Friedrich_Nietzsche - Untimely_Meditations_(Cambridge_Texts_in_the_History_of_Philosophy__1997)
Friedrich_Nietzsche - Untimely_Meditations_(Cambridge_Texts_in_the_History_of_Philosophy__1997)
Friedrich_Nietzsche - Untimely_Meditations_(Cambridge_Texts_in_the_History_of_Philosophy__1997)
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Schopenhauer as educatorception and power, and who <strong>in</strong> his completeness is at one withnature, <strong>the</strong> judge and evaluator <strong>of</strong> th<strong>in</strong>gs.' It is hard to create <strong>in</strong> anyonethis condition <strong>of</strong> <strong>in</strong>trepid self-knowledge because it is impossibleto teach love; for it is love alone that can bestow on <strong>the</strong> soul,not only a clear, discrim<strong>in</strong>at<strong>in</strong>g and self-contemptuous view <strong>of</strong> itself,but also <strong>the</strong> desire to look beyond itself and to seek with all its mightfor a higher self as yet still concealed from it. Thus only he who hasattached his heart to some great man receives <strong>the</strong>reby <strong>the</strong> fi1'St consecrationto cultu're; <strong>the</strong> sign <strong>of</strong> that consecration is that one isashamed <strong>of</strong> oneself without any accompany<strong>in</strong>g feel<strong>in</strong>g <strong>of</strong> distress,that one comes to hate one's own narrowness and shrivellednature, that one has a feel<strong>in</strong>g <strong>of</strong> sympathy for <strong>the</strong> genius whoaga<strong>in</strong> and aga<strong>in</strong> drags himself up out <strong>of</strong> our dryness and apathyand <strong>the</strong> same fe el<strong>in</strong>g <strong>in</strong> anticipation for all those who are stillstruggl<strong>in</strong>g and evolv<strong>in</strong>g, with <strong>the</strong> pr<strong>of</strong>oundest conviction thatalmost everywhere we encounter nature press<strong>in</strong>g towards manand aga<strong>in</strong> and aga<strong>in</strong> fail<strong>in</strong>g to achieve him, yet everywhere succeed<strong>in</strong>g<strong>in</strong> produc<strong>in</strong>g <strong>the</strong> most marvellous beg<strong>in</strong>n<strong>in</strong>gs, <strong>in</strong>dividualtraits and forms: so that <strong>the</strong> men we live among resemble a fieldover which is scattered <strong>the</strong> most precious fragments <strong>of</strong> sculpturewhere everyth<strong>in</strong>g calls to us: come, assist, complete, br<strong>in</strong>g toge<strong>the</strong>rwhat belongs toge<strong>the</strong>r, we have an immeasurable long<strong>in</strong>gto become whole.This sum <strong>of</strong> <strong>in</strong>ner states is, I said, <strong>the</strong> first consecration toculture; I now have to describe <strong>the</strong> effects <strong>of</strong> <strong>the</strong> second consecration,and I realize that here my task is more difficult. For now wehave to make <strong>the</strong> transition from <strong>the</strong> <strong>in</strong>ward event to an assessment<strong>of</strong> <strong>the</strong> outward event; <strong>the</strong> eye has to be directed outwards soas to rediscover <strong>in</strong> <strong>the</strong> great world <strong>of</strong> action that desire_ for cultureit recognized <strong>in</strong> <strong>the</strong> experiences <strong>of</strong> <strong>the</strong> first stage just described;<strong>the</strong> <strong>in</strong>dividual has to employ his own wrestl<strong>in</strong>g and long<strong>in</strong>g as<strong>the</strong> alphabet by means <strong>of</strong> which he can now read <strong>of</strong>f <strong>the</strong> aspirations<strong>of</strong> mank<strong>in</strong>d as a whole. But he may not halt even here;from this stage he has to climb up to a yet higher one; culturedemands <strong>of</strong> him, not only <strong>in</strong>ward experience, not only an assessment<strong>of</strong> <strong>the</strong> outward world that streams all around him, but f<strong>in</strong>allyand above all . an act, that is to say a struggle on behalf <strong>of</strong>culture and hostility towards those <strong>in</strong>fluences, habits, laws, <strong>in</strong>stitutions<strong>in</strong> which he fails to recognize his goal: which is <strong>the</strong> production<strong>of</strong> <strong>the</strong> genius.He who is capable <strong>of</strong> rais<strong>in</strong>g himself to this second stage is snuckfirst <strong>of</strong> all by how extraord<strong>in</strong>arily sjlane and -rare knowledge <strong>of</strong> this goal is,