Friedrich_Nietzsche - Untimely_Meditations_(Cambridge_Texts_in_the_History_of_Philosophy__1997)
Friedrich_Nietzsche - Untimely_Meditations_(Cambridge_Texts_in_the_History_of_Philosophy__1997) Friedrich_Nietzsche - Untimely_Meditations_(Cambridge_Texts_in_the_History_of_Philosophy__1997)
On the uses and disadvantages of history for life5The oversaturation of an age with history seems to me to be hostileand dangerous to life in five respects: such an excess creates that contrastbetween inner and outer which we have just discussed, andthereby weakens the personality; it leads an age to imagine that itpossesses the rarest of virtues, justice, to a greater degree than anyother age; it disrupts the instincts of a people, and hinders theindividual no less than the whole in the attainment of maturity; itimplants the belief, harmful at any time, in the old age of mankind,the belief that one is a latecomer and epigone; it leads an age into adangerous mood of irony in regard to itself and subsequently intothe even more dangerous mood of cynicism: in this mood, however,it develops more and more a prudent practical egoism throughwhich the forces of life are paralyzed and at last destroyed.And now back to our first proposition: modern man'suffers from aweakened personality. As the Roman of the imperial era became unRoman in relation to the world which stood at his service, as he losthimself in the flood of fo reigners which came streaming in anddegenerated in the midst of the cosmopolitan carnival of go ds, artsand customs, so the same mut happen to modern man who allowshis artists in history to go on 'preparing a world exhibition fo r him;he has become a strolling spectator and has arrived at a co ndition inwhich .even great wars and revolutions are able to influence him fo rhardly more than a moment. The war is not even over before it istransformed into a hundred thousand printed pages and set beforethe tired palates of the history-hungry as the latest delicacy. It seemsthat the instrument is almost incapable of producing a strong andfu ll note, no matter how vigorously it is played: its tones at once dieaway and in a moment have faded to a tender historical echo.Expressed morally: you are no longer capable of holding on to thesublime, your deeds are shortlived explosions, not rolling thunder.Though the greatest and most miraculous event should occur itmust nonetheless descend, silent and unsung, into Hades. For artflees away if you immediately conceal your deeds under the aw ningof history. He who wants to understand, grasp and assess in amoment that before wh ich he ought to stand long in awe as before anincomprehensible sublimity may be called reasonable, but only inthe sense in which Schiller speaks of the rationality of the reasonableman: there are things he does nOL see which even a child sees, thereare th ings he does not hear which even a child hears, and these
Untimely Meditationsthings are precisely the most important things: because he does notunderstand these things, his understanding is more childish thanthe child and more simple than simplicity - and this in spite of themany cunning fo lds of his parchment scroll and the virtuosity of hisfingers in unravelling the entangled. The reason is that he has lostand destroyed his instincts and, having lost his trust in the 'divineanimal', he can no longer let go the reins when his reason falters andhis path leads him through deserts. Thus the individual growsfainthearted and unsure and dares no longer believe in himself: hesinks into his own interior depths, which here means into theaccumulated lumber of what he has learned but which has no outwardeffect, of instruction which does not become life. If onewatches him from outside, one sees how the expulsion of theinstincts by history has transformed man almost into mere abstractisand shadows: no one dares to appear as he is, but masks himself as acultivated man, as a scholar, as a poet, as a politician. If, believing allthis to be in earnest and not a mere puppet-play - for they all affectearnestness - one takes hold of these rtlaks, one suddenly has nothingbut rags and tatters in one's hands. That is why one should no longerlet oneself be deceived, that is why one should order them: 'Off withyour coats or be what you seem!' It can no longer be borne thateveryone of a noble seriousness should become a Don Qu ixote:since he has better things to do than to buffe t about with such fal serealities. But he must nonetheless keep a sharp lookout, whenever heencounters a mask cry his 'Halt! Who goes there?' and tear the.maskfrom its face. Strange! One would think that history wouldencourage men to be honest - even if only honest fools; and hithertothis has indeed been its effect, only now it is no longer! Historicaleducation and the identical bourgeois coat rule at the same time.While the 'free personality' has never before been commended sovolubly, there are no personalities to be seen, let alone free personalitiesnothing but anxiously muffled up identical people.Individuality has withdrawn within: from without it has becomeinvisible; a fact which leads one to ask whether indeed there could becauses without effects. Or is a race of eunuchs needed to watch overthe great historical world-harem? Pure objectivity would certainlycharacterize such a race. For it almost seems that the task is to standguard over history to see that nothing comes out of it except morehistory, and certainly no real events! - to take care that history doesnot make any personality 'free', that is to say truthful towards itself,truthful towards others, in both word and deed. It is only through84
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On <strong>the</strong> uses and disadvantages <strong>of</strong> history for life5The oversaturation <strong>of</strong> an age with history seems to me to be hostileand dangerous to life <strong>in</strong> five respects: such an excess creates that contrastbetween <strong>in</strong>ner and outer which we have just discussed, and<strong>the</strong>reby weakens <strong>the</strong> personality; it leads an age to imag<strong>in</strong>e that itpossesses <strong>the</strong> rarest <strong>of</strong> virtues, justice, to a greater degree than anyo<strong>the</strong>r age; it disrupts <strong>the</strong> <strong>in</strong>st<strong>in</strong>cts <strong>of</strong> a people, and h<strong>in</strong>ders <strong>the</strong><strong>in</strong>dividual no less than <strong>the</strong> whole <strong>in</strong> <strong>the</strong> atta<strong>in</strong>ment <strong>of</strong> maturity; itimplants <strong>the</strong> belief, harmful at any time, <strong>in</strong> <strong>the</strong> old age <strong>of</strong> mank<strong>in</strong>d,<strong>the</strong> belief that one is a latecomer and epigone; it leads an age <strong>in</strong>to adangerous mood <strong>of</strong> irony <strong>in</strong> regard to itself and subsequently <strong>in</strong>to<strong>the</strong> even more dangerous mood <strong>of</strong> cynicism: <strong>in</strong> this mood, however,it develops more and more a prudent practical egoism throughwhich <strong>the</strong> forces <strong>of</strong> life are paralyzed and at last destroyed.And now back to our first proposition: modern man'suffers from aweakened personality. As <strong>the</strong> Roman <strong>of</strong> <strong>the</strong> imperial era became unRoman <strong>in</strong> relation to <strong>the</strong> world which stood at his service, as he losthimself <strong>in</strong> <strong>the</strong> flood <strong>of</strong> fo reigners which came stream<strong>in</strong>g <strong>in</strong> anddegenerated <strong>in</strong> <strong>the</strong> midst <strong>of</strong> <strong>the</strong> cosmopolitan carnival <strong>of</strong> go ds, artsand customs, so <strong>the</strong> same mut happen to modern man who allowshis artists <strong>in</strong> history to go on 'prepar<strong>in</strong>g a world exhibition fo r him;he has become a stroll<strong>in</strong>g spectator and has arrived at a co ndition <strong>in</strong>which .even great wars and revolutions are able to <strong>in</strong>fluence him fo rhardly more than a moment. The war is not even over before it istransformed <strong>in</strong>to a hundred thousand pr<strong>in</strong>ted pages and set before<strong>the</strong> tired palates <strong>of</strong> <strong>the</strong> history-hungry as <strong>the</strong> latest delicacy. It seemsthat <strong>the</strong> <strong>in</strong>strument is almost <strong>in</strong>capable <strong>of</strong> produc<strong>in</strong>g a strong andfu ll note, no matter how vigorously it is played: its tones at once dieaway and <strong>in</strong> a moment have faded to a tender historical echo.Expressed morally: you are no longer capable <strong>of</strong> hold<strong>in</strong>g on to <strong>the</strong>sublime, your deeds are shortlived explosions, not roll<strong>in</strong>g thunder.Though <strong>the</strong> greatest and most miraculous event should occur itmust none<strong>the</strong>less descend, silent and unsung, <strong>in</strong>to Hades. For artflees away if you immediately conceal your deeds under <strong>the</strong> aw n<strong>in</strong>g<strong>of</strong> history. He who wants to understand, grasp and assess <strong>in</strong> amoment that before wh ich he ought to stand long <strong>in</strong> awe as before an<strong>in</strong>comprehensible sublimity may be called reasonable, but only <strong>in</strong><strong>the</strong> sense <strong>in</strong> which Schiller speaks <strong>of</strong> <strong>the</strong> rationality <strong>of</strong> <strong>the</strong> reasonableman: <strong>the</strong>re are th<strong>in</strong>gs he does nOL see which even a child sees, <strong>the</strong>reare th <strong>in</strong>gs he does not hear which even a child hears, and <strong>the</strong>se