Allen<br />
Peter Andrews<br />
Claire barrett<br />
Pat bracken and Joan Giller<br />
Jim & Maureen Carrig<br />
Annie Chance<br />
Moira & Deirdre Collins<br />
Tim and Noreen O’Connor<br />
Audrey Dunphy<br />
Credit Union Skibbereen<br />
James & Debbie Crowley<br />
Ann & Peter Dellar<br />
Irene Flynn<br />
Carol Gilbert<br />
Diana & Jeremy Gilbert<br />
Susan Hurley<br />
Con Lynch and betty O’Donoghue<br />
Sean McCarthy<br />
Pat McManus<br />
40<br />
Ann Martin<br />
barry Monahan<br />
Zena Mulligan<br />
Chris & Patricia O’Dell<br />
Noel & Peggy O’Donovan<br />
Peggy O’Hara<br />
John & Susan O’Shea<br />
Dorothy Quinlan<br />
Jean Regan<br />
Julia & Jack Zagar<br />
In kInd sponsorshIp<br />
Jeremy brosnan - brosnan’s<br />
Eurospar<br />
Tom brosnan - Centre Parks<br />
Harbour Homes Developments<br />
brendan & Jane Hurley -<br />
Digitalforge<br />
Liss Ard House<br />
Catherine Kelleher - The Moorings<br />
Maria & Jim Kennedy - Atlantic<br />
Sea Kayaking<br />
Arthur & Lydia Little<br />
Andrea & Martin Mueller -<br />
Corthna Lodge<br />
Seamus O’Donoghue<br />
Thomas Newman Photography<br />
Walter & Josephine Ryan-Purcell -<br />
Loughbeg Farm<br />
Colin Vearncombe<br />
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Canon ireland<br />
Canon Ireland are proud to present the<br />
latest in EOS Digital SLR technology at<br />
the <strong>Fastnet</strong> <strong>Short</strong> <strong>Film</strong> <strong>Festival</strong>. Hear from<br />
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unlocking unprecedented possibilities in<br />
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• 14-bit DIGIC 5+ processor<br />
• Enhanced Weather sealing<br />
• 8.11cm (3.2-inch) 1,040,000-dot screen<br />
• HDR mode with presets<br />
thank You<br />
a SInCErE ‘thank You’ to<br />
all thE PEoPlE lIStED BEloW<br />
thE SuCCESS oF thE Corona FaStnEt<br />
<strong>Short</strong> FIlM FEStIval IS a tEStaMEnt to<br />
Your SuPPort<br />
@ your leisure, Davey ahern - Synth Eastwood, vincent and Josephine<br />
ahern, atlantic Sea kayaking - Maria & Jim kennedy, tony and Mairead<br />
Barry, Carlos Benyalo, Donal Beecher, David Bickley, Demian & Bruno<br />
Bichir, Black Sheep, the Bodega – Cork, Pat Bracken, tom & Jeremy<br />
Brosnan – Brosnan’s Eurospar, Gabrielle Byrne, Bunratty Inn, C103,<br />
Dan Cahill, Clare Carey, Jim & Maureen Carrig, Michael Collins,<br />
Edel Connor, Johanna Connor, Pat Connor, Jacqui Corcoran, arena,<br />
Sarah-Jane Sinnott – Cork County Council, niall Mahoney, Cork Screen<br />
Commissioner, Suzi Coughlan, Courtyard Crafts, John D’alton, Enibas,<br />
Father alan and the Parish Council, James Flynn, David & venita Galvin,<br />
his Excellency Carlos Garcia de alba, the Mexican ambassador to<br />
Ireland, Carol Gilbert, Joan Giller, richard Gostyn, Granite Consulting,<br />
Camilla Griehsel, Gubbeen Farmhouse Products, raul Padilla, Ivan<br />
trujillo, anjelica Barba, anna Zambon & Sarah ross from FICG,<br />
Guadalajara, hackett’s Bar, harbour homes Developments, Gavin<br />
harte, Clair & Ian haseldine, Brendan and Jane hurley – Digitalforge,<br />
Gerard hurley, hopkins Communications, Iván Gutiérrez, Pablo Briseño<br />
and Maru Garzon – IMCInE, Catherine & kevin kelleher, tom James<br />
– IoMEGa Ireland, Clair lalor, Jason lee, teri leiber, arthur & lydia<br />
little, little Way Charity Shop, the Moorings, Martin levis, liss ard<br />
house, len lipitch & Sabine lenz, David long Coach hire, Sarah &<br />
Derek Mcknight, luisa McCarthy, Mark McCarthy, tom McCarthy,<br />
aileen Maguire, MCS, Pat McCabe, toma McCullim, kevin McGowan,<br />
karen Minihan, andrea & Martin Mueller - Corthna lodge, Florence<br />
newman, newman’s West, Deirdre ni Challanain, tim o’Connor –<br />
Principal, Schull Community College, Sean o’Connell, Chris o’Dell and<br />
Patricia Coogan o’Dell, Seamus o’Donoghue, Fergus o’Farrell, Eleanor<br />
o’Driscoll, o’regan’s Bar, David o’reilly, Geraldine o’reilly, Bernadette<br />
o’Shea, Mags o’Sullivan, IFB, Jonathan Parson & Caragh MacCloskey,<br />
John and nona Pettersen, Con Power, David & Patsie Puttnam, Denis<br />
and Finola Quinlan, Frankie ross, Ed roycroft, Denis & Mary ryan,<br />
Walter and Josephine ryan-Purcell, Schull Community Council, Ger<br />
Prendeville & Schull Gardaí, Schull Drama Group, Schull Development<br />
association, Schull & Fitbones, Schull tidy towns, kirsten Sheridan,<br />
akira hatsusegawa, Sapporo <strong>Film</strong> <strong>Festival</strong>, aidan Stanley, Gerard<br />
Stembridge, team D.a.D.D.Y., the Calvinists, the Parish hall, thomas<br />
newman Photography, Colin vearncombe, robin Wells, Brendan Whyte,<br />
Sheila Whyte & Whyte Books, Carmel Winters, laura rascaroli, Gwenda<br />
Young, Barry Monahan, Pierluigi Ercole & nuala Finnegan – uCC <strong>Film</strong><br />
Studies, Julia Zagar.<br />
to ALL thE voLuntEErs who hAvE gIvEn up thEIr<br />
tIME to hELp ovEr thE pAst 4 yEArs –<br />
wE sALutE you!<br />
a special thanks to logistics at Collin’s Barracks, Cork<br />
a very special thanks to Martin levis for dedication above and beyond,<br />
and to Brendan hurley for the bandwidth and the enthusiasm.<br />
Many thanks to our social network administrators in 2010/2011/2012,<br />
Mark McCarthy, Pauline Cotter and hilary McCarthy, who have focused<br />
on Facebook in 2012<br />
www.facebook.com/fastnetshortfilmfestival<br />
as regards myspace & youtube, we’ll be back in 2013 or sooner<br />
www.myspace.com/fastnetshorts<br />
www.youtube.com/fastnetshorts<br />
and to all the businesses of Schull for their continued support,<br />
thank you.<br />
a huge thanks goes to all our guests, none of whom take any payment<br />
for taking part in our festival.<br />
41
FEStIval<br />
SPonSorS<br />
bILL & Judy<br />
boLLIngEr<br />
frAnk dALy<br />
tItLE sponsor:<br />
grAnt AIdEd by: In kInd sponsors:<br />
fEstIvAL AssocIAtEs: fEstIvAL progrAMMIng supportEd by:<br />
w. MIchAEL<br />
sAtkE<br />
SPonSorS oF thE 2012 FEStIval ProGraMME:<br />
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