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Friedrich_Nietzsche - Untimely_Meditations_(Cambridge_Texts_in_the_History_of_Philosophy__1997)

Friedrich_Nietzsche - Untimely_Meditations_(Cambridge_Texts_in_the_History_of_Philosophy__1997)

Friedrich_Nietzsche - Untimely_Meditations_(Cambridge_Texts_in_the_History_of_Philosophy__1997)

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Richard Wagner <strong>in</strong> Bayreuthporaries could nei<strong>the</strong>r raise it up nor account for it. Whe<strong>the</strong>r itpraised or rejected him, he did not belong to this generation: - thatwas <strong>the</strong> judgment <strong>of</strong> his <strong>in</strong>st<strong>in</strong>ct; and that <strong>the</strong>re will ever be a generation,that belongs to him cannot be proved to, him who does notalready believe it. But even this unbeliever can, however, pose <strong>the</strong>question as to what a generation would have to be like if Wagner wasto recognize <strong>in</strong> it his 'folk', as <strong>the</strong> epitome <strong>of</strong> all those who feel a need<strong>in</strong> common and want to be redeemed from it through an art <strong>in</strong> common.Schiller, to be sure, was more believ<strong>in</strong>g and more hopeful: hedid not ask what an age would be like if <strong>the</strong> <strong>in</strong>st<strong>in</strong>ct <strong>of</strong> <strong>the</strong> artist whoprophesies it should prove sound, he ra<strong>the</strong>r demanded <strong>of</strong> <strong>the</strong>artists:Erhebet euch mit kiihnem FliigelHoch iiber euren Zeitenlauf!Fern dammre schon <strong>in</strong> eurem SpiegelDas kommende Jahrhundert auf!- Raise yourselves on dar<strong>in</strong>g w<strong>in</strong>g high above your own age! Let <strong>the</strong>com<strong>in</strong>g century distantly dawn already <strong>in</strong> your mirror!11May sane reason preserve us from <strong>the</strong> belief that mank<strong>in</strong>d will at anyfuture time atta<strong>in</strong> to 'a f<strong>in</strong>al ideal order <strong>of</strong> th<strong>in</strong>gs, and-that happ<strong>in</strong>esswill <strong>the</strong>n sh<strong>in</strong>e down upon it with unwaver<strong>in</strong>g ray like <strong>the</strong> sun <strong>of</strong> <strong>the</strong>tropics: with such a beliefWagner has noth<strong>in</strong>g to do, he is no utopian.If he cannot cease to believe <strong>in</strong> <strong>the</strong> future this means no more thanthat he perceives <strong>in</strong> <strong>the</strong> men <strong>of</strong> today qualities which do not belongto <strong>the</strong> unalterable character and bone-structure <strong>of</strong> human naturebut are changeable, <strong>in</strong>deed transitory, and that it is precisely because<strong>of</strong> <strong>the</strong>se qualities that art has to be homeless among <strong>the</strong>m and hehimself has to be <strong>the</strong> herald <strong>of</strong> ano<strong>the</strong>r age. No golden age, no cloudlesssky is allotted to this com<strong>in</strong>g generation to which his <strong>in</strong>st<strong>in</strong>ctdirects him and whose vague l<strong>in</strong>eaments can, so far as it is possible to<strong>in</strong>fer <strong>the</strong> nature <strong>of</strong> <strong>the</strong> need from <strong>the</strong> nature <strong>of</strong> <strong>the</strong> gratification, bediscerned <strong>in</strong> <strong>the</strong> secret writ<strong>in</strong>g <strong>of</strong> his art. Nei<strong>the</strong>r will suprahumangoodness and justice span <strong>the</strong> fields <strong>of</strong> this fu ture like an immovablera<strong>in</strong>bow. Perhaps this generation as a whole will even seem more evilthan <strong>the</strong> present generation - for, <strong>in</strong> wicked as <strong>in</strong> good th<strong>in</strong>gs, it willbe more candid; it is possible, <strong>in</strong>deed, that if its soul should speak out<strong>in</strong> free full tones it would shake and terrify our soul as would <strong>the</strong>voice <strong>of</strong> some hi<strong>the</strong>rto concealed evil spirit <strong>of</strong> nature. Or how do251

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