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Friedrich_Nietzsche - Untimely_Meditations_(Cambridge_Texts_in_the_History_of_Philosophy__1997)

Friedrich_Nietzsche - Untimely_Meditations_(Cambridge_Texts_in_the_History_of_Philosophy__1997)

Friedrich_Nietzsche - Untimely_Meditations_(Cambridge_Texts_in_the_History_of_Philosophy__1997)

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<strong>Untimely</strong> <strong>Meditations</strong><strong>of</strong> all and <strong>in</strong> <strong>the</strong> end is victorious, but who is ill-rewarded ' for it or notrewarded at all. Then, when he has done, he is turned to stone, like<strong>the</strong> pr<strong>in</strong>ce <strong>in</strong> Gozzi's Re coroo, but stands <strong>in</strong> a noble posture and withgenerous gestures. He is remembered and is celebrated as a hero;his will, mortified a whole life long by effort and labour, ill successand <strong>the</strong> world's <strong>in</strong>gratitude, is ext<strong>in</strong>guished <strong>in</strong> Nirvana.'* Such aheroic life, to be sure, toge<strong>the</strong>r with <strong>the</strong> mortification accomplished<strong>in</strong> it, corresponds least <strong>of</strong> all to <strong>the</strong> paltry conception <strong>of</strong> those whomake <strong>the</strong> most noise about it, celebrate festivals to <strong>the</strong> memory <strong>of</strong>great men, and believe that great men are great <strong>in</strong> <strong>the</strong> same way as<strong>the</strong>y are little, as it were through a gift and for <strong>the</strong>ir own satisfactionor by a mechanical operation and <strong>in</strong> bl<strong>in</strong>d obedience to this <strong>in</strong>nercompulsion: so that he who has not received this gift, or does not feelthis compulsion, has <strong>the</strong> same right to be little as <strong>the</strong> o<strong>the</strong>r has to begreat. But be<strong>in</strong>g gifted or be<strong>in</strong>g compelled are contemptible wordsdesigned to enable one to ignore an <strong>in</strong>ner admonition, slanders onhim who has paid heed to this admonition, that is to say on <strong>the</strong> greatman; he least <strong>of</strong> all lets himself be given gijts or be compelled heknows as well as any little man how to take life easily and how s<strong>of</strong>t <strong>the</strong>bed is on which he could lie down ifhis attitude towards himself andhis fellow men were that <strong>of</strong> <strong>the</strong> majority: for <strong>the</strong> objective <strong>of</strong> allhuman arrangements is through distract<strong>in</strong>g one's thoughts to ceaseto be aware <strong>of</strong>life. Why does he desire <strong>the</strong> oppositeto be aware precisely<strong>of</strong>life, that is to say to suffer from life - so strongly? Because herealizes that he is <strong>in</strong> danger <strong>of</strong> be<strong>in</strong>g cheated out <strong>of</strong> himself, and thata k<strong>in</strong>d <strong>of</strong> agreement exists to kidnap him out <strong>of</strong> his own cave. Thenhe bestirs himself, pricks up his ears, and resolves: '1 will rema<strong>in</strong> myown!' It is a dreadful resolve; only gradually does he grasp that fact.For now he will have to descend <strong>in</strong>to <strong>the</strong> depths <strong>of</strong> existence with astr<strong>in</strong>g <strong>of</strong> curious questions on his lips: why do I live? what lesson haveI to learn from life? how have I become what I am and why do I sufferfrom be<strong>in</strong>g what I am? He torments himself, and sees how noone else does as he does, but how <strong>the</strong> hands <strong>of</strong> his fellow men are,ra<strong>the</strong>r, passionately stretched out to <strong>the</strong> fantastic events portrayed <strong>in</strong><strong>the</strong> <strong>the</strong>atre <strong>of</strong> politics, or how <strong>the</strong>y strut about <strong>in</strong> a hundred masquerades,as youths, men, greybeards, fa<strong>the</strong>rs, citizens, priests, <strong>of</strong>ficials,merchants, m<strong>in</strong>dful solely <strong>of</strong> <strong>the</strong>ir collective comedy and*From Schopenhauer's Parerga und Paralipomena: 'Nachtrage zur Lehre von derBt:iahung und Verne<strong>in</strong>ung des Willens zum Leben'.154

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