Friedrich_Nietzsche - Untimely_Meditations_(Cambridge_Texts_in_the_History_of_Philosophy__1997)
Friedrich_Nietzsche - Untimely_Meditations_(Cambridge_Texts_in_the_History_of_Philosophy__1997)
Friedrich_Nietzsche - Untimely_Meditations_(Cambridge_Texts_in_the_History_of_Philosophy__1997)
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Schopenhauer as educatorfirst image possesses <strong>the</strong> greatest fire and is sure <strong>of</strong> produc<strong>in</strong>g <strong>the</strong>greatest popular effect; <strong>the</strong> second is <strong>in</strong>tended only for <strong>the</strong> few, fo rcontemplative natures <strong>in</strong> <strong>the</strong> grand style, and is misunderstood by<strong>the</strong> crowd. The third demands contemplation only by <strong>the</strong> mostactive men; only <strong>the</strong>y can regard it without harm to <strong>the</strong>mselves, for itdebilitates <strong>the</strong> contemplative and frightens away <strong>the</strong> crowd. From<strong>the</strong> first <strong>the</strong>re has proceeded a force which has promoted violentrevolutions and cont<strong>in</strong>ues to do so; fo r <strong>in</strong> every socialist earthquakeand upheaval it has always been <strong>the</strong> man <strong>of</strong> Rousseau who, likeTyphon under Etna, is <strong>the</strong> cause <strong>of</strong> <strong>the</strong> commotion. Oppressed andhalf crushed by arrogant upper classes and merciless wealth, ru<strong>in</strong>edby priests and bad education and rendered contemptible to himselfby ludicrous customs, man cries <strong>in</strong> his distress to 'holy nature' andsuddenly feels that it is as distant from him as any Epicurean god.His prayers do not reach it, so deeply is he sunk <strong>in</strong> <strong>the</strong> chaos <strong>of</strong>unnaturalness. Scornfully he throws from him all <strong>the</strong> gaudy f<strong>in</strong>erywhich only a short time before had seemed to him to constitute hisessential humanity, his arts and sciences, <strong>the</strong> advantages <strong>of</strong> a ref<strong>in</strong>edlife; he beats with his fists aga<strong>in</strong>st <strong>the</strong> walls <strong>in</strong> whose shadow he has sodegenerated, and demands light, sun, forest and mounta<strong>in</strong>. Andwhen he cries: 'Only nature is good, only <strong>the</strong> natural is human,' hedespises himself and longs to go beyond himself: a mood <strong>in</strong> which<strong>the</strong> soul is ready for fearful decisions but which also calls up from itsdepths what is noblest and rarest <strong>in</strong> it.The man <strong>of</strong> Goe<strong>the</strong> is no such threaten<strong>in</strong>g power, <strong>in</strong>deed <strong>in</strong> a certa<strong>in</strong>sense he is <strong>the</strong> corrective and sedative for precisely those dangerousexcitations <strong>of</strong> which <strong>the</strong> man <strong>of</strong> Rousseau is <strong>the</strong> victim. In his youthGoe<strong>the</strong> was himself a devotee <strong>of</strong> <strong>the</strong> gospel <strong>of</strong> nature with his wholelov<strong>in</strong>g heart; his Faust was <strong>the</strong> highest and boldest reproduction <strong>of</strong><strong>the</strong> man <strong>of</strong> Rousseau, at any rate so far as concerns his ravenoushunger for life, his discontent and long<strong>in</strong>g, his traffic with <strong>the</strong>demons <strong>of</strong> <strong>the</strong> heart. But <strong>the</strong>n see what eventuates from this greatbank <strong>of</strong> clouds - certa<strong>in</strong>ly not lightn<strong>in</strong>g! And it is <strong>in</strong> precisely this that<strong>the</strong>re is revealed <strong>the</strong> new image <strong>of</strong> man, Goe<strong>the</strong>an man. One wouldth<strong>in</strong>k that Faust would be led through a life everywhere afflicted andoppressed as an <strong>in</strong>satiable rebel and liberator, as <strong>the</strong> power thatdenies out <strong>of</strong> goodness, as <strong>the</strong> actual religious and demonic genius<strong>of</strong> subversion, <strong>in</strong> contrast to his altoge<strong>the</strong>r undemonic companion,though he cannot get rid <strong>of</strong> this companion and has to employ and at<strong>the</strong> same time despise his sceptical malice and denial- as is <strong>the</strong> tragicfate <strong>of</strong> every rebel and liberator. But one is mistaken if one expects151