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Friedrich_Nietzsche - Untimely_Meditations_(Cambridge_Texts_in_the_History_of_Philosophy__1997)

Friedrich_Nietzsche - Untimely_Meditations_(Cambridge_Texts_in_the_History_of_Philosophy__1997)

Friedrich_Nietzsche - Untimely_Meditations_(Cambridge_Texts_in_the_History_of_Philosophy__1997)

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---, ISclwpenhauer as educatorappears when he does not disda<strong>in</strong> to acquire a little culture from <strong>the</strong>vanquished! Handicrafts especially are repeatedly <strong>in</strong>vited to competewith <strong>the</strong> more cultivated neighbour, <strong>the</strong> fitt<strong>in</strong>g-out <strong>of</strong> <strong>the</strong> Gennanhouse is to be made similar to that <strong>of</strong> <strong>the</strong> French, even <strong>the</strong>' Gennanlanguage is, through <strong>the</strong> foundation <strong>of</strong> an academy after <strong>the</strong> Frenchmodel, to acquire 'sound taste' and rid itself <strong>of</strong> <strong>the</strong> questionable<strong>in</strong>fluence supposedly exerted upon it by Goe<strong>the</strong>a view expressedquite recently by <strong>the</strong> Berl<strong>in</strong> academician Dubois-Reymond. Our<strong>the</strong>atres have for long been quietly and with due decorum aspir<strong>in</strong>gtowards <strong>the</strong> same goal, even <strong>the</strong> elegant Gennan scholar has alreadybeen <strong>in</strong>vented: so that we can expect that everyth<strong>in</strong>g that has up tonow refused to conform to <strong>the</strong> law <strong>of</strong> elegance - German music,tragedy and philosophy - will henceforth be set aside as un-Gennan.- But truly, Gennan culture would not be worth lift<strong>in</strong>g a f<strong>in</strong>ger for if<strong>the</strong> Gennan understood by <strong>the</strong> culture he still lacks and is to aspireto, noth<strong>in</strong>g but arts and artifices for prettify<strong>in</strong>g life, <strong>in</strong>clud<strong>in</strong>g all <strong>the</strong><strong>in</strong>genuities <strong>of</strong> <strong>the</strong> danc<strong>in</strong>g-master and <strong>the</strong> wallpaper-hanger, if<strong>in</strong> <strong>the</strong>matter <strong>of</strong> language too he was concerned only with academicallyapproved rules and a certa<strong>in</strong> general polish. The late war and selfcomparisonwith <strong>the</strong> French seem, however, hardly to have evokedany higher pretentions than <strong>the</strong>se; on <strong>the</strong> contrary, I am <strong>of</strong>tenassailed by <strong>the</strong> suspicion that <strong>the</strong> Gennan now wants violently to cast<strong>of</strong>f those ancient obligations which his wonderful talentedness and<strong>the</strong> pr<strong>of</strong>ound seriousness <strong>of</strong> his nature imposed upon him. He prefersto play monkey-tricks and to learn <strong>the</strong> arts and manners thatmake life enterta<strong>in</strong><strong>in</strong>g. But <strong>the</strong>re can be no more grievous slanderaga<strong>in</strong>st <strong>the</strong> German spirit than to treat it as though it were wax to bemoulded <strong>in</strong> any way one pleases and thus also <strong>in</strong>to a semblance <strong>of</strong>elegance. And if it is unfortunately true that a good proportion <strong>of</strong> <strong>the</strong>German nation is only too will<strong>in</strong>g to be-moulded and kneaded <strong>in</strong>toshape <strong>in</strong> this fashion, <strong>the</strong>n one has to reiterate until <strong>the</strong> words areheeded: it no longer dwells <strong>in</strong> you, that ancient German naturewhich, though hard, austere and full <strong>of</strong> resistance, is so as <strong>the</strong> mostprecious <strong>of</strong> materials, upon which only <strong>the</strong> greatest <strong>of</strong> sculptors arepennitted to work because <strong>the</strong>y alone are worthy <strong>of</strong> it. What youhave <strong>in</strong> you, on <strong>the</strong> contrary, is s<strong>of</strong>t, pulpy matter; make with it whatyou will, form it <strong>in</strong>to elegant dolls and <strong>in</strong>terest<strong>in</strong>g idols - here too <strong>the</strong>words <strong>of</strong> Richard Wagner will hold true: 'The German is angular andclumsy when he affects polish and politeness; but he is sublime andsuperior to everyone when he catches fire.' And <strong>the</strong> elegant haveevery reason to beware <strong>of</strong> this German fire, or one day it may con-167

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