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Friedrich_Nietzsche - Untimely_Meditations_(Cambridge_Texts_in_the_History_of_Philosophy__1997)

Friedrich_Nietzsche - Untimely_Meditations_(Cambridge_Texts_in_the_History_of_Philosophy__1997)

Friedrich_Nietzsche - Untimely_Meditations_(Cambridge_Texts_in_the_History_of_Philosophy__1997)

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<strong>Untimely</strong> <strong>Meditations</strong>as not to have to follow after <strong>the</strong>m and to go on seek<strong>in</strong>g. For 'All seek<strong>in</strong>gis at an end' is <strong>the</strong> motto <strong>of</strong> <strong>the</strong> philist<strong>in</strong>es.There was a time when this motto was to some extent sensible: <strong>the</strong>time when, dur<strong>in</strong>g <strong>the</strong> first decade <strong>of</strong> <strong>the</strong> present century, so muchconfused seek<strong>in</strong>g, experiment<strong>in</strong>g, wreck<strong>in</strong>g, promis<strong>in</strong>g, surmis<strong>in</strong>g,hop<strong>in</strong>g was go<strong>in</strong>g on <strong>in</strong> Germany that <strong>the</strong> spiritual middle class wasright to fear for its own safety. At that time it was right to reject with ashrug <strong>of</strong> <strong>the</strong> shoulders <strong>the</strong> brew <strong>of</strong> fantastic and language-twist<strong>in</strong>gphilosophies and tendentious historiographies, a carnival <strong>of</strong> all <strong>the</strong>gods and myths, which <strong>the</strong> Romantics had mixed toge<strong>the</strong>r, and torej ect too <strong>the</strong> current poetic fashions and follies dreamed up <strong>in</strong> astate <strong>of</strong> <strong>in</strong>toxication - right, that is, because <strong>the</strong> philist<strong>in</strong>e does nothave <strong>the</strong> right even to a debauch. With <strong>the</strong> craft<strong>in</strong>ess perta<strong>in</strong><strong>in</strong>g tobaser natures, however, he took <strong>the</strong> opportunity thus afforded tocast suspicion on seek<strong>in</strong>g as such and to promote a comfortable consciousness<strong>of</strong> hav<strong>in</strong>g already found. His eyes were opened to <strong>the</strong> joys<strong>of</strong> philist<strong>in</strong>ism: he saved himself from all <strong>the</strong> wild experimentationgo<strong>in</strong>g on by a flight <strong>in</strong>to <strong>the</strong> idyllic, and to <strong>the</strong> resdessly creative drive<strong>of</strong> <strong>the</strong> artist he opposed a certa<strong>in</strong> easy complacency, a selfcontentment<strong>in</strong> one's own limitations, one's own placidity, even <strong>in</strong>one's own narrow-m<strong>in</strong>dedness. His attenuated f<strong>in</strong>ger po<strong>in</strong>ted,without any false modesty, to <strong>the</strong> hidden and secret corners <strong>of</strong> hislife, to <strong>the</strong> many mov<strong>in</strong>g and naive pleasures which sprang up likeblush<strong>in</strong>g flowers <strong>in</strong> <strong>the</strong> most wretched depths <strong>of</strong> <strong>the</strong> uncultivatedexistence and as it were mire <strong>of</strong> <strong>the</strong> philist<strong>in</strong>e world.There were a number <strong>of</strong> representational talents who, with agende brush, depicted <strong>the</strong> happ<strong>in</strong>ess, <strong>the</strong> cos<strong>in</strong>ess, <strong>the</strong> prosaicness,<strong>the</strong> bucolic health, <strong>the</strong> ease and contentment to be found <strong>in</strong> <strong>the</strong> nursery,<strong>the</strong> scholar's study and <strong>the</strong> farmhouse. With such picturebooks<strong>of</strong> reality <strong>in</strong> <strong>the</strong>ir hands, <strong>the</strong>se self-satisfied people <strong>the</strong>nsought to come to terms once and fo r all with <strong>the</strong> classics <strong>the</strong>y foundso unsetd<strong>in</strong>g and with <strong>the</strong> demand for fur<strong>the</strong>r seek<strong>in</strong>g which proceededfrom <strong>the</strong>m; <strong>the</strong>y devised <strong>the</strong> concept <strong>of</strong> <strong>the</strong> epigone-age with<strong>the</strong> object <strong>of</strong> obta<strong>in</strong><strong>in</strong>g peace and quiet and so as to meet everyuncomfortable <strong>in</strong>novation with <strong>the</strong> condemnatory verdict 'epigonework'. It was <strong>the</strong>se same self-contented people who, with <strong>the</strong> sameend <strong>in</strong> view <strong>of</strong> guarantee<strong>in</strong>g <strong>the</strong>ir own peace, took charge <strong>of</strong> historyand sought to transform every science which might be expected todisturb <strong>the</strong>ir complacency <strong>in</strong>to an historical discipl<strong>in</strong>e, especially so<strong>in</strong> <strong>the</strong> case <strong>of</strong> philosophy and classical philology. Through historicalawareness <strong>the</strong>y saved <strong>the</strong>mselves from enthusiasm for history was10

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