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Friedrich_Nietzsche - Untimely_Meditations_(Cambridge_Texts_in_the_History_of_Philosophy__1997)

Friedrich_Nietzsche - Untimely_Meditations_(Cambridge_Texts_in_the_History_of_Philosophy__1997)

Friedrich_Nietzsche - Untimely_Meditations_(Cambridge_Texts_in_the_History_of_Philosophy__1997)

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<strong>Untimely</strong> <strong>Meditations</strong>1.1rais<strong>in</strong>s out <strong>of</strong> a tough cake;' that without thrills and extreme situationsnoth<strong>in</strong>g on <strong>the</strong> stage can make any real effect; and that Schilleremerged from Kant as from a hydropathic establishment. All this iscerta<strong>in</strong>ly new and strik<strong>in</strong>g, even if it does not strike us very pleas andy;and, as surely as it is new, just as surely it will never grow old, for itwas never young: it came <strong>in</strong>to <strong>the</strong> world already old. What ideas <strong>the</strong>new-style blessed come across <strong>in</strong> <strong>the</strong>ir aes<strong>the</strong>tic Heaven! And whyhave <strong>the</strong>y not forgotten at any rate some <strong>of</strong> <strong>the</strong>m, especially when<strong>the</strong>y are as unaes<strong>the</strong>tic and earthly-ephemeral and bear <strong>the</strong> stamp <strong>of</strong>stupidity as visibly as, for example, some <strong>of</strong> <strong>the</strong> op<strong>in</strong>ions <strong>of</strong>Gerv<strong>in</strong>us! But it almost seems as though <strong>the</strong> modest greatness <strong>of</strong> aStrauss and <strong>the</strong> immodest m<strong>in</strong>imality <strong>of</strong> a Gerv<strong>in</strong>us can get ontoge<strong>the</strong>r only too well: and so hail to all <strong>the</strong>se blessed ones, and hailto us unblessed ones as well, if this undoubted judge <strong>of</strong> art goes onteach<strong>in</strong>g his acquired enthusiasm and his coach-horse gallop, <strong>of</strong>which honest Grillparzer has spoken with all due clarity, and allHeaven resounds with <strong>the</strong> ho<strong>of</strong>beats'<strong>of</strong> this gallop<strong>in</strong>g enthusiasm!Th<strong>in</strong>gs would at least be a bit livelier than tihey are at present, when<strong>the</strong> creep<strong>in</strong>g carpet-slippered enthusiasm <strong>of</strong> our heavenly leaderand <strong>the</strong> lukewarm eloquence <strong>of</strong> his mouth <strong>in</strong> <strong>the</strong> long run onlyweary and disgust us. I would like to know how a Hallelujah wouldsound <strong>in</strong> <strong>the</strong> mouth <strong>of</strong> Strauss: I imag<strong>in</strong>e one would have to listenvery closely or it would sound like a polite apology or a whisperedcompliment. I can relate an <strong>in</strong>structive and appall<strong>in</strong>g example <strong>of</strong>this. Strauss took grave exception to references by one <strong>of</strong> his opponentsto his bow<strong>in</strong>g and scrap<strong>in</strong>g before Less<strong>in</strong>g- <strong>the</strong> unfortunateman had misunderstood him -; Strauss, to be sure, asserted that <strong>the</strong>man must be a numbskull not to recognize that <strong>the</strong> simple words hehad used <strong>of</strong> Less<strong>in</strong>g <strong>in</strong> section got had come straight from <strong>the</strong>warmth <strong>of</strong> his heart. Now, I have no doubt at all as to <strong>the</strong> existence <strong>of</strong>this warmth; on <strong>the</strong> contrary, I have always felt that this warmth <strong>of</strong>approval <strong>of</strong> Less<strong>in</strong>g on <strong>the</strong> part <strong>of</strong> Strauss had someth<strong>in</strong>g suspectabout it; I f<strong>in</strong>d <strong>the</strong> same suspect approval <strong>of</strong> Less<strong>in</strong>g raised to steamheat<strong>in</strong> Gerv<strong>in</strong>us; <strong>in</strong>deed, none <strong>of</strong> <strong>the</strong> great German writers is <strong>in</strong>general so popular with <strong>the</strong> litde German writers as Less<strong>in</strong>g is; andyet <strong>the</strong>y deserve no thanks for it: for what is it <strong>in</strong> Less<strong>in</strong>g that reallyw<strong>in</strong>s <strong>the</strong>ir approval? First, his universality: he is a critic and a poet,an archaeologist and a philosopher, a <strong>the</strong>orist <strong>of</strong> drama and a*Goe<strong>the</strong>'s novel Wilhelm Mei.sters Wa ruleryahre (182 1-9), which conta<strong>in</strong>s <strong>in</strong>set stories.t'section 90' refers to The Old Faith and <strong>the</strong> New.20

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