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Friedrich_Nietzsche - Untimely_Meditations_(Cambridge_Texts_in_the_History_of_Philosophy__1997)

Friedrich_Nietzsche - Untimely_Meditations_(Cambridge_Texts_in_the_History_of_Philosophy__1997)

Friedrich_Nietzsche - Untimely_Meditations_(Cambridge_Texts_in_the_History_of_Philosophy__1997)

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<strong>Untimely</strong> <strong>Meditations</strong>I:L11encha<strong>in</strong><strong>in</strong>g <strong>of</strong> <strong>the</strong>m. One has only to recall what Christianity hasgradually become through <strong>the</strong> greed <strong>of</strong> <strong>the</strong> state. Christianity is certa<strong>in</strong>lyone <strong>of</strong> <strong>the</strong> purest revelations <strong>of</strong> <strong>the</strong> impulse to culture andespecially <strong>of</strong> <strong>the</strong> impulse to <strong>the</strong> ever-renewed production <strong>of</strong> <strong>the</strong>sa<strong>in</strong>t; but s<strong>in</strong>ce it has been employed <strong>in</strong> a hundred ways to propel <strong>the</strong>mills <strong>of</strong> state power it has gradually become sick to <strong>the</strong> very marrow,hypocritical and untruthful, and degenerated <strong>in</strong>to a contradiction <strong>of</strong>its orig<strong>in</strong>al goal. Even <strong>the</strong> most recent event <strong>in</strong> its history, <strong>the</strong> GermanReformation, would have been no more than a sudden and quicklyext<strong>in</strong>guished flare-up if it had not stolen fresh fuel from <strong>the</strong> fires <strong>of</strong>conflict between <strong>the</strong> states.Thirdly, culture is promoted by all those who are conscious <strong>of</strong>possess<strong>in</strong>g an ugly or bor<strong>in</strong>g content and want to conceal <strong>the</strong> fact withso-called 'beautifu1fonn' . Under <strong>the</strong> presupposition that what is <strong>in</strong>sideis usually judged by what is outside, <strong>the</strong> observer is to be constra<strong>in</strong>edto a false assessment <strong>of</strong> <strong>the</strong> content through externalities, throughwords, gestures, decoration, display, ceremoniousness. It sometimesseems to me that modern men b.l)re one ano<strong>the</strong>r to a boundlessextent and that <strong>the</strong>y f<strong>in</strong>ally feel <strong>the</strong> need to make <strong>the</strong>mselves<strong>in</strong>terest<strong>in</strong>g with <strong>the</strong> aid <strong>of</strong> all <strong>the</strong> arts. They have <strong>the</strong>mselves servedup by <strong>the</strong>ir artists as sharp and pungent repasts; <strong>the</strong>y soak <strong>the</strong>mselves<strong>in</strong> all <strong>the</strong> spices <strong>of</strong> <strong>the</strong> Orient and <strong>the</strong> Occident, and to be sure!<strong>the</strong>y now smell very <strong>in</strong>terest<strong>in</strong>g, smell<strong>in</strong>g as <strong>the</strong>y do <strong>of</strong> all <strong>the</strong> Orientand <strong>the</strong> Occident. Now <strong>the</strong>y are suitably prepared for satisfy<strong>in</strong>gevery taste; and everyone shall have someth<strong>in</strong>g, whe<strong>the</strong>r his <strong>in</strong>cl<strong>in</strong>ationbe for <strong>the</strong> fresh-smell<strong>in</strong>g or foul-smell<strong>in</strong>g, for <strong>the</strong> sublimatedor for peasant coarseness, for <strong>the</strong> Greek or <strong>the</strong> Ch<strong>in</strong>ese, for tragediesor fo r dramatized lewdness. The most celebrated chefs for <strong>the</strong>semodern men who want to be <strong>in</strong>terest<strong>in</strong>g and <strong>in</strong>terested at any costare, as is well known, to be found among <strong>the</strong> French, <strong>the</strong> worstamong <strong>the</strong> Germans. At bottom this fact is more consol<strong>in</strong>g to <strong>the</strong> latterthan to <strong>the</strong> former, and let us not hold it aga<strong>in</strong>st <strong>the</strong> French <strong>in</strong> <strong>the</strong>least if <strong>the</strong>y mock at us precisely because we are un<strong>in</strong>terest<strong>in</strong>g andlack elegance and if, when <strong>in</strong>dividual Germans desire to be suaveand elegant, it rem<strong>in</strong>ds <strong>the</strong>m <strong>of</strong> <strong>the</strong> Indian who wanted a r<strong>in</strong>gthrough his nose and demanded to be tattoQed.- And here I shall make a digression. S<strong>in</strong>ce <strong>the</strong> late war withFrance <strong>the</strong>re have been many changes <strong>in</strong> Germany and it is clear that<strong>the</strong> return to peace has also brought with it certa<strong>in</strong> new demands <strong>in</strong>regard to German culture. The war was for many <strong>the</strong>ir first visit to<strong>the</strong> more elegant half <strong>of</strong> <strong>the</strong> world; how unprejudiced <strong>the</strong> victor now166

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