Friedrich_Nietzsche - Untimely_Meditations_(Cambridge_Texts_in_the_History_of_Philosophy__1997)

Notesp. 229, 1. 31 the arts of today: See Wagner, 'The Artwork of theFuture', Gesammelte Schriften, vol. 3, p. 61.p. 230, 1. 13 he said to himself: See ibid., p. 59.p. 231, 1. 36 seems nothing to him: See Wagner, 'EpilogischerBericht' ('Epilog-Report'), Gesammelte Schriften, vol. 6, p. 369.p. 232, 1. 21 opus metaphysicum: 'metaphysical work'.p. 233, 1. 10 score beside score: See Wagner, 'Epilog-Report',Gesammelte Schriften, vol. 6, p. 378.p. 233, 1. 24 A great German war: The Franco-Prussian War(1870-1).p. 235, 1. 8 as they ought to do : Goethe, Conversations withEckermann, 1 April 1827.p. 237, 1. 38 for true music: See Wagner, 'Opera and Drama',Gesammelte Schriften, vol. 4, pp. 263ff.p. 240, 1. 19 Raphael's Cecilia: See the conclusion of Bk. III (§ 52)of The World as Will and Representation, where Schopenhauerdescribes Raphael's painting, Saint Cecilia, as the perfect symbolof the 'transition' from aesthetic contemplation to resignationof the will.p. 242, 1. 12 means of procuring clarity: See Wagner, 'ACommunication to My Friends', Gesammelte Schriften, vol. 4,pp. 367-8.p. 244, 1. 3 epideictic: 'Epideictic' oratory was intended merely asa virtuoso display; its goal was to impress, not to persuade or toconvince.p. 245, 1. 40 To make his work: The rest of this paragraph, withthe exception of the portion placed in parenthesis and the useof emphasis, is a direct quote from Schopenhauer, Parerga undParalipomena, vol. 2, § 60.p. 249, 1. 31 so is in error: Goethe, Conversations with Eckermann, 11October 1828.p. 250, 1. 23 stream of humanity: Freely quoted from Wagner'sintroduction to vols. 3 and 4 of Gesammelte Schriften, pp. 7-8.p. 251, 1. 16 Jahrhundert auf: From Schiller's poem, 'Die Kiinstler'('The Artists').p. 252, 1. 25 amor into caritas: Amor suggests sexual love; caritasdenotes love of one's neighbour.265