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Friedrich_Nietzsche - Untimely_Meditations_(Cambridge_Texts_in_the_History_of_Philosophy__1997)

Friedrich_Nietzsche - Untimely_Meditations_(Cambridge_Texts_in_the_History_of_Philosophy__1997)

Friedrich_Nietzsche - Untimely_Meditations_(Cambridge_Texts_in_the_History_of_Philosophy__1997)

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On <strong>the</strong> uses and disadvantages <strong>of</strong> history for liftexisted from <strong>of</strong> old, he wants to preserve fo r those who shall come<strong>in</strong>to existence after him <strong>the</strong> conditions under which he himself came<strong>in</strong>to existence - and thus he serves life. The possession <strong>of</strong> ancestralgoods changes its mean<strong>in</strong>g <strong>in</strong> such a soul: <strong>the</strong>y ra<strong>the</strong>r possess it. Thetrivial, circumscribed, decay<strong>in</strong>g and obsolete acquire ·<strong>the</strong>ir owndignity and <strong>in</strong>violability through <strong>the</strong> fact that <strong>the</strong> preserv<strong>in</strong>g andrever<strong>in</strong>g soul <strong>of</strong> <strong>the</strong> antiquarian man has emigrated <strong>in</strong>to <strong>the</strong>m and<strong>the</strong>re made its home. The history <strong>of</strong> his city becomes for him <strong>the</strong> history<strong>of</strong> himself; he reads its walls, its towered gate, its rules andregulations, its holidays, like an illum<strong>in</strong>ated diary <strong>of</strong> his youth and <strong>in</strong>all this he f<strong>in</strong>ds aga<strong>in</strong> himself, his fo rce, his <strong>in</strong>dustry, his joy, hisjudgment, his folly and vices. Here we lived, he says to himself, fo rhere we are liv<strong>in</strong>g; and here we shall live, fo r we are tough and not tobe ru<strong>in</strong>ed overnight. Thus with <strong>the</strong> aid <strong>of</strong> this 'we' he looks beyondhis own <strong>in</strong>dividual transitory existence and feels himself to be <strong>the</strong>spirit <strong>of</strong> his house, his race, his city. Sometimes he even greets <strong>the</strong>soul <strong>of</strong> his nation across <strong>the</strong> long dark centuries <strong>of</strong> confusion as hisown soul; an ability to feel his way back and sense how th<strong>in</strong>gs were,to detect traces almost ext<strong>in</strong>guished, to read <strong>the</strong> past quickly andcorrectly no matter how <strong>in</strong>tricate its palimpsest may be <strong>the</strong>se arehis talents and virtues. Endowed with <strong>the</strong>se talents and virtuesGoe<strong>the</strong> stood before Erw<strong>in</strong> von Ste<strong>in</strong>bach's monumental work; <strong>in</strong><strong>the</strong> storm <strong>of</strong> his feel<strong>in</strong>gs <strong>the</strong> historical clouds which veiled <strong>the</strong> timebetween <strong>the</strong>m were rent apart: it was his recognition, at first sight, <strong>of</strong><strong>the</strong> German work <strong>of</strong> art 'exert<strong>in</strong>g its power through a strong, roughGerman soul'. It was <strong>the</strong> same tendency which directed <strong>the</strong> Italians<strong>of</strong> <strong>the</strong> Renaissance and reawoke <strong>in</strong> <strong>the</strong>ir poets <strong>the</strong> genius <strong>of</strong> ancientItaly to a 'wonderfu l new resound<strong>in</strong>g <strong>of</strong> <strong>the</strong> primeval str<strong>in</strong>gs', asJakob Burckhardt puts it. But this antiquarian sense <strong>of</strong> veneration <strong>of</strong><strong>the</strong> past is <strong>of</strong> <strong>the</strong> greatest value when it spreads a simple feel<strong>in</strong>g <strong>of</strong>pleasure and contentment over <strong>the</strong> modest; rude, even wretchedconditions <strong>in</strong> which a man or a nation lives; Niebuhr, for example,admits with honourable candour that on moor and heathland,among free peasants who possess a history, he can live contented andnever feel <strong>the</strong> want <strong>of</strong> art. How could history serve life better thanwhen it makes <strong>the</strong> less favoured generations and peoples contentedwith <strong>the</strong>ir own homeland and its customs, and restra<strong>in</strong>s <strong>the</strong>m fromrov<strong>in</strong>g abroad <strong>in</strong> search <strong>of</strong> someth<strong>in</strong>g <strong>the</strong>y th<strong>in</strong>k more worth hav<strong>in</strong>gand engag<strong>in</strong>g <strong>in</strong> battles for it? Sometimes this cl<strong>in</strong>g<strong>in</strong>g to one's ownenvironment and companions, one's own toilsome customs, one'sown bare mounta<strong>in</strong>side, looks like obst<strong>in</strong>acy and ignorance - yet it is73

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