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Friedrich_Nietzsche - Untimely_Meditations_(Cambridge_Texts_in_the_History_of_Philosophy__1997)

Friedrich_Nietzsche - Untimely_Meditations_(Cambridge_Texts_in_the_History_of_Philosophy__1997)

Friedrich_Nietzsche - Untimely_Meditations_(Cambridge_Texts_in_the_History_of_Philosophy__1997)

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Richard Wagner <strong>in</strong> Bayreuthquite novel style <strong>of</strong> execution, were repeatedly swept away by <strong>the</strong>sludge <strong>of</strong> prevail<strong>in</strong>g thoughtlessness and habit; and <strong>the</strong>se effects,moreover, always <strong>in</strong>volved him <strong>in</strong> mix<strong>in</strong>g with a <strong>the</strong>atre whosewhole be<strong>in</strong>g had become for him an object <strong>of</strong>. disgust. Did notGoe<strong>the</strong> himself lose <strong>the</strong> desire to attend performances <strong>of</strong> his ownIphigenie: 'I suffer dreadfully', he said <strong>in</strong> explanation, 'when I have toassociate with <strong>the</strong>se phantoms, who never appear as <strong>the</strong>y ought todo.' Meanwhile his 'success' at this <strong>the</strong>atre grown repulsive to himcont<strong>in</strong>ued to <strong>in</strong>crease; f<strong>in</strong>ally <strong>the</strong> po<strong>in</strong>t was reached at which <strong>the</strong>great <strong>the</strong>atres lived for <strong>the</strong> most part on <strong>the</strong> fat tak<strong>in</strong>gs brought <strong>the</strong>mby <strong>the</strong> Wagnerian art-works disguised as operas. The confusion<strong>in</strong>volved <strong>in</strong> this grow<strong>in</strong>g passion on <strong>the</strong> part <strong>of</strong> <strong>the</strong> opera public evenseized hold on many <strong>of</strong> Wagner's friends: though he had sufferedmuch <strong>in</strong> patience, he now had to suffer <strong>the</strong> worst and see his friends<strong>in</strong>toxicated by 'successes' and 'victories' precisely where hisuniquely l<strong>of</strong>ty idea was denied and derided. It almost seemed asthough a people <strong>in</strong> many respects serious and ponderous was refus<strong>in</strong>gto be deprived <strong>of</strong> a systematic levity <strong>in</strong> regard to its most seriousartist, as though this were why everyth<strong>in</strong>g vulgar, thoughtless, <strong>in</strong>eptand malicious <strong>in</strong> <strong>the</strong> German character had to be discharged at him.- When, <strong>the</strong>refore, dur<strong>in</strong>g <strong>the</strong> German War a more expansive andfreer current <strong>of</strong> feel<strong>in</strong>g seemed to come uppermost, Wagner remembered<strong>the</strong> duty imposed upon him by his loyalty to rescue at any ratehis greatest work from <strong>the</strong> success born <strong>of</strong> misunderstand<strong>in</strong>g and<strong>the</strong> abuse to which his o<strong>the</strong>r words had been subjected, and to presentit at its own unique tempo as an example for all future time: thushe conceived <strong>the</strong> idea <strong>of</strong> Bayreuth. In <strong>the</strong> wake <strong>of</strong> that current <strong>of</strong> feel<strong>in</strong>ghe believed he saw an enhanced feel<strong>in</strong>g <strong>of</strong> duty also awaken <strong>in</strong> thoseto whom he wished to entrust his most precious possession - and itwas out <strong>of</strong> this feel<strong>in</strong>g <strong>of</strong> mutual duty that <strong>the</strong>re grew <strong>the</strong> event whichlies like strange sunlight upon recent and immediately com<strong>in</strong>g years;designed for <strong>the</strong> benefit <strong>of</strong> a distant future, a future that is merelypossible but not demonstrable, a future that is to <strong>the</strong> present andto men know<strong>in</strong>g only <strong>the</strong> present not much more than an enigmaor an abom<strong>in</strong>ation, to those few permitted to assist <strong>in</strong> its creationa foretaste and fore-experience <strong>of</strong> <strong>the</strong> highest k<strong>in</strong>d through which<strong>the</strong>y know <strong>the</strong>mselves blessed, bless<strong>in</strong>g and fruitful beyond <strong>the</strong>irspan <strong>of</strong> time, to Wagner himself a darkness <strong>of</strong> toil, care, reflection,wrath, a renewed rag<strong>in</strong>g <strong>of</strong> <strong>the</strong> hostile elements, but aboveall <strong>the</strong> light <strong>of</strong> <strong>the</strong> star <strong>of</strong> selfless loyalty and <strong>in</strong> this light transformed<strong>in</strong>to an unspeakable happ<strong>in</strong>ess!235

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