Friedrich_Nietzsche - Untimely_Meditations_(Cambridge_Texts_in_the_History_of_Philosophy__1997)

Friedrich_Nietzsche - Untimely_Meditations_(Cambridge_Texts_in_the_History_of_Philosophy__1997) Friedrich_Nietzsche - Untimely_Meditations_(Cambridge_Texts_in_the_History_of_Philosophy__1997)

10.07.2015 Views

On the uses and disadvantages of history for lifewill not be thought to lie in its general propositions, as if these werethe flower and fruit of the whole endeavour, but that its value will beseen to consist in its taking a familiar, perhaps commonplace theme,an everyday melody, and composing inspired variations on it,enhancing it, elevating it to a comprehensive symbol; and thus disclosing in the original theme a whole world of profundity, powerand beauty.For this, however, there is required above all great artistic facility,creative vision, loving absorption in the empirical data, the capacityto imagine the further development of a given type - in any event,objectivity is required, but as a positive quality. So often objectivity isonly a phrase. Instead of the outwardly tranquil but inwardly flashingeye of the artist there is the affectation of tranquillity; just as a lack offeeling and moral strength is accustomed to disguise itself as incisivecoldness and detachment. In certain cases banality of ideas, theeveryday wisdom which seems calm and tranquil only because it istedious, ventures to pose as that artistic condition in which the subjectbecomes silent and wholly imperceptible. What is then preferred isthat which produces no emotion at all and the driest phrase is theright phrase. One goes so far, indeed, as to believe that he to whom amoment of the past means nothing at all is the proper man to describeit. This is frequently the relationship between classicists and theGreeks they study: . they mean nothing to one another - a state ofaffairs called 'objectivity'! It is precisely where the highest and rarestis to be represented that this ostentatious indifference becomes mostinfuriating - fo r it is the vanity of the historian which is responsiblefo r it. Such authors incline one to agree with the proposition that aman possesses vanity to the degree that he lacks understanding. No,at any rate be honest! Do not seek the appearance of justice if you arenot called to the dreadful vocation of the just man. As though it werethe task of every age to have to be just towards everything that hasever existed! It could even be said that ages and generations never dohave the · right to judge previous ages and generations: such anuncomfortable mission falls only to individuals, and these of therarest kind. Who compels you to judge? And, moreover test yourselfto see whether you could be just if you wanted to be! As judge,you must stand higher than he who is to be judged; whereas all youare is subsequent to him. The guests who come last to table have tobe content with the last places: and do you want the first? Then atleast perform some high and great deed; perhaps then they reallywill make room for you, even if you do come last.93

Untimely MeditationsIf you are to venture to interpret the past you can do so o ly out of the fullestexertion of the vigour of the present: only when you put forth your noblestqualities in all their strength will you divine what is worth knowingand preserving in the past. Like to like! Otherwise you will draw thepast down to you. Do not believe historiography that does not springfrom the head of the rarest minds; and you will know the quality of amind when it is obliged to express something universal or to repeatsomething universally known: the genuine historian must possessthe power to remint the universally known into something neverheard of before, and to express the universal so simply and profoundlythat the simplicity is lost in the profundity and the profundity in thesimplicity. No one can be a great historian, an artist and a shallowpateat the same time: on the other hand, one should not underratethe workmen who sift and carry merely because they can certainlynever become great historians; but even less should one confusethem with them, but regard them rather as the necessary apprenticesand handymen in the service of the master: much as the Frenchused, with greater naivety than is posiible to a German, to speak ofthe historiens de M. Thiers . These workmen are gradually to becomegreat scholars, but cannot for that reason ever be masters. A greatscholar and a great shallowpateone hat.these two go rather better underTo sum up: history is written by the experienced and superiorman. He who has not experienced greater and more exalted thingsthan others will not know how to interpret the great and exaltedthings of the past. When the past speaks it always speaks as an oracle:only if you are an architect of the future and know the present willyou understand it. The extraordinary degree and extent of theinfluence exercised by Delphi is nowadays explained principally bythe fact that the Delphic priests had an exact knowledge of the past;now it would be right to say that only he who constructs the fu turehas a righ t to judge the past. If you look ahead and set yourself a greatgoal, you at the same time restrain that rank analytical impulsewhich makes the present into a desert and all tranquillity, all peacefulgrowth and maturing almost impossible. Draw about yourself thefence of a great and comprehensive hope, of a hope-filled striving.Form within yourself an image to which the fu ture shall correspond,and forget the superstition that you are epigones. You will haveenough to ponder and to invent when you reflect on the life of thefuture; but do not ask of history that it should show you the How?and the Wherewith? to this life. If, on the other hand, you acquire a94

On <strong>the</strong> uses and disadvantages <strong>of</strong> history for lifewill not be thought to lie <strong>in</strong> its general propositions, as if <strong>the</strong>se were<strong>the</strong> flower and fruit <strong>of</strong> <strong>the</strong> whole endeavour, but that its value will beseen to consist <strong>in</strong> its tak<strong>in</strong>g a familiar, perhaps commonplace <strong>the</strong>me,an everyday melody, and compos<strong>in</strong>g <strong>in</strong>spired variations on it,enhanc<strong>in</strong>g it, elevat<strong>in</strong>g it to a comprehensive symbol; and thus disclos<strong>in</strong>g <strong>in</strong> <strong>the</strong> orig<strong>in</strong>al <strong>the</strong>me a whole world <strong>of</strong> pr<strong>of</strong>undity, powerand beauty.For this, however, <strong>the</strong>re is required above all great artistic facility,creative vision, lov<strong>in</strong>g absorption <strong>in</strong> <strong>the</strong> empirical data, <strong>the</strong> capacityto imag<strong>in</strong>e <strong>the</strong> fur<strong>the</strong>r development <strong>of</strong> a given type - <strong>in</strong> any event,objectivity is required, but as a positive quality. So <strong>of</strong>ten objectivity isonly a phrase. Instead <strong>of</strong> <strong>the</strong> outwardly tranquil but <strong>in</strong>wardly flash<strong>in</strong>geye <strong>of</strong> <strong>the</strong> artist <strong>the</strong>re is <strong>the</strong> affectation <strong>of</strong> tranquillity; just as a lack <strong>of</strong>feel<strong>in</strong>g and moral strength is accustomed to disguise itself as <strong>in</strong>cisivecoldness and detachment. In certa<strong>in</strong> cases banality <strong>of</strong> ideas, <strong>the</strong>everyday wisdom which seems calm and tranquil only because it istedious, ventures to pose as that artistic condition <strong>in</strong> which <strong>the</strong> subjectbecomes silent and wholly imperceptible. What is <strong>the</strong>n preferred isthat which produces no emotion at all and <strong>the</strong> driest phrase is <strong>the</strong>right phrase. One goes so far, <strong>in</strong>deed, as to believe that he to whom amoment <strong>of</strong> <strong>the</strong> past means noth<strong>in</strong>g at all is <strong>the</strong> proper man to describeit. This is frequently <strong>the</strong> relationship between classicists and <strong>the</strong>Greeks <strong>the</strong>y study: . <strong>the</strong>y mean noth<strong>in</strong>g to one ano<strong>the</strong>r - a state <strong>of</strong>affairs called 'objectivity'! It is precisely where <strong>the</strong> highest and rarestis to be represented that this ostentatious <strong>in</strong>difference becomes most<strong>in</strong>furiat<strong>in</strong>g - fo r it is <strong>the</strong> vanity <strong>of</strong> <strong>the</strong> historian which is responsiblefo r it. Such authors <strong>in</strong>cl<strong>in</strong>e one to agree with <strong>the</strong> proposition that aman possesses vanity to <strong>the</strong> degree that he lacks understand<strong>in</strong>g. No,at any rate be honest! Do not seek <strong>the</strong> appearance <strong>of</strong> justice if you arenot called to <strong>the</strong> dreadful vocation <strong>of</strong> <strong>the</strong> just man. As though it were<strong>the</strong> task <strong>of</strong> every age to have to be just towards everyth<strong>in</strong>g that hasever existed! It could even be said that ages and generations never dohave <strong>the</strong> · right to judge previous ages and generations: such anuncomfortable mission falls only to <strong>in</strong>dividuals, and <strong>the</strong>se <strong>of</strong> <strong>the</strong>rarest k<strong>in</strong>d. Who compels you to judge? And, moreover test yourselfto see whe<strong>the</strong>r you could be just if you wanted to be! As judge,you must stand higher than he who is to be judged; whereas all youare is subsequent to him. The guests who come last to table have tobe content with <strong>the</strong> last places: and do you want <strong>the</strong> first? Then atleast perform some high and great deed; perhaps <strong>the</strong>n <strong>the</strong>y reallywill make room for you, even if you do come last.93

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!