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Friedrich_Nietzsche - Untimely_Meditations_(Cambridge_Texts_in_the_History_of_Philosophy__1997)

Friedrich_Nietzsche - Untimely_Meditations_(Cambridge_Texts_in_the_History_of_Philosophy__1997)

Friedrich_Nietzsche - Untimely_Meditations_(Cambridge_Texts_in_the_History_of_Philosophy__1997)

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IntroductionPeter Gast at <strong>the</strong> very moment when he believed he had f<strong>in</strong>allyfulfilled his earlier promise, that is, immediately after <strong>the</strong> completion<strong>of</strong> Part I <strong>of</strong> Zarathustra: 'It is curious: I wrote <strong>the</strong> commentaryprior to <strong>the</strong> text! Everyth<strong>in</strong>g was already promised <strong>in</strong> Schopenhauer aseducator. But <strong>the</strong>re was still a long way to go from "Human, All TooHuman" to <strong>the</strong> "Superhuman".'29 This and many o<strong>the</strong>r similarpassages strongly suggest that <strong>Nietzsche</strong> believed that <strong>in</strong>Schopenhauer and <strong>the</strong> o<strong>the</strong>r '<strong>Untimely</strong> Ones' he had not onlypledged himself publicly to pursue a certa<strong>in</strong> set <strong>of</strong> questions ('mytask'), but had also provided unmistakable public h<strong>in</strong>ts about how<strong>the</strong>se same questions were to be answered and how he <strong>in</strong>tended toaccomplish his task.In fact, it is not difficult for a reader familiar with <strong>Nietzsche</strong>'slater works to f<strong>in</strong>d <strong>in</strong> <strong>the</strong> <strong>Untimely</strong> <strong>Meditations</strong> clear anticipations <strong>of</strong>many characteristically <strong>Nietzsche</strong>an <strong>the</strong>mes and <strong>the</strong>ses, <strong>in</strong>clud<strong>in</strong>g,but by no means limited to: a global critique <strong>of</strong> various forms <strong>of</strong>dualism (<strong>in</strong>clud<strong>in</strong>g that <strong>of</strong> <strong>the</strong> 'outer' and '<strong>in</strong>ner' selves, as well as<strong>the</strong> metaphysical dualism <strong>of</strong> <strong>the</strong> 'real' abd 'apparent' worlds); adef<strong>in</strong>ition <strong>of</strong> <strong>the</strong> 'genu<strong>in</strong>e philosopher' (<strong>in</strong> contradist<strong>in</strong>ction to '<strong>the</strong> mere 'scholar' or 'academic labourer') as a creator <strong>of</strong> valuesand critic <strong>of</strong> both science and art; <strong>the</strong> presupposition <strong>of</strong> a hyperbolicKantian scepticism with respect to <strong>the</strong> limits <strong>of</strong> knowledge,coupled with an endorsement <strong>of</strong> an <strong>in</strong>strumental 'perspectivism'with respect to actual knowledge claims; an <strong>in</strong>sistence that nei<strong>the</strong>rscience nor morality is self-ground<strong>in</strong>g and an appeal to 'life'itself as <strong>the</strong> highest standard or criterion <strong>of</strong> judgment; a recognition<strong>of</strong> <strong>the</strong> need for various sorts <strong>of</strong> 'illusion' (uneasily coupledwith an <strong>in</strong>sistence that <strong>in</strong>tellectual <strong>in</strong>tegrity requires us to identify<strong>the</strong>se illusions as such); and a def<strong>in</strong>ition <strong>of</strong> 'culture' as 'unity <strong>of</strong>style'.Some dist<strong>in</strong>ctively 'Zarathustrian' doctr<strong>in</strong>es are also anticipated<strong>in</strong> <strong>the</strong> <strong>Untimely</strong> <strong>Meditations</strong>, <strong>in</strong>clud<strong>in</strong>g: a critique <strong>of</strong> complacent'omnisatisfaction' (whe<strong>the</strong>r <strong>of</strong> <strong>the</strong> 'cultural philist<strong>in</strong>e' or <strong>of</strong> <strong>the</strong>'last man'); an <strong>in</strong>sistence that 'be<strong>in</strong>g oneself ' requires 'overcom<strong>in</strong>goneself'; an emphasis upon <strong>the</strong> personal and cultural importance<strong>of</strong> posit<strong>in</strong>g an ideal <strong>of</strong> a 'higher' form <strong>of</strong> humanity; a recognition<strong>of</strong> <strong>the</strong> creative and productive power <strong>of</strong> negation anddestruction; a clear awareness <strong>of</strong> <strong>the</strong> <strong>in</strong>escapably temporal and'this-worldly' character <strong>of</strong> <strong>the</strong> human condition; and even (espe-. cially <strong>in</strong> <strong>the</strong> second Meditation) some oblique play with <strong>the</strong> idea <strong>of</strong>'eternal recurrence' .xxviii

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