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Friedrich_Nietzsche - Untimely_Meditations_(Cambridge_Texts_in_the_History_of_Philosophy__1997)

Friedrich_Nietzsche - Untimely_Meditations_(Cambridge_Texts_in_the_History_of_Philosophy__1997)

Friedrich_Nietzsche - Untimely_Meditations_(Cambridge_Texts_in_the_History_of_Philosophy__1997)

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<strong>Untimely</strong> <strong>Meditations</strong>Wotan by reference to <strong>the</strong>ir own life and who <strong>the</strong>mselves, like him,grow ever greater <strong>the</strong> fu r<strong>the</strong>r <strong>the</strong>y withdraw? Which <strong>of</strong> you willrenounce power, <strong>in</strong> <strong>the</strong> knowledge and experience that power isevil? Where are those who, like Brunnhilde, rel<strong>in</strong>quish <strong>the</strong>ir wisdomout <strong>of</strong>love and yet <strong>in</strong> <strong>the</strong> end learn from <strong>the</strong>ir life <strong>the</strong> highest wisdom<strong>of</strong> all: 'deepest suffer<strong>in</strong>g <strong>of</strong> sorrow<strong>in</strong>g love opened my eyes'.' Andwhere are <strong>the</strong> free and fearless, those who <strong>in</strong> <strong>in</strong>nocent selfishnessgrow and blossom out <strong>of</strong> <strong>the</strong>mselves, <strong>the</strong> Siegfrieds among you?He who thus asks, and asks <strong>in</strong> va<strong>in</strong>, will have to look towards <strong>the</strong>fu ture; and if <strong>in</strong> some remote age his glance should discover preciselythat 'folk' for whom Wagner's art is a record <strong>of</strong> its own history,he will also have f<strong>in</strong>ally come to understand what Wagner will be to thisfolk: someth<strong>in</strong>g he can not be to any <strong>of</strong> us, namely not <strong>the</strong> seer <strong>of</strong> afu ture, as he would perhaps like to appear to us, but <strong>the</strong> <strong>in</strong>terpreterand transfigurer <strong>of</strong> a past.*Words <strong>of</strong> Bri<strong>in</strong>nhilde <strong>in</strong> one <strong>of</strong> <strong>the</strong> many different versions Wagner wrote <strong>of</strong> <strong>the</strong>clos<strong>in</strong>g scene <strong>of</strong> Giitterdiimmerung: not <strong>in</strong> th e f<strong>in</strong>al version set to music, but <strong>in</strong>cluded <strong>in</strong>a passage appended as a fo otnote to <strong>the</strong> sce <strong>in</strong> <strong>the</strong> 1872 edition <strong>of</strong> <strong>the</strong> R<strong>in</strong>gtext.254

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